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筛选的记忆

IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
OCTOBER Pub Date : 2021-06-01 DOI:10.1162/octo_a_00427
Jane Weinstock
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引用次数: 0

摘要

本文通过女性主义和精神分析的视角，追溯了多学科艺术家苏珊娜·博卡内格拉在表演和录像装置作品中对屏幕的使用，无论是字面上的还是隐喻上的。这些复杂的作品与偷窥、身份识别和屏幕记忆有关，唤起了博卡内格拉19世纪和20世纪独特的文化历史。
本文章由计算机程序翻译，如有差异，请以英文原文为准。
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Screening Memories
Abstract Through the lenses of feminism and psychoanalysis, this essay traces the use of screens, both literal and metaphoric, in the performance and video-installation works of the multi-disciplinary artist Suzanne Bocanegra. These complex pieces engage with ideas around voyeurism, identification, and screen memory, evoking Bocanegra's idiosyncratic cultural history of the nineteenth and twentieth centuries.
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来源期刊
OCTOBER
OCTOBER HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
33.30%
发文量
0
期刊介绍： At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.
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