Speaking of Lotty Rosenfeld: “Gestures Dangerous, Simple, and Popular”∗

IF 0.4 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

OCTOBER Pub Date : 2021-06-01 DOI:10.1162/octo_a_00429

N. Brizuela, Julia Bryan-Wilson

引用次数: 0

Abstract

Abstract This dialogue centers on the artwork and legacy of Chilean artist Lotty Rosenfeld, including such solo projects as One Mile of Crosses on the Pavement and her collaborations with CADA (Colectivo Acciones de Arte). It argues for a queer feminist reading of Rosenfeld as it considers her anti-dictatorship spatial practices, her intimacies with the writer Diamela Eltit, and her political and aesthetic commitments.

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谈到Lotty Rosenfeld：“危险、简单和流行的手势”*

摘要本次对话以智利艺术家洛蒂·罗森菲尔德的艺术作品和遗产为中心，包括《人行道上的十字架一英里》等个人项目，以及她与CADA（艺术学院）的合作。它主张对罗森菲尔德进行酷儿女权主义解读，因为它考虑到了她的反独裁空间实践、她与作家迪亚梅拉·埃尔蒂特的亲密关系，以及她的政治和美学承诺。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

OCTOBER HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.10

自引率

33.30%

发文量

期刊介绍： At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.