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Mappers, Mapmakers, and Cartographers and Where to Find Them in Contemporary Art (a Modest Proposal) 地图绘制者、地图绘制者和制图师以及在当代艺术中如何找到他们（一个谦虚的提议）
JoLMA Pub Date : 2024-07-26 DOI: 10.30687/jolma/2723-9640/2024/01/005
Marcello Tanca
{"title":"Mappers, Mapmakers, and Cartographers and Where to Find Them in Contemporary Art (a Modest Proposal)","authors":"Marcello Tanca","doi":"10.30687/jolma/2723-9640/2024/01/005","DOIUrl":"https://doi.org/10.30687/jolma/2723-9640/2024/01/005","url":null,"abstract":"The so-called “art map age”, a phenomenon marked by the convergence of visual arts and cartography, emerged between the 60-70s and early 2000s. The close relationship between cartographic and artistic language is a “commonplace” of the present world: if the artistic experiments with the maps have been supported by a vast bibliography, in this paper I follow a strictly geographical approach to describe some trends of contemporary art. I take inspiration from a terminological distinction introduced by Arthur Robinson and Barbara Petchenik: and that is between ‘mapper’, ‘mapmaker’ and ‘cartographer’. Furthermore, combining the “types” of the mapper, the mapmaker, and the cartographer with the different attitudes regarding maps (as medium, image, abstraction, etc.), I will suggest a small classification scheme.","PeriodicalId":514603,"journal":{"name":"JoLMA","volume":"32 38","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141800639","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dáiddakárta Cartography in Contemporary Art Practices 当代艺术实践中的 Dáiddakárta 地图学
JoLMA Pub Date : 2024-07-26 DOI: 10.30687/jolma/2723-9640/2024/01/006
Elin Haugdal
{"title":"Dáiddakárta\u0000 Cartography in Contemporary Art Practices","authors":"Elin Haugdal","doi":"10.30687/jolma/2723-9640/2024/01/006","DOIUrl":"https://doi.org/10.30687/jolma/2723-9640/2024/01/006","url":null,"abstract":"This article explores contemporary art practices in Sápmi which utilise maps as a tool and medium. The importance of the artist Hans Ragnar Mathisen’s abundant maps from the mid-1970s is acknowledged, and furthermore the article looks into examples from the next generation Sámi artists who create dáiddakárta, which literally translates to art maps. Although not a traditional Sámi way of mapping and orientating in the landscape, dáiddakárt is significant in representing Indigenous people, in knowledge production, decolonial resistance, and reconciliation. Various dáiddakárta broaden the concept of what a ‘map’ has been, and could be, and contribute to the cartographic representations of other forms of being. Emphasising the concept of worlding helps understand mapping as a constant formation, relation and negotiation, and as a forceful and sometimes activist process, not only rendering or representing a world ‘already there’. Instead, the art maps serve as interpretative, aesthetic and even speculative actors in contemporary society.","PeriodicalId":514603,"journal":{"name":"JoLMA","volume":"49 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141799753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Maps and the Epistemic Risks of Visual Representation 地图与视觉表征的认识风险
JoLMA Pub Date : 2024-07-26 DOI: 10.30687/jolma/2723-9640/2024/01/002
Quill R Kukla
{"title":"Maps and the Epistemic Risks of Visual Representation","authors":"Quill R Kukla","doi":"10.30687/jolma/2723-9640/2024/01/002","DOIUrl":"https://doi.org/10.30687/jolma/2723-9640/2024/01/002","url":null,"abstract":"Bad maps misrepresent and mislead. They hide important truths and misdirect our attention. Often, they are self‑serving, promoting the values of their makers. But it is not easy to delineate what counts as a good map. Even ‘good’ maps that are useful, illuminating, and accurate according to their representational conventions can still mislead us, hide important patterns, and distort our understanding. In constructing a map, we necessarily balance at least three sorts of epistemic risks, which I name aesthetic risks, categorization risks, and simplification risks. Balancing these risks is always a value‑laden process. Maps that employ an ‘aesthetics of neutrality’ can be distinctively misleading by hiding their own value‑laden perspective under an aesthetic veneer of scientific objectivity.","PeriodicalId":514603,"journal":{"name":"JoLMA","volume":"47 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141799870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Biston betularia carbonaria Repopulating Maps with Climate Monsters Biston betularia carbonaria 用气候怪物重新填充地图
JoLMA Pub Date : 2024-07-26 DOI: 10.30687/jolma/2723-9640/2024/01/014
Antonio Ianniello
{"title":"Biston betularia carbonaria\u0000 Repopulating Maps with Climate Monsters","authors":"Antonio Ianniello","doi":"10.30687/jolma/2723-9640/2024/01/014","DOIUrl":"https://doi.org/10.30687/jolma/2723-9640/2024/01/014","url":null,"abstract":"The monster appears in geographical texts throughout the ages as a ‘guardian of the border’ that defines the limits of the possible, inducing action or averting behavior and restricting movement for political or economic purposes. Through a philosophy that uses unorthodox means, I intend to present a climate monster by which, based on a possible imagery about the current climate crisis, an invitation for a change in our habits is produced. I propose that repopulating maps with situated imaginary monsters can deploy specific education of attention that invites focusing on concrete aspects of our surroundings. To do this I will present the mixed media art project Biston betularia carbonaria, an eco-distopia created in collaboration with the photographer Valeria Scrilatti.","PeriodicalId":514603,"journal":{"name":"JoLMA","volume":"54 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141799693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A View From Above Vertical Perspective in the Age of Total Images 俯瞰全图时代的垂直视角
JoLMA Pub Date : 2024-07-26 DOI: 10.30687/jolma/2723-9640/2024/01/011
Domenico Quaranta
{"title":"A View From Above\u0000 Vertical Perspective in the Age of Total Images","authors":"Domenico Quaranta","doi":"10.30687/jolma/2723-9640/2024/01/011","DOIUrl":"https://doi.org/10.30687/jolma/2723-9640/2024/01/011","url":null,"abstract":"Thanks to the technological dislocation of the eye of the beholder, the mechanical eye or both of them together, along recent decades the view from above has become a widespread, somehow trivial way to experience the world, imposing a new scopic regime. Deeply enmeshed and dependent upon technologies of surveillance, vertical perspective does not only democratize the point of view of the power: it provides us with an inhuman gaze on the world, liberating images from the constraints of naked human vision and erasing the distinction between images and maps, producing what Peraica has called total images. These topics are explored through a number of case studies from the visual arts.\u0000 ","PeriodicalId":514603,"journal":{"name":"JoLMA","volume":"22 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141801649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ryle’s Conceptual Cartography A Brief Introduction 赖尔的概念制图学简介
JoLMA Pub Date : 2024-07-26 DOI: 10.30687/jolma/2723-9640/2024/01/004
Julia Tanney
{"title":"Ryle’s Conceptual Cartography\u0000 A Brief Introduction","authors":"Julia Tanney","doi":"10.30687/jolma/2723-9640/2024/01/004","DOIUrl":"https://doi.org/10.30687/jolma/2723-9640/2024/01/004","url":null,"abstract":"Conceptual Cartography is a style of philosophical investigation, named and championed by Gilbert Ryle and somewhat akin to, but independent from, Wittgenstein’s examination of ‘language games’ in Philosophical Investigations. This study examines the impetus for this method which includes difficulties with the traditional approaches to conceptual analysis initiated by Plato’s Socrates and encouraged by later work in formal logic.","PeriodicalId":514603,"journal":{"name":"JoLMA","volume":"21 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141801667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Evergrowing Map A Fluid Account on Cartography 不断增长的地图》关于制图的流畅叙述
JoLMA Pub Date : 2024-07-26 DOI: 10.30687/jolma/2723-9640/2024/01/013
Paolo Bosca
{"title":"The Evergrowing Map\u0000 A Fluid Account on Cartography","authors":"Paolo Bosca","doi":"10.30687/jolma/2723-9640/2024/01/013","DOIUrl":"https://doi.org/10.30687/jolma/2723-9640/2024/01/013","url":null,"abstract":"Geography and cartography lay in the intersection between two knowledges, namely physics and geometry. In his book La naissance de la physique dans le texte de Lucrèce, Michel Serres shows how geometry – and the consequent static model of reality, on which cartography is traditionally based on – originated from the mechanics of fluid, as fluid was, in the atomistic philosophy, the process of agglomeration and dissolution of things made by atoms. In the last two decades, thinkers like Michel Serres, Tim Ingold, Luce Irigaray and others, have raised awareness on the possibility of conceiving reality on a fluidity based model, in order to better explain the complex, moiré, variety of our experience of the world. In front of the problems raised by the rapid changes happening in the physical and biological realm, the model of the world as a static plane on which object are situated and experienced is no longer sustainable, because it is unable to describe and orient human being between the emerging characters of life on earth. A new sensibility to acquire orientation in the multi-faced and multi-layered world goes hand in hand with the one of a new geographical and cartographical description of physical reality. Through the concept of evergrowing map this article aims to outline a cartographical strategy of orientation through a fluid conception of the world, based on multilayered representations of the territory rooted in multiple relations weaved by human inhabiting the world.","PeriodicalId":514603,"journal":{"name":"JoLMA","volume":"60 18","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141799306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Strait and the Sea Unsettling Scores 海峡两岸的不解之缘
JoLMA Pub Date : 2024-07-26 DOI: 10.30687/jolma/2723-9640/2024/01/009
Tarek Elhaik
{"title":"The Strait and the Sea\u0000 Unsettling Scores","authors":"Tarek Elhaik","doi":"10.30687/jolma/2723-9640/2024/01/009","DOIUrl":"https://doi.org/10.30687/jolma/2723-9640/2024/01/009","url":null,"abstract":"In this inquiry I build on my previous work on contemporary aesthetics to engage the media practices and bio-acoustic mappings of cetacean scientists, as well as fishers’ video diaries and sound cartographies of interactions with cetaceans. To these, I also juxtapose a contemporary composer, sound engineer, and media artist’s sonographic records of encounters with these decidedly intriguing marine mammals alas too often reduced to the moniker “charismatic”.  Concretely, I zoom in on three media practices: the sound compositions of Ariel Guzik, founder of the Nature Expression and Resonance Lab, who designs and engineers instruments to communicate with grey whales, sperm whales, and bottle nose dolphins in the Sea of Cortez; the hydrophone recordings, spectrograms, drone footage, and photo-identifications by a team of cetacean ethologists and communication scientists who run a research vessel and a marine ecology lab in the Tyrrhenian Sea; and the multimedia online platforms of fishers who produce video diaries of potentially fatal interactions with orcas in the Strait of Gibraltar.  These carefully selected and juxtaposed audiovisual practices are the graphic, acoustic, and musical fragments that compose the de-territorialized cartography I am calling The Strait and The Sea.","PeriodicalId":514603,"journal":{"name":"JoLMA","volume":"31 30","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141800654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Territorial Images of Yorùbáland Cartographic Styles and Symbolic Representation in the Mid-Nineteenth Century 19 世纪中叶约鲁巴地区的领土形象 制图风格与符号表征
JoLMA Pub Date : 2024-07-26 DOI: 10.30687/jolma/2723-9640/2024/01/008
Babatunde A. Ogundiwin
{"title":"Territorial Images of Yorùbáland\u0000 Cartographic Styles and Symbolic Representation in the Mid-Nineteenth Century","authors":"Babatunde A. Ogundiwin","doi":"10.30687/jolma/2723-9640/2024/01/008","DOIUrl":"https://doi.org/10.30687/jolma/2723-9640/2024/01/008","url":null,"abstract":"In the nineteenth century, Euro-American maps of Africa in the cultural contact of Europeans and Africans were also rhetorical devices, which articulated the politics of territorial conceptions of the geographical space. I contend that cartographic styles visually prompt alternative territorial perspectives with insights into past geographies. The paper examines three nineteenth-century maps of Yorùbáland in West-Central Africa highlighting cartographic styles, symbolic representations and territorial politics. Through a historical-stylistic analysis, I explore the cultural motivation of map production, their composition and the semiotic evaluation of their representations to stress alternative map appearances. These maps worked in territorial power relations, which highlight map styles as a persuasive element in the social construction of territorial identities and interests. Overall, the paper stresses maps are vital devices in the nineteenth century territorialisation of Yorùbáland, which exemplify the cultural interdependence of Europeans, Americans and Africans.","PeriodicalId":514603,"journal":{"name":"JoLMA","volume":"57 34","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141799213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mural and Landscape Painting Revisited The Art of Mapping the Digital Technosphere 重温壁画和风景画 绘制数字科技圈的艺术
JoLMA Pub Date : 2024-07-26 DOI: 10.30687/jolma/2723-9640/2024/01/012
Christian Keller
{"title":"Mural and Landscape Painting Revisited\u0000 The Art of Mapping the Digital Technosphere","authors":"Christian Keller","doi":"10.30687/jolma/2723-9640/2024/01/012","DOIUrl":"https://doi.org/10.30687/jolma/2723-9640/2024/01/012","url":null,"abstract":"The elusive dimensionality and ecologically entangled materiality of clouds have always made it hard to map and visually depict them. But while visual artists of the Romantic and Impressionist eras at last managed to relate the ecological entanglement of man-made clouds and their 'natural' counterparts, the 21st century is facing another challenging addition to the almanac of clouds: the cloud of the digital technosphere. In this article, artistic attempts at capturing its dimensional elusiveness and invisible ecological entanglement will be presented which draw both on previous representational strategies and on innovative practices to render visible this quasi-autonomous force of planetary magnitude.","PeriodicalId":514603,"journal":{"name":"JoLMA","volume":"30 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141801513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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