NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD最新文献

{"title":"Methodology of the value coordinate approach in the model of alternative understanding of consciousness","authors":"Valeriy Sivers","doi":"10.32461/2226-3209.1.2024.302028","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302028","url":null,"abstract":"The purpose of the article is to highlight the main substantive elements of the value coordinate approach, which, in turn, can be regarded as a unifying philosophical and natural science principle of seeing the essence of consciousness in connection with the recognition of the need to expand the boundaries of its study and also unambiguously reveals the value character and dialectic of interaction of its structural vectors (coordinates) as a way of forming inner experience or a hard problem of consciousness, as formulated by David Chalmers. The research methodology is, in addition to the universal general philosophical method of dialectics, cultural, axiological, historical and comparative approaches, the coordinate approach itself, which is stated in the title, the essence and directions of application of which are revealed in the sources cited in the bibliography sources and in the text of the article. The scientific novelty lies in the definition, substantiation, and presentation of the main provisions of the value coordinate approach, which reveals the dialectic of interaction of its structural vectors (coordinates) as a way of forming inner experience that can be used as a theoretical basis for the formation of an alternative model of consciousness. Conclusions. The article substantiates the understanding of supervenience as a certain correspondence between processes in the brain with an extremely broad understanding of the phenomenon of consciousness itself, which is nevertheless opaque. This opacity is the result of the absolutisation of the cognitive axis of value coordinates. At the same time, taking into account the historical epistemological dynamics, the modern field of consciousness in its integrity, in addition to the epistemological dimension dominant in the human being, should include moral and aesthetic coordinates. This is the essence of the coordinate approach. That is, in order to understand consciousness in general, which is what a human being is trying to achieve, its supervenience on the brain must take into account its specificity in the human form. The adoption of this approach is based on an understanding of the distribution of energy in the picture of human perception in the form of value, mental, cultural and physical energy. Moreover, the closer a modern person is on the coordinate axis to describing the image of reality in the mind in terms of value energy, the more abstract, that is saturated with the energy of speculative meanings, the picture of reality itself becomes, but this is precisely the condition for the free interaction of these meanings in the human mind. Based on the idea of the coordinate approach, the action of value energy on the stage of the individual's consciousness in each individual case is a recognition of the unique dynamic unity of the field of inner experience the hard problem of consciousness and the coincidence with it in the focus of the person's self-consciousness on the verge of their e","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"360 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140698146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Ideas of Emile Jacques-Dalcroze's Rhythm Plastic in the Dance Studios of Soviet Ukraine From the Late 1910s to the Early 1920s","authors":"Viacheslav Kolomiiets","doi":"10.32461/2226-3209.1.2024.302088","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302088","url":null,"abstract":"The purpose of the article is to analyse the processes of spreading the ideas of E. Jacques-Dalcroze's rhythm plastic education in the practice of dance studios in Soviet Ukraine as a manifestation of modern aesthetics. The research methodology is based on the principle of historicism, methods of analysis, comparison, deduction, art studies analysis. The scientific novelty of the article consists in updating the methodology of perceiving the rhythm plastic education system of E. Jacques-Dalcroze not as narrowly specialised, but as a general culture, which allows us to talk about rhythm in the work of choreographers as a concept of Ukrainian modernism; in the introduction into scientific circulation of materials clarifying and supplementing the panorama of the spread of the E. Jacques-Dalcroze system in Soviet Ukraine. Conclusions. In the process of crystallisation, the rhythm plastic theory of E. Jacques-Dalcroze did not remain narrowly specialised, focused only on the education of the rhythmic sense of music through movement, but spread in various artistic spheres, allowing the use of the principle of bodily rhythms to understand changes in the tempo of life in a process of global civilisational changes (industrialisation, urbanisation, among others). Despite the paradoxical nature of the concept of rhythm plastic education by E. Jacques-Dalcroze (combining obedience to the internal laws of the rhythmic structure of a musical piece with a free physical and plastic expression that is not regulated by any choreographic system), it became popular both among professional dancers and choreographers and captivated hundreds of amateurs. Rhythm became a unique artistic concept of Ukrainian modernism, manifested in the work of several dance studios of B. Nizhynska, A. Pashkovska, E. Wulf, Shaposhnykova-Vekhovych, and others), which used the system of E. Jacques-Dalcroze as a way of updating the traditional choreographic vocabulary, expanding possibilities of dance art in the new socio-political and artistic-aesthetic situation. Despite the positive perception and creative elaboration of the system of E. Jacques-Dalcroze in several artistic centres, in particular, choreographic studios, in the mid-1920s in the Ukrainian SSR, in the situation of the gradual collapse of the studio movement and the intensified reorientation of cultural policy from the diversity of creative manifestations to monovectorism, we observe a sharp criticism of Dalcroze's principles.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"311 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140698704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cultural Diffusion in Modern Cultural Discourse","authors":"Tetiana Shahan","doi":"10.32461/2226-3209.1.2024.302049","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302049","url":null,"abstract":"The purpose of the article is to reveal the peculiarities of cultural diffusion as a phenomenon of the sociocultural space based on the analysis of the cultural discourse of the first decades of the 21st century. Research methodology. An analytical method, a terminological analysis method (to clarify the concept of \"cultural diffusion\"), a systemic method (to consider cultural diffusion as a complex multifaceted system), a comparative analysis method (to identify differences in the mechanisms and types of cultural diffusion), and a generalisation method were applied. Scientific novelty. On the basis of the analysis of the modern cultural discourse, the peculiarities of the phenomenon of cultural diffusion in the socio-cultural space were revealed; the factors affecting cultural diffusion were considered, the process and influence of cultural diffusion were investigated; analysed four types of cultural diffusion (direct, indirect, forced and stimulus diffusion), theories and models explaining the mechanisms and results of cultural diffusion. Conclusions. Based on the analysis of the scientific works of modern foreign researchers on the theory of cultural diffusion, it was found that this phenomenon means the spread of cultural objects (ideas, styles, religions, technologies, languages, fashion) within or between cultures and gained popularity in the 20th century thanks to the theory of the famous anthropologist A. Kreber. Scientists identify three mechanisms (the theory of diffusion of innovations, hierarchical diffusion model, contagious diffusion model) through which cultural diffusion occurs and four main types (direct, indirect, forced and stimulating diffusion), which are distinguished by specific processes of spread and rooting in new environments. The study of cultural diffusion is a promising direction of cultural studies, as it contributes to the understanding and comprehension of the intricate network of influences and borrowings that form the modern socio-cultural space.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"18 13","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140696555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Baroque Opera in Ukrainian Modern Staging: Features of Interpretation From the Standpoint of Historically Informed Performance as Exemplified by Henry Purcell’s \"Dido And Aeneas\" Opera Performance","authors":"Mariia Hryhorieva","doi":"10.32461/2226-3209.1.2024.302091","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302091","url":null,"abstract":"The purpose of the article is to highlight the Ukrainian experience of historically informed performance in the realm of musical theatre as exemplified by the staging of Henry Purcell’s opera “Dido and Aeneas” (Kyiv, 2017). The applied research methodology is interdisciplinary, covering aspects of musicology, cultural studies, and theatre history. General scholarly and special methods are used: historical and cultural; method of historiographical analysis; descriptive; interpretive; comparative; methods of holistic, and musicological analysis. Scientific novelty. The main approaches in interpreting baroque opera are highlighted: authentic and directorial. Dramaturgical and stylistic features of “Dido and Aeneas” are characterised in the context of Western European baroque opera culture of the 17th century. Based on the research of Western and Ukrainian scholars, the leading principles of historically informed performance regarding the implementation of the musical component of an opera work (deciphering musical notation, use of ancient instruments, specifics of vocal and instrumental intonation) are defined. Conclusions. It is clarified that Ukrainian directors follow the basic principles of historically informed performance in interpreting the musical component of the work. The analysis of the direction of the performance reveals a modernised approach to the interpretation of figurative roles and stenography solutions. The specifics of the staging as a phenomenon of historically informed performance in the conditions of the modern director’s theatre are revealed.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"44 S207","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140694609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Socio-cultural \"turn\" in public relations science: critics of functionalism, postmodern influences and cultural appropriation","authors":"Tetiana Korzhova","doi":"10.32461/2226-3209.1.2024.302034","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302034","url":null,"abstract":"The purpose of the article is to consider and reveal the peculiarities of socio-cultural “turn” in public relations science on the example of functionalism critics, postmodern influences, and cultural appropriation in the XXI century. The research methodology is based on a paradigmatic approach in science that helps to reveal the context and dynamics of the transition from the functional paradigm, whose representatives reduce public relations to a “management function” and level the potential of the “cultural function” of the industry, till sociocultural in the measures of which public relations are an influential social and cultural practice in the modern world. Besides, in the article the Cultural Studies methodological tool kit was applied that helped to reveal the problem of cultural approbation in the way of post-colonialism and the role of PR campaigns in the (re)production of a postmodern understanding of consumption. Scientific novelty. For the first time, the article reveals the peculiarities of the cultural or socio-cultural “turn” in the science of public relations in the context of criticising the functional approach. Conclusions. It was found that the sociocultural “turn” and the related criticism of the epistemological and ideological foundations of the functional approach, which reduces PR to the organisational function of companies in order to increase their efficiency and attractiveness on the market, drew the attention of researchers in the field to the methodological potential anthropology, sociology, post-colonialism, cultural studies, feminism, political economy, among others, as well as scholars from other disciplinary fields to the problem of testing their own tools in PR theory and practice. It was proved that the socio-cultural “turn” is a movement of thought from understanding public relations as a functional process in an organisational context to its perception as a cultural practice and “intermediary” in cultural appropriation, in the creation of meanings and constitution of a hyper-real environment.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"28 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140696099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Realism as a Tool for the Revival of Classical Traditions in the Painting Work of Olga Karpenko","authors":"Yuliia Romanenkova","doi":"10.32461/2226-3209.1.2024.302060","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302060","url":null,"abstract":"The purpose of the work is to update the tools of realism as one of the main methods of preserving classical traditions in the art of painting by the representative of Kyiv artist Olga Karpenko. The methodology of the work is based on the use of a holistic method for a comprehensive analysis of the phenomenon of modern painting and the manner of O. Karpenko as its segment, a chronological method for the sequential consideration of the stages of the formation of the artist's personal creative style, a comparative method for comparing the characteristic features of the author's creative manner of different stages, an iconographic method for the analysis of individual works. The scientific novelty of the investigation is determined by the fact that in modern art literature there are currently few studies devoted to the realistic manner in the work of modern domestic artists, and in the context of the work of O. Karpenko, the question has not yet been asked in this way. The bibliography of the subject is very limited, so each new exploration is an important step in filling this lacuna. Conclusions. The creative work of the Kyiv artist Olga Karpenko is one of those cornerstones on which you can build a comprehensive idea of the trends in the development of modern national painting. It is multi-component, synthesises manifestations of stylistic features of various manners, directions, combines manifestations of various types of art, techniques. Among the main distinctive features of O. Karpenko's manner is that she belongs to those representatives of the younger generation who try to preserve the traditions of academic painting, which is facilitated by the appeal to a realistic manner. It is the analysis of the role of realism in the creative manner of the artist that is the main goal of this investigation, which is designed to actualise the problem of the role and place of realism as a way of seeing the world in the modern artistic space. At the same time, there is the problem of experimentation in creativity and the coexistence of a realistic manner with a tendency to experiment.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"11 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140695950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Online Painting Learning: Advantages and Disadvantages","authors":"Andrii Yalanskyi","doi":"10.32461/2226-3209.1.2024.302076","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302076","url":null,"abstract":"The purpose of the article is to describe the general features, advantages and disadvantages of online painting education. Research methodology. In the course of the study, general scientific (analysis, synthesis, generalisation, comparison) and special methods and approaches, including those integrated from art history, information technology, pedagogy, and psychology, were used. This methodological interdisciplinarity allowed for a better understanding of the direction of the main changes and trends in modern education, in particular in artistic specialities. The scientific novelty lies in the identification and characterisation of the advantages and disadvantages of online painting education. Conclusions. Online education in painting has a number of features, advantages and disadvantages that relate to both general educational and specific limitations. This requires constant monitoring and consideration in the planning and implementation of the educational process. The advantages include: accessibility, flexibility in choosing time and place, the possibility of studying at a distance, access to a large amount of traditional and modern resources, reduced material costs, wide possibilities of digital technologies, the possibility of attracting specialists and artists from around the world. These advantages can be defined as purely material and pragmatic. The disadvantages of online painting training can be divided into two groups: material and pragmatic (limited access to physical tools, materials, specific equipment, communication problems and technical difficulties) and motivational and irrational (lack of personal contact, lack of motivation and self-discipline, lack of a specific creative and artistic atmosphere). Material and pragmatic deficiencies are closely related to motivational and irrational ones, since they can cause stress and affect the inspiration of future artists.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"31 19","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140696873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Research and education strategies as a factor of cultural innovation: experience of the United Kingdom","authors":"Olga Ovcharuk","doi":"10.32461/2226-3209.1.2024.302014","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302014","url":null,"abstract":"The purpose of the article is to reveal the essence of research and educational strategies as factors of cultural innovation by analysing the practical experience of research and educational institutions of the United Kingdom. The methodology of the study is to use a systematic approach to determine the systemic vision of cultural innovation by different institutions of the United Kingdom. The main research methods are: comparative method – for a comparative analysis of institutional development approaches, concepts of research projects and educational programmes; structural and typological method – to identify the features of the institutional system and identify its typological features; method of semiotic analysis – to interpret the content of cultural projects and art educational programmes as sign systems in the cultural space; method of theoretical generalisation – to summarise the research results. The scientific novelty lies in the generalisation of the experience of government institutions (Ministry of Culture, Media and Sport, Arts Council England), research institutions (Research and Innovation, Arts and Humanities Research Council) and educational institutions (King's College London, Kingston University School of Art, College of Arts, Social Sciences and Humanities, University of Lincoln) of the United Kingdom aimed at developing research programmes, projects, determining their priorities and funding conditions as substantive components of promising research. Conclusions. The strategic priorities that ensure the development of cultural innovations are research and development of the latest technologies, including artificial intelligence, immersive technologies in art, virtual, augmented and mixed reality, digital culture, and integration of their results in the cultural industries. Educational strategies are characterised by interdisciplinarity, focus on digital humanities, visual arts, media, and creative industries. This makes it possible to overcome traditional disciplinary boundaries, create new specialisations, and use the potential of art to solve complex real-world problems and achieve real socially significant change.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"335 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140698413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mozart's Requiem and its performance by K. Pigrov","authors":"Halyna Shpak","doi":"10.32461/2226-3209.1.2024.302097","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302097","url":null,"abstract":"The purpose of this study is to trace in K. Pigrov's performance interpretation of two pieces from W. Mozart's Requiem the signs of the performer’s worldview, which enriched the listening experience by correlating the Church-Orthodox worldview with the deistic-Catholic image of the world formed by the text of Mozart's immortal work. The methodological basis is the intonational approach of B. Asafiev’s school in Ukraine, comparative and hermeneutic prolongations of intonation in the works of D. Androsova, T. Verkina, O. Kozarenko, I. Kotliarevskyi, I. Liashenko, Liu Binjsan, O. Markova, O. Muravska, O. Sokolova, H. Shpak, among others, with the use of scientific research methods: art historical and analytical, descriptive-historical, cultural-regionalist, religious studies, and others. The scientific novelty lies in the fact that for the first time in Ukrainian musicology the analysis of the famous work of W. Mozart, using the example of No. 6 and 7 from Mozart’s Requiem, is carried out in view of the interpretation of these fragments by different performers, highlighting the sample of their performance by K. Pigrov, based on the foundations of the Odesa choral school as a church-Orthodox school by genesis, not alien to theatrical and secular sections of interpretation. In addition, for the first time, the specifics of the means by which the effect of Pigrov's interpretation is achieved by timbral-tempo and other sound indicators are highlighted. Conclusions. The multi-stage work of W. Mozart, and after his retirement those who deciphered and completed the text of Requiem, seems to have left an impression on the history of performance, including in the 20th and 21st centuries, which give very different versions of the sound, considering the church origin and at the same time the secularisation of the Latin Requiem In the performance under the baton of K. Pigrov, there was a version that allowed a somewhat \"compressed\" presentation of the whole for Nos. 6-7, where the images expressed in Nos. 1-7 (the formidable Power of God) and Nos. 8-12 (the height of God’s Mercy) were \"collapsed\". In the performance of the choir under the direction of K. Pigrov, the tempos are significantly slowed down (especially in No. 7), giving a visual fluidity to the changes in those musical Faces of God, relying on the tempo-articulation \"displacement\" of the themes and the amplification of sounds by low basses and \"scaling\" by slowing down the tempo at № 7. This is how an independent poem-type work was born from the named sections of W. Mozart's Requiem.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"5 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140696819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Influence of Accurate Attribution on Preservation of Historical Portrait Miniatures","authors":"Tetiana Zuziak","doi":"10.32461/2226-3209.1.2024.302054","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302054","url":null,"abstract":"The purpose of the article is to analyse the influence of accurate attribution on the process of preservation of historical portrait miniatures. Research methodology. The systemic method was applied to analyse portrait miniatures as a complex system that includes authorship, historical and cultural context, materials and techniques of creation. Using a systematic approach, the author of the article was able to identify the relationships between different aspects of the portrait miniature and their influence on their conservation strategies. A dialectical method was used to understand the dynamics between accurate attribution and miniature preservation processes. Within the dialectical analysis, different points of view regarding the meaning of attribution were considered, from the practical aspects of preservation to the philosophical questions of authorship and authenticity. The search method made it possible to collect a wide range of data on historical portrait miniatures, their authors, execution techniques and preservation history. The search method ensured the collection of the necessary information for the accurate attribution of miniatures and the study of their impact on conservation practices. Scientific novelty. The study highlights how an understanding of the historical and cultural context of miniatures, achieved through accurate attribution, can influence exhibition decisions, museum education programmes, and cultural heritage conservation strategies. Conclusions. Accurate attribution provides a scientifically sound basis for the selection of conservation and restoration methods, which is critical for the preservation of historic portrait miniatures according to their age, style, and materials used. Accurate attribution helps museum collections and exhibition design by enabling museum professionals to effectively classify and present miniatures in the context of their historical and cultural significance. The study emphasises the importance of ethical considerations in the attribution process, emphasising the need for a balanced approach between the use of modern technologies and the preservation of the authenticity of works.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"34 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140694637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}