{"title":"Marina Warner’s Inventory of A Life Mislaid: An Unreliable Memoir. From Memoir to Filiation Narrative","authors":"Souhir Zekri Masson","doi":"10.21827/ejlw.13.40272","DOIUrl":"https://doi.org/10.21827/ejlw.13.40272","url":null,"abstract":"Marina Warner’s Inventory of a Life Mislaid: An Unreliable Memoir (2021) is her second work belonging to the genre of life writing, more particularly the memoir. She had already written a biography, The Dragon Empress: The Life and Times of Tz’u-Hsi, Empress Dowager of China, 1835-1980, about a Chinese empress in 1972, but her memoir is more personal, rather focused on her parents’ marriage, life itineraries and travels through Italy, England and Egypt during and after WWII. Interestingly, many characteristics of her memoir fit with another life writing genre, identified by the French theorist Dominique Viart in the eighties as the ‘filiation narrative,’ initially in reference to French fiction of the same period. The filiation narrative focuses on a self-reflexive search for parental images, reconstructing the mother’s or father’s life through the excavation of documentation and archives, as well as speculation. This article will attempt to show how such thematic and structural features of the filiation narrative as ‘archeological’ narration, the use of archival documents and objects to restore a parent’s ‘lost’ life and, most importantly, the metabiographical aspect of the ‘enterprise’ are reflected, in various degrees, in Warner’s memoir, making it waver between fiction and non-fiction. These same features may thus pave the way for the English counterpart of the French ‘récit de filiation’ and build a pertinent generic continuity between both memoir and filiation narrative.","PeriodicalId":503833,"journal":{"name":"European Journal of Life Writing","volume":"3 14","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140382135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Virginia Newhall Rademacher, Derivative Lives. Biofiction, Uncertainty, and Speculative Risk in Contemporary Spanish Narrative","authors":"J. I. Díez","doi":"10.21827/ejlw.13.41566","DOIUrl":"https://doi.org/10.21827/ejlw.13.41566","url":null,"abstract":"With a very original title, which is indebted to economics studies as explained at the time, Virginia Rademacher groups together eleven titles of Spanish novels published in the 21st century which have in common their belonging to the category of ‘biofiction’. The book uses a methodology that is also original, as the subtitle states, in which three very different concepts, belonging to equally distant worlds, are employed. These three concepts are biofiction, the essential one, ‘uncertainty’ and ‘speculative risk’. The combination of them creates an interdisciplinary approach to a universe that is in principle literary but that extends its roots and consequences far beyond, to game theory and economic analysis. Undoubtedly, such a thoughtful title sums up very well what the reader will find in its 200+ pages.","PeriodicalId":503833,"journal":{"name":"European Journal of Life Writing","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140381401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Life Writing at the Terminus: Glacier Memoirs and Planetary Relationality","authors":"J. Zuern","doi":"10.21827/ejlw.13.41115","DOIUrl":"https://doi.org/10.21827/ejlw.13.41115","url":null,"abstract":"This essay examines the American glaciologist M Jackson’s While Glaciers Slept: Being Human in a Time of Climate Change and The Secret Lives of Glaciers; the British glaciologist Jemma Wadham’s Ice Rivers: A Story of Glaciers, Wilderness, and Humanity; and the Icelandic writer Andri Snær Magnason’s On Time and Water, all of which employ autobiographical discourse to convey the enormity of the climate crisis as it is manifested in the rapidly accelerating loss of Earth’s glacial ice. I discuss these writers’ accounts of their turn to life writing to augment the limited persuasive force scientific data, their scaling of the temporality of glacier recession to the time spans of their own lives, their attribution of sentience to glaciers through an engagement with non-Anglo-European worldviews, and their expressions of grief at the impending death of Earth’s glaciers. I suggest that these texts demonstrate how the distinctive truth claims, temporal modalities, subject-positioning strategies, and affective appeals of life narrative provide a particularly supple hermeneutic schema in which an understanding of the moral ramifications of humans’ mutually dependent relationships with more-than-human nature - what Amy J. Elias and Christian Moraru have described as ‘a planetary ethics of relationality’ - might be fostered.","PeriodicalId":503833,"journal":{"name":"European Journal of Life Writing","volume":"1 24","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140381751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Élise Hugueny-Léger, Projections de soi. Identités et images en mouvement dans l'autofiction","authors":"M. Koffeman","doi":"10.21827/ejlw.12.41394","DOIUrl":"https://doi.org/10.21827/ejlw.12.41394","url":null,"abstract":"Playing on the double meaning of the word projection, this book explores the multiple relationships between the French literary genre of autofiction and the moving image. Élise Hugueny-Léger, a researcher of contemporary French literature and a specialist of the work of Annie Ernaux, departs from the idea that autofictional writing is a form of psychological projection, wherein a self-image is being cast onto the page. In a more literal sense, the word projection refers to the cinematic technique of showing moving images on a screen. Several francophone authors known for their autofiction have also been involved in audiovisual productions, but earlier criticism has largely limited itself to studying their literary output. By addressing this rich and complex subject matter, Hugueny-Léger makes a valuable and original contribution to the field of francophone life-writing studies.","PeriodicalId":503833,"journal":{"name":"European Journal of Life Writing","volume":"411 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139173245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}