Élise Hugueny-Léger,Projections de soi。自传体小说中的身份和活动图像

M. Koffeman
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引用次数: 0

摘要

本书从 "投射 "一词的双重含义出发,探讨了法国文学体裁--自小说与动态影像之间的多重关系。埃莉斯-胡格尼-莱热(Élise Hugueny-Léger)是法国当代文学研究者,也是安妮-埃尔诺作品的专家,她从自传体写作是一种心理投射的形式这一观点出发,将自我形象投射到书页上。从更直白的意义上讲,"投射 "一词指的是在银幕上放映动态影像的电影技术。几位以自传著称的法语作家也参与了音像制品的制作,但早期的评论主要局限于对其文学作品的研究。通过探讨这一丰富而复杂的主题,Hugueny-Léger 为法语生活写作研究领域做出了宝贵的原创性贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Élise Hugueny-Léger, Projections de soi. Identités et images en mouvement dans l'autofiction
Playing on the double meaning of the word projection, this book explores the multiple relationships between the French literary genre of autofiction and the moving image. Élise Hugueny-Léger, a researcher of contemporary French literature and a specialist of the work of Annie Ernaux, departs from the idea that autofictional writing is a form of psychological projection, wherein a self-image is being cast onto the page. In a more literal sense, the word projection refers to the cinematic technique of showing moving images on a screen. Several francophone authors known for their autofiction have also been involved in audiovisual productions, but earlier criticism has largely limited itself to studying their literary output. By addressing this rich and complex subject matter, Hugueny-Léger makes a valuable and original contribution to the field of francophone life-writing studies.
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