Cuadernos de Proyectos Arquitectónicos最新文献

{"title":"Consolidar la periferia. Tres conjuntos residenciales del Grupo Z en Zaragoza","authors":"Juan Carlos Salas-Ballestín, Raimundo Bambó-Naya","doi":"10.20868/cpa.2023.13.5166","DOIUrl":"https://doi.org/10.20868/cpa.2023.13.5166","url":null,"abstract":"El éxodo rural de posguerra origina multitud de asentamientos irregulares en las periferias urbanas españolas. Muchos de estos nuevos vecindarios carecen de planificación, infraestructuras, equipamientos y servicios, y están constituidos por viviendas autoconstruidas de características rurales, evocando los orígenes de sus habitantes. Posteriormente, se interviene en ellos mediante planeamientos urbanísticos que, en muchos casos,desvirtúan su carácter; siguen un modelo de ciudad-dormitorio donde prevalece sobre lo preexsistente la infraestructura rodada y la edificación de bloques residenciales de gran escala. Coincidiendo con la llegada de la democracia, movimientos ciudadanos, profesionales e instituciones ensayan nuevas soluciones para estos asentamientos periféricos. El Grupo Z es partícipe de este proceso cuando, a comienzos de los años 80, actúa en la reforma interior del barrio de La Paz con la construcción de tres conjuntos residenciales adyacentes. En lugar de adoptar soluciones genéricas y universales, como las derivadas del planeamiento precedente, los arquitectos del Grupo Z proyectan estos edificios dando respuestas específicas basadas en la lógica, aplicadas a un contexto urbano, a una realidad socioeconómica y a una identidad concretas. Estos edificios son más respetuosos con lo preexistente, recuperando valores de arquitecturas rurales: adoptan recursos arquitectónicos vernáculos, como los frentes de fachada, los patios, las dimensiones de huecos, las cubiertas o la materialidad; interaccionan con la trama urbana a través de una volumetría fragmentada; activan el espacio público limítrofe mediante la dispersión de sus accesos; incorporan viviendas de diferentes características para atraer a población diversa y fomentan la identidad comunitaria con una amplia variedad espacios de relación. El propósito de este estudio consiste en analizar en profundidad estos tres conjuntos y reconocer los valores arquitectónicos que han contribuido a la consolidación del vecindario, respetando su forma e identidad originales, en contraposición a otras intervenciones previas, que casi llevaron a una transformación definitiva del distrito periférico. Abstract The rural exodus after the Spanish Civil War led to many irregular settlements on the outskirts of Spanish cities.These new neighbourhoods often lacked planning, infrastructure, public facilities and services and consisted of rural-like self-built housing, evoking the origins of the inhabitants. Later urban planning efforts often distorted the original character of these settlements by pursuing the model of commuter towns dominated by road infrastructure and large-scale residential slabs. With the transition to democracy, citizens, professionals and institutions experimented with new solutions for these peripheral settlements. In the early 1980s, Grupo Z was involved in such efforts, taking part on the interior reform of the La Paz district, building three adjacent residential complexes. Rather","PeriodicalId":502183,"journal":{"name":"Cuadernos de Proyectos Arquitectónicos","volume":"590 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139177677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"History in the Making Lo construido y lo pensado: a propósito de la historiografía de la arquitectura","authors":"A. Valdivieso","doi":"10.20868/cpa.2023.13.5171","DOIUrl":"https://doi.org/10.20868/cpa.2023.13.5171","url":null,"abstract":"Abrumados por la acelerada proliferación de un cada vez mayor conjunto de formatos a través de los cuales, también los temas que ocupan a los historiadores de la arquitectura y el urbanismo, son sometidos a un proceso de escrutinio constante al servicio de la creación de contenido bajo parámetros de producción y rendimiento—una forma de conocimiento que anula el pensamiento, encontrándose la mayor parte de sus síntomas en la universidad—, uno no puede por menos de sentir cierto alivio al toparse con un libro, publicado con motivo de la celebración de un encuentro de investigación sobre historiografía de la arquitectura, que no sólo es capaz de cuestionar dicha rescisión desde su condición objetual —un único formato que funciona como una herramienta analógica de acción y que establece una relación entra autores y lectores (no consumidores)—, sino que lo hace, además, inquiriendo cuál sea la manera en que dicha historia ha sido y está siendo pensada.Es decir, no juzgando el pasado, sino interrogándolo, tal y como parece ser el objetivo de los historiadores de la arquitectura, toda vez que su trabajo ha alcanzado una autonomía que se justifica por el asentamiento de unos fundamentos epistemológicos propios.AbstractOverwhelmed by the proliferation of an increasing number of formats through which the themes that occupy historians of architecture and urban planning are also subject to constant scrutiny at the service of creating content controlled by parameters of production and performance — a form of knowledge that cancels thought, with its symptoms most prevalent in universities — one cannot help but feel a certain relief when coming across a book, published on the occasion of a research meeting on the historiography of architecture, that is not only capable of questioning this rescission objectively but also does so, inquiring what is the way in which this story has been and is being thought. It is a unique format that works as an analogue tool for action and that establishes a relationship between authors and readers (non-consumers). Or in other words, not by judging the past, but by interrogating it, as seems to be the aim of architecture historians every time their work has achieved a level of autonomy that is justified by the establishment of its own epistemological foundations.","PeriodicalId":502183,"journal":{"name":"Cuadernos de Proyectos Arquitectónicos","volume":"161 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Una noción de libertad en la arquitectura de Le Corbusier","authors":"Raúl Castellanos-López","doi":"10.20868/cpa.2023.13.5165","DOIUrl":"https://doi.org/10.20868/cpa.2023.13.5165","url":null,"abstract":"Este artículo parte de una premisa inicial: la auténtica libertad en arquitectura consiste en la invención de un sistema de reglas propio. Se adentra, a continuación, en el pensamiento del arquitecto moderno que probablemente mejor encarne este principio: Le Corbusier. La libertad entendida como liberación de la norma académica, como principio de legalidad para el proyecto moderno, o como fundamento y objeto del plan libre completan un análisis que focaliza sobre la naturaleza del proyecto de arquitectura y, al mismo tiempo, trata de trascenderlo en busca de un denominador común al desempeño de la práctica artística. Se presenta, finalmente, una noción de libertad disciplinada, alejada de la pura subjetividad y de la ingenuidad de un hipotético ejercicio de la arquitectura sin reglas ni coerciones.AbstractThis paper begins with a basic premise: in architecture, real freedom means inventing one’s own rules. It then considers the thinking of the modern architect who probably embodies this tenet best: Le Corbusier. Freedom in the sense of being unfettered by academic norms, as a principle of legality for modern projects, and as the basis and subject of the free plan complete an analysis that focuses on the nature of the architectural project whilst looking further afield in search of a common denominator in the execution of artistic practice. The paper ends by presenting a notion of disciplined freedom far removed from the absolute subjectivity and simplicity of a theoretical practice of architecture bereft of rules or constraint.","PeriodicalId":502183,"journal":{"name":"Cuadernos de Proyectos Arquitectónicos","volume":"299 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139177909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Bangkok: 1999-2542. Evaluando el legado de la Sexta Edición de “Cities on the Move”","authors":"Francisco García-Moro","doi":"10.20868/cpa.2023.13.5167","DOIUrl":"https://doi.org/10.20868/cpa.2023.13.5167","url":null,"abstract":"“Cities on the Move” fue una exposición itinerante de arte comisariada por Hans-Ulrigh Obrist y Hou Hanru dedicada a las emergentes ciudades de Asia. La sexta edición tuvo lugar en 1999 en Bangkok, una ciudad que aún se estaba recuperando de una grave crisis financiera. Por aquel entonces, la capital tailandesa carecía de recintos expositivos aptos para muestras internacionales. Sin embargo, tal inconveniente se convirtió en una oportunidad para exponer las obras de arte en el mismo contexto urbano para el que habían sido concebidas. El acontecimiento tuvo lugar en un contexto no-occidental que se encontraba en el apogeo de su particular encarnación de la Postmodernidad, un período histórico en el que la globalización estaba en una fase incipiente y el ascenso de China era aún una mera promesa. El manifiesto de los comisarios, así como el montaje expositivo de la muestra, estuvieron marcadamente influidos por las visionarias ideas del arquitecto holandés Rem Koolhaas acerca del vertiginoso desarrollo en ciernes de Asia. Este evento no ha recibido hasta la fecha una atención equiparable a la de otras ediciones que contaron con mejores medios y atención por parte7 de la crítica. Casi veinticinco años después, examinamos a través de la lente de la arquitectura las condiciones que acompañaron a la Sexta Edición de “Cities on the Move” en Bangkok, evaluando su legado como un acontecimiento crucial en el arte contemporáneo y los estudios urbanos en Asia.Abstracts“Cities on the Move” was an itinerant art exhibition curated by Hans-Ulrigh Obrist and Hou Hanru that versed about modern urbanity in Asia. The sixth edition took place in 1999 in Bangkok, a city that was still recovering from a severe financial crisis. At that time, the Thai capital lacked exhibition venues fit for international shows.However, such inconvenience turned into an opportunity to display the artworks right at the urban realm for which they had been created. The event took place in a non-Western setting at the cusp of its particular stance of Postmodernity, at a time when globalization was in its nascent stages and the rise of China was a mere promise. The curatorial manifest, as well as the setup of the itinerant show, was markedly influenced by architect Rem Koolhaas and his vision about the upcoming development of Asia. To date, the Bangkok event has not received the same attention as other editions that enjoyed better support and attention by worldwide critics. Almost twenty-five years later, we examine through the lens of architecture the conditions that accompanied the Sixth Edition of “Cities on the Move”, assessing the significance of its legacy as a pivot moment in contemporary art and urban studies in Asia.","PeriodicalId":502183,"journal":{"name":"Cuadernos de Proyectos Arquitectónicos","volume":"310 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139177898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A notion of freedom in Le Corbusier’s architecture","authors":"Raúl Castellanos-López","doi":"10.20868/cpa.2023.13.5179","DOIUrl":"https://doi.org/10.20868/cpa.2023.13.5179","url":null,"abstract":"","PeriodicalId":502183,"journal":{"name":"Cuadernos de Proyectos Arquitectónicos","volume":"514 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A celebration of modesty. Instituto Tajamar in Vallecas (1959–1966)","authors":"Eduardo Delgado-Orusco, Jaime Aparicio-Delgado","doi":"10.20868/cpa.2023.13.5180","DOIUrl":"https://doi.org/10.20868/cpa.2023.13.5180","url":null,"abstract":"One may wonder whether the term novelty encompasses the general conditions applied to architecture these days or whether it is rather a return to the origins, perhaps a cyclical regression: the restrictions imposed on theconstruction industry as a consequence of the climate crisis or of optimizing the relationship with the natural environment seem to be a timeless dictate always present in good architecture.These statements are found in the works of many authors from the distant and recent past that still inspire us today; hence, the interest of re-examining certain examples that have proved their initial relevance and theirsuccessful evolution.In Spain, the needs and limitations arising from the autarchic period following the Civil War imposed the natural logic of adaptation, and more so in certain settings and programs in which modesty prevails. This is the case of Instituto Tajamar in Vallecas (Madrid), designed by the architects César Ortiz-Echagüe and Rafael Echaide.Ortiz-Echagüe and Echaide completed this project at the end of their collaboration, and it meant a paradigm shift in their architecture: from the Miesian dream that characterized most of their work to what could be termed a poetic pragmatism inspired by the architecture of Richard Neutra, whom Ortiz-Echagüe had met and accompanied during his visit to Spain in 1954.","PeriodicalId":502183,"journal":{"name":"Cuadernos de Proyectos Arquitectónicos","volume":"628 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Review of the book La cultura arquitectónica en los años de la Transición","authors":"E. Delgado-Orusco","doi":"10.20868/cpa.2023.13.5178","DOIUrl":"https://doi.org/10.20868/cpa.2023.13.5178","url":null,"abstract":"<jats:p>Resumen</jats:p>","PeriodicalId":502183,"journal":{"name":"Cuadernos de Proyectos Arquitectónicos","volume":"9 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La materialización en diagramas arquitectónicos hápticos","authors":"Esen Gökçe-Özdamar","doi":"10.20868/cpa.2023.13.5168","DOIUrl":"https://doi.org/10.20868/cpa.2023.13.5168","url":null,"abstract":"Este artículo se centra en las posibilidades que ofrecen los materiales hápticos y tridimensionales en los diagramas arquitectónicos creados en el proceso de diseño. Estos materiales pueden inspirar a los diseñadores y potenciar su creatividad. Los diagramas hápticos incorporan la experiencia del diseñador al problema de diseño y, por tanto, mejoran sus procesos mediante la eficacia incorporada. La primera sección del artículo enumera y explica brevemente los diagramas arquitectónicos y sus tipos. En la segunda sección se valoran los diagramas arquitectónicos analógicos o digitales con cualidades táctiles. Los diagramas hápticos se clasifican en función de su contenido y del entorno en el que se crean, con tres tipos de agudeza visual: si son lineales o fragmentarios, complejos o transparentes, y si están distorsionados geométricamente. El artículo sostiene que los diagramas arquitectónicos hápticos pueden mejorar la plasmación del pensamiento de diseño en la arquitectura. Los diagramas hápticos, ya sean analógicos, digitales o tridimensionales, pueden ayudar a los arquitectos a comunicarse y colaborar más eficazmente con las personas que perciben la arquitectura, al proporcionar una representación tangible y háptica del diseño. Y es que los diagramas hápticos son objetos que transmiten la materialidad de la forma y encarnan el conocimiento, transmitiendo la metodología del diseño de forma experiencial. AbstractThis article focuses on the possibilities afforded by haptic and three-dimensional materials in architectural diagrams created in the design process. These materials can inspire designers and enhance their creativity. Haptic diagrams incorporate the designer’s experience into the design problem, and therefore improve design processes through embodied efficiency. The first section of the article enumerates and briefly explains architectural diagrams and their types. In the second section, analog or digitally made architectural diagrams with tactile qualities are appraised. Haptic diagrams are classified based on their content and the setting in which they are created, with three types of visual acuity, including whether they are linear or fragmentary, complex or transparent, and whether they are geometrically distorted. The article argues that haptic architectural diagrams can improve the embodiment of design thinking in architecture. Haptic diagrams, whether analog, digital, or 3D, can help architects to communicate and collaborate more effectively with people perceiving architecture, by providing a tangible, haptic representation of design. This is because haptic diagrams are objects which convey materiality of form and embody knowledge, conveying design methodology experientially.","PeriodicalId":502183,"journal":{"name":"Cuadernos de Proyectos Arquitectónicos","volume":"31 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Embodiment in haptic architectural diagrams","authors":"Esen Gökçe-Özdamar","doi":"10.20868/cpa.2023.13.5176","DOIUrl":"https://doi.org/10.20868/cpa.2023.13.5176","url":null,"abstract":"","PeriodicalId":502183,"journal":{"name":"Cuadernos de Proyectos Arquitectónicos","volume":"140 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139177547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Consolidating the periphery: three residential complexes in Zaragoza by Grupo Z","authors":"Juan Carlos Salas-Ballestín, Raimundo Bambó-Naya","doi":"10.20868/cpa.2023.13.5174","DOIUrl":"https://doi.org/10.20868/cpa.2023.13.5174","url":null,"abstract":"","PeriodicalId":502183,"journal":{"name":"Cuadernos de Proyectos Arquitectónicos","volume":"783 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139177380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}