Hudožnâ kulʹturaPub Date : 2023-06-13DOI: 10.31500/1992-5514.19(1).2023.283138
Andrii Koliada
{"title":"Contemporary Music Theater asan Instrument of Human Rights Protection: PENITA.opera and Vitally Important Social Project","authors":"Andrii Koliada","doi":"10.31500/1992-5514.19(1).2023.283138","DOIUrl":"https://doi.org/10.31500/1992-5514.19(1).2023.283138","url":null,"abstract":"The paper discusses Vitally Important Social Project addressing women imprisoned for life in Ukraine, which consists of an opera performance, a photo exhibition, and a series of conferences in several cities of Ukraine. The grounds of the project were considered, namely the problem of attitude towards life prisoners in Ukraine and the legislation that regulates their rights and the possibility of early release. The study offers a holistic analysis of the music theater performance PENITA.opera in its connection with the current social problems of Ukrainian society. It was revealed that contemporary art projects are an effective tool in launching important social and political discussions. At the same time, the unusual themes of contemporary opera require its genre and type transformation, and the modification of established art forms. It is noteworthy that the short-term complex project, after its formal completion, has continued its life in the format of a repertoire performance of the Kyiv National Operetta. In conclusion, the article defines the role of social art projects in creating a common field for public debate. The characters of the documentary opera and photo exhibition evoke empathy in the viewer, and the art projects themselves bring together like-minded people who, by means of communication, convey new values to the public, join the media discussion, and influence public opinion and prompt fundamental changes in legislation. Since the beginning of the full-scale Russian invasion of Ukraine, the topic of colonies, imprisonment, and oppression has gained new relevance, and Vitally Important Social Project has become a part of a powerful postcolonial movement in Ukraine.","PeriodicalId":499711,"journal":{"name":"Hudožnâ kulʹtura","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136222120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Hudožnâ kulʹturaPub Date : 2023-06-13DOI: 10.31500/1992-5514.19(1).2023.283115
Iryna Bermes
{"title":"Local Forms of Festival Space in Drohobych","authors":"Iryna Bermes","doi":"10.31500/1992-5514.19(1).2023.283115","DOIUrl":"https://doi.org/10.31500/1992-5514.19(1).2023.283115","url":null,"abstract":"At the present stage of cultural development, the search for value and semantic guidelines leading to the realization of new forms of cultural life, including music, is underway. As one of such new forms, festivals help embrace new forms, genres, and types of musical art within a common cultural space while simultaneously motivating creative teams and becoming an impetus for new achievements. The relevance of the article is in the active spread and growing importance of music festivals as creative events and an important component of the national art process. The paper reveals various aspects of provincial city festival life during the period of Ukrainian independence. At present, festivals are an integral element of culture, a constantly evolving art phenomenon. They are in demand in various fields of culture and art, and their concert programs attract townspeople and visitors. Festivals contribute to the formation and promotion of city and regional brands, to the transformation of the urban environment, and place focus on various issues, asthey are related to the general cultural situation and the local context of a particular location. As a key element of contemporary cultural life, festivals contribute to the dissemination of creative practices aimed at developing the cultural sphere of the city and raising the level of cultural life in the region. The paper aims to present a “panorama” of festivals, their features, and their significance for the cultural life of Drohobych.","PeriodicalId":499711,"journal":{"name":"Hudožnâ kulʹtura","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136222108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Hudožnâ kulʹturaPub Date : 2023-06-13DOI: 10.31500/1992-5514.19(1).2023.283135
Maryna Protas
{"title":"Critique of Cultural Populism: An Overview of Reflections on the Western Analytical Thought","authors":"Maryna Protas","doi":"10.31500/1992-5514.19(1).2023.283135","DOIUrl":"https://doi.org/10.31500/1992-5514.19(1).2023.283135","url":null,"abstract":"The postmodern age, which, like the age of contemporary art, is considered by most analysts to have started in the period after Second World War, can be viewed as an umbrella term that encompasses many competing paradigmatic stratagems and diatribe definitions, including the terminologically instable definitions of“postmodernism,” “post-postmodernism,” “metamodernism,” which some critics prefer to consider “high,” “late,” “distorted,” “pseudo-modernism” or “digi-modernism.” In the process of this ongoing discussion, society is periodically informed about the “death” or “end” of art and art criticism. In this context of raging discourses that openly compete with each other, there is one rather significant contextual layer related to the critique of cultural populism, the subject of which is the confrontation between two social constructs: democracy and biopower. The acuteness of the discussion is amplified by the situation of almost total crisis of the modern cultural activity, in particular, of the neoliberal visual practices, which since the millennium have come under the strict patronage of the transnational art business, whose creative projects are corrected by market and benchmarking policies. The latter has completely supplanted/replaced the politics of aesthetics, so all this has a negative impact on the current development of global art, calling into question the future of the national image of Ukraine, which can be annihilated in the “post-ethnic” substratum of global public art. Therefore, in the difficult conditions of resistance to the Russian invasion, Ukrainian humanities and art must thoroughly study this huge cluster of problems, in particular in the context presented by Western European analytical thought, in order to strengthen its own self-identification potential of the cultural and artistic narrative, offering the West its own position and vision of creative liberation activity from the manipulative pressure of the culture industry.","PeriodicalId":499711,"journal":{"name":"Hudožnâ kulʹtura","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136222333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Hudožnâ kulʹturaPub Date : 2023-06-13DOI: 10.31500/1992-5514.19(1).2023.283114
Olga Petrova
{"title":"Japan: Travel notes","authors":"Olga Petrova","doi":"10.31500/1992-5514.19(1).2023.283114","DOIUrl":"https://doi.org/10.31500/1992-5514.19(1).2023.283114","url":null,"abstract":"The article covers some of the most prominent cultural landmarks of central Japan. Nara, Kyoto, Osaka, and their suburbs and nearest region were the foundation and all the fundamental principles of Japanese architecture and art, in particular the art of calligraphy, ceramics, red lacquer painting, and the famous Japanese weaponry. Nara became Japan’s first permanent capital in 710 (by the order of Empress Gemmei), a 72-year period in Japanese history known as the “Nara Age.” It is noted that Buddhism, and later Zen Buddhism, first came to this territory from China. For twelve centuries, Buddhist art was considered a “Japanese classic.” On the territory of the Nara temple complex, one can observe the organic coexistence of ancient Shintoism and Buddhism adapted to the consciousness of the Japanese. In the central region, a revered archaeological site is the underground structure of Isi-Butai, which dates to the ancient Asuka period (538–645). Despite many years of research of this attraction, the so-called “stone stage”, the water pipe laid in the dungeon, other details remain mysterious (about their origin) and are of keen interest to archaeologists. The paper also provides information about the Horyuji architectural ensemble (607–623). The focus is on the personality and educational role of Prince Shyotoku, who succeeded Empress Hashihito no Anahobe, the prince’s mother. The Chugudi temple (Ikaruga’s old palace) was dedicated by Shōtoku to his mother’s memory. Now there are only a few stones from this temple. Information is provided about the sculptural masterpiece of the Asuka era—the statue (national treasure) Nyoirin Kannon Bosatsu, which is one of the most poetic sculptures in Japanese plastic. Special attention is paid to the embroidered sacred banner Tenjukoku Shūchō Mandala depicting the “Land of Heavenly Longevity.” The fabric is considered the oldest embroidery in Japan.","PeriodicalId":499711,"journal":{"name":"Hudožnâ kulʹtura","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136222107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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