Lviv Early Music Festival: Stages of Development

Hanna Ivaniushenko
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Abstract

The International Lviv Early Music Festival is one of the largest and most prominent art forums in Ukraine, as well as in Central and Eastern Europe. The program of the festival is based on the current trends of historically informed performance and on the history of early music. It brings together Ukrainian and foreign musicians who have extensive experience in performing on historical instruments and playing music from different eras. Part of the program of each forum represents Ukrainian early music. Since the first festival, the organizers have been striving to present as diverse a program as possible, including not only works of the High Baroque, familiar to Lviv audiences from concerts at the Organ Music Hall and the Philharmonic but also music of the Middle Ages and the Renaissance. Ukrainian early music is mainly represented by the choral church tradition performed by such ensembles as Kalofonia, ACappella Leopolis, Sarmatica, and the Chorea Kozatska, etc. In addition to concerts, the festival hosts academic conferences on the history of music with the participation of prominent Ukrainian and European scholars, as well as roundtables, where festival participants discuss the interpretation of early music and the development of historically informed performance in Ukraine. The festival’s educational program has had a significant impact on professional performance in Lviv.
利沃夫早期音乐节:发展阶段
国际利沃夫早期音乐节是乌克兰以及中欧和东欧最大和最著名的艺术论坛之一。音乐节的节目是基于当前的历史趋势知情的表现和早期音乐史。它汇集了乌克兰和外国音乐家,他们在演奏历史乐器和演奏不同时代的音乐方面拥有丰富的经验。每个论坛的部分节目代表了乌克兰早期音乐。从第一届音乐节开始,主办方一直在努力呈现尽可能多样化的节目,不仅包括在管风琴音乐厅和爱乐乐团的音乐会中为利沃夫观众所熟悉的高巴洛克风格的作品,还包括中世纪和文艺复兴时期的音乐。乌克兰早期音乐主要是由Kalofonia, acapella Leopolis, Sarmatica和Chorea Kozatska等乐团表演的教堂合唱传统所代表。除了音乐会,音乐节还举办由乌克兰和欧洲著名学者参加的音乐史学术会议,以及圆桌会议,音乐节参与者讨论早期音乐的解释和乌克兰历史上的发展。音乐节的教育项目对利沃夫的专业表演产生了重大影响。
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