{"title":"Appraisal of the historical impact of neglected, modernised small-scale architectural objects by Rudolf Frič","authors":"Matúš Kiaček","doi":"10.2478/alfa-2024-0004","DOIUrl":"https://doi.org/10.2478/alfa-2024-0004","url":null,"abstract":"\u0000 The context of interwar period Czechoslovakia lacks a formal on both the personality and built artefacts on the often overlooked Bratislava builder, Rudolf Frič. Small-scale architecture tends to be undervalued because of its size, utility, multiplicity, or related momentariness, and because of the automatic consideration of its banality. This paper aims to analyse their architectural qualities presented in concrete typologies and realisations. Tram shelters, gas stations, mausoleums, and small detached houses are thus researched. Their architectural values, both in construction and in form, are identified and clarified. On the other hand, it is noted that the scale and ephemerality conditioned by the utility character are the crucial reasons for their undervaluation. This is especially the case of traffic buildings, where the same dynamic that initiated their origin also resulted in their end, as they become obsolete rather soon. Some of these projects by Frič such as: Rybáček House, Polák Tram stop, the Zikmund Brothers’ gas station, as well as the Frič family tomb, are confronted with other relevant realisations, prove that small-scale architectural objects and peripheral typologies have the architectural qualities for which they would deserve the public and professional interest. Moreover, these objects reflect their variety, being situated in diverse urban situations, from the architecturally and historically intact city centre, through to newly urbanised dwelling area, urban periphery up to a provincial town. Additionally, they illustrate the asymmetric position of the Slovak situation compared to the Czech one, particularly in transport architecture. The presented works characterise the style of Frič based on the high-quality craftsmanship details rather than explicit architectural forms. This transfer of new typologies and structural forms with partial urban impacts, underscores the neglected and crucial contribution to architecture by Frič.","PeriodicalId":490870,"journal":{"name":"Architecture Papers of the Faculty of Architecture and Design STU","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140272316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Temporary forms of performative space: Impact of temporary architecture on audience diversification","authors":"Kristína Boháčová, Alexander Schleicher","doi":"10.2478/alfa-2024-0005","DOIUrl":"https://doi.org/10.2478/alfa-2024-0005","url":null,"abstract":"\u0000 The term temporary forms of performative space was coined out of the need to define the group of objects under study that use temporality and the architectural input into a non-theatrical space, and serve as boundaries for performative content. One such space was designed and built in the previous part of the research. By analysing the space during its functioning, supported by examples from abroad, we offer an example of one of the possible solutions to the problem of theatre attendance. In the conducted study, we aim to support by a practical experiment the premise that temporary architectural forms intended for performance art can diversify and broaden the audience, thus making the theatre more inclusive. The method at hand involves the analysis of two performances. In the Jera show, we analyse the impact of an object located in a public space on the composition of the audience. The object adopts characteristics taken from examples from abroad. The Elektra performance serves as a reference example, where the object is present but not necessary for the relevance of the data obtained. The gathering of information – monitoring the influence of the architectural form on the composition of the audience – takes the form of questionnaires distributed before the performance. The individual questionnaires were processed into a spreadsheet from which research questions with follow-up responses were abstracted. Due to the insufficient number of comparable performances delivered, we can currently confirm the premise of the functioning of the temporary architecture as an attractor of the wider theatre audience only on the basis of the number of spectators who learned about the performance from the QR code, posted in a public space a week before the performance together with the installation of the object itself. This group of visitors surpassed 17%, which we consider a positive result that encourages us to create more testing events in various environments.","PeriodicalId":490870,"journal":{"name":"Architecture Papers of the Faculty of Architecture and Design STU","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140271298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Survey and preliminary assessment of a baroque vault for refurbishment planning","authors":"Jan Bayer, Miloš Drdácký, Jan Válek","doi":"10.2478/alfa-2024-0002","DOIUrl":"https://doi.org/10.2478/alfa-2024-0002","url":null,"abstract":"\u0000 Designing the modification of buildings for a new use is a costly and time-consuming process, before which it is often necessary to conduct a preliminary assessment of the feasibility of the intended project. The article discusses the procedure for such a preliminary cost-effective assessment using the example of a historic building with vaulted ceilings. For older historical buildings, archival documents specifying their geometry, construction details and material characteristics are typically not available. For the preliminary design, it is possible to obtain information about the dimensions of the load-bearing elements non-destructively. However, the knowledge of the exact material properties of the masonry exceeds the possibilities of an inexpensive assessment, which must take advantage of the data available in the literature for similar structures. This article presents a methodology and an example of the measurement and assessment of the mechanical response of the Baroque vault to static loading. It shows the process of obtaining data on the geometric shape of the structure by means of geodetic surveying and geometric radar measurements of the thickness of vaults whose upper faces are not accessible. Two models are used to calculate the internal forces in the structure. The first planar model considers a simplified barrel vault strip according to the focused geometry with respect to geometric nonlinearity and without tension, the second model is a linear spatial model of the entire vault. The calculation was performed in ANSYS 17.2, the input parameters of the material are taken from the literature. The calculated stresses in the vault are compared with the values of the design strength of brick masonry, taking into account the characteristic compressive strength of the masonry based on published known data obtained during tests of similar historical materials. The results are then used to decide on the feasibility of the intention to adapt the building for a new use.","PeriodicalId":490870,"journal":{"name":"Architecture Papers of the Faculty of Architecture and Design STU","volume":"26 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140277272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"New Moorish architectural identity in Tlemcen, Algeria","authors":"F. Mazouz, Manar Triqui","doi":"10.2478/alfa-2024-0003","DOIUrl":"https://doi.org/10.2478/alfa-2024-0003","url":null,"abstract":"\u0000 In Algeria, the city of Tlemcen is home to 60% of the country’s Arab-Islamic architectural heritage, also known as Moorish. During the French colonization, the rich Moorish historical and architectural heritage was largely diminished. The architecture of Tlemcen’s historic old town was gradually replaced by classical architecture in the early days of colonization, and then by modern architecture from 1940 onwards. After the independence in 1962, the city has carried out huge programs of facilities and new housing, based on modern architectural principles. In 2011, Tlemcen was designated a “Capital of Islamic Culture” and, in preparation for this international cultural event, new cultural facilities and hotels have been built, inspired by Moorish heritage. Given the heterogeneity of references and in particular the identity crisis ensuing in architecture in Tlemcen, this event was the key moment for validating a stylistic choice, which directly recounts the history of the city. The question is: what authenticity is expressed by the current use of the Moorish referent? Is it technical and material authenticity, or merely symbolic and cultural genuineness? This study delves into the question of identity in architecture. It analyses the new Moorish-style buildings in Tlemcen and highlights their contribution to the quest for a local identity and the ambition to produce local architecture. The article supports the hypothesis that architecture is an effective means of expressing identity and that it has always had, and continues to have, a close relationship with memory. The methodology is based on a combination of several investigative tools: surveys, photographs and archive consultation. These tools helped develop a building analysis grid, which serves as a repertory for describing the buildings, according to two levels of reading of the architectural work. We have chosen three Moorish and four contemporary buildings to which the different criteria of the analysis grid are applied. The results of the analysis of the new buildings show that, in a way, they enabled to establish continuity and dialogue with the Moorish heritage.","PeriodicalId":490870,"journal":{"name":"Architecture Papers of the Faculty of Architecture and Design STU","volume":"219 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140278825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}