Temporary forms of performative space: Impact of temporary architecture on audience diversification

Kristína Boháčová, Alexander Schleicher
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Abstract

The term temporary forms of performative space was coined out of the need to define the group of objects under study that use temporality and the architectural input into a non-theatrical space, and serve as boundaries for performative content. One such space was designed and built in the previous part of the research. By analysing the space during its functioning, supported by examples from abroad, we offer an example of one of the possible solutions to the problem of theatre attendance. In the conducted study, we aim to support by a practical experiment the premise that temporary architectural forms intended for performance art can diversify and broaden the audience, thus making the theatre more inclusive. The method at hand involves the analysis of two performances. In the Jera show, we analyse the impact of an object located in a public space on the composition of the audience. The object adopts characteristics taken from examples from abroad. The Elektra performance serves as a reference example, where the object is present but not necessary for the relevance of the data obtained. The gathering of information – monitoring the influence of the architectural form on the composition of the audience – takes the form of questionnaires distributed before the performance. The individual questionnaires were processed into a spreadsheet from which research questions with follow-up responses were abstracted. Due to the insufficient number of comparable performances delivered, we can currently confirm the premise of the functioning of the temporary architecture as an attractor of the wider theatre audience only on the basis of the number of spectators who learned about the performance from the QR code, posted in a public space a week before the performance together with the installation of the object itself. This group of visitors surpassed 17%, which we consider a positive result that encourages us to create more testing events in various environments.
表演空间的临时形式:临时建筑对观众多样化的影响
临时形式的表演空间这一术语的提出,是出于界定所研究对象的需要,这些对象利用时间性和建筑投入到非戏剧空间中,并作为表演内容的边界。在前一部分研究中,设计并建造了一个这样的空间。通过分析该空间在运行过程中的情况,并辅以国外的实例,我们提供了一个解决剧院观众问题的可能方案。在所进行的研究中,我们旨在通过实际实验来支持这样一个前提,即用于表演艺术的临时建筑形式可以使观众更加多样化和广泛化,从而使剧院更具包容性。研究方法包括对两场演出进行分析。在 Jera 演出中,我们分析了一个位于公共空间的物体对观众构成的影响。该物体采用了国外实例中的特征。埃莱克特拉》的演出是一个参考范例,其中的物体虽然存在,但对于所获数据的相关性而言并非必要。信息收集--监测建筑形式对观众构成的影响--采取在演出前发放问卷的形式。个人调查问卷被处理成电子表格,从中抽取出有后续答复的研究问题。由于可比演出的数量不足,我们目前只能根据演出前一周在公共空间张贴的二维码(与装置本身一起张贴)来确认临时建筑作为吸引更多戏剧观众的功能的前提。这部分观众超过了 17%,我们认为这是一个积极的结果,鼓励我们在各种环境中创造更多的测试活动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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