阿尔及利亚特莱姆森的新摩尔人建筑特色

F. Mazouz, Manar Triqui
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摘要

在阿尔及利亚,特莱姆森市拥有该国 60% 的阿拉伯-伊斯兰建筑遗产,也被称为摩尔人建筑遗产。在法国殖民统治时期,丰富的摩尔人历史和建筑遗产在很大程度上被削弱。殖民初期,特莱姆森历史古城的建筑逐渐被古典建筑所取代,1940 年后又被现代建筑所取代。1962 年独立后,该市根据现代建筑原则实施了大规模的设施和新住房计划。2011 年,特莱姆森被指定为 "伊斯兰文化之都",为迎接这一国际文化盛事,受摩尔人遗产的启发,新建了文化设施和酒店。鉴于参考资料的异质性,特别是特莱姆森建筑随之而来的身份危机,这一事件成为验证风格选择的关键时刻,它直接再现了这座城市的历史。问题是:目前使用摩尔人作为参照物所表达的真实性是什么?是技术和材料的真实性,还是仅仅象征和文化的真实性?本研究深入探讨了建筑的特性问题。文章分析了特莱姆森的新摩尔风格建筑,并强调了这些建筑对寻求地方特性和生产地方建筑的雄心壮志的贡献。文章支持这样一种假设,即建筑是表达身份认同的有效手段,它一直与记忆有着密切的关系,并将继续如此。研究方法基于几种调查工具的组合:调查、照片和档案咨询。这些工具有助于建立一个建筑分析网格,根据建筑作品的两个解读层次,将其作为描述建筑的汇编。我们选择了三座摩尔式建筑和四座当代建筑,对其采用了分析网格的不同标准。对新建筑的分析结果表明,在某种程度上,它们能够与摩尔人的遗产建立连续性和对话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
New Moorish architectural identity in Tlemcen, Algeria
In Algeria, the city of Tlemcen is home to 60% of the country’s Arab-Islamic architectural heritage, also known as Moorish. During the French colonization, the rich Moorish historical and architectural heritage was largely diminished. The architecture of Tlemcen’s historic old town was gradually replaced by classical architecture in the early days of colonization, and then by modern architecture from 1940 onwards. After the independence in 1962, the city has carried out huge programs of facilities and new housing, based on modern architectural principles. In 2011, Tlemcen was designated a “Capital of Islamic Culture” and, in preparation for this international cultural event, new cultural facilities and hotels have been built, inspired by Moorish heritage. Given the heterogeneity of references and in particular the identity crisis ensuing in architecture in Tlemcen, this event was the key moment for validating a stylistic choice, which directly recounts the history of the city. The question is: what authenticity is expressed by the current use of the Moorish referent? Is it technical and material authenticity, or merely symbolic and cultural genuineness? This study delves into the question of identity in architecture. It analyses the new Moorish-style buildings in Tlemcen and highlights their contribution to the quest for a local identity and the ambition to produce local architecture. The article supports the hypothesis that architecture is an effective means of expressing identity and that it has always had, and continues to have, a close relationship with memory. The methodology is based on a combination of several investigative tools: surveys, photographs and archive consultation. These tools helped develop a building analysis grid, which serves as a repertory for describing the buildings, according to two levels of reading of the architectural work. We have chosen three Moorish and four contemporary buildings to which the different criteria of the analysis grid are applied. The results of the analysis of the new buildings show that, in a way, they enabled to establish continuity and dialogue with the Moorish heritage.
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