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Editorial N.º 11 第11篇社论
Metáfora Pub Date : 2023-08-15 DOI: 10.36286/mrlad.v3i6.157
{"title":"Editorial N.º 11","authors":"","doi":"10.36286/mrlad.v3i6.157","DOIUrl":"https://doi.org/10.36286/mrlad.v3i6.157","url":null,"abstract":"La revista Metáfora llega a su número 11 y trae un dossier dedicado al teatro latinoamericano y editado por Percy Encinas, destacado crítico teatral peruano. Se trata de once aportes de investigadores de México, Argentina, Brasil, Chile, entre otros países, y en los que destacan conceptos como la construcción de la escena, la heterotopía, el teatro institucional, el teatro de grupo, el teatro colectivo, la escena pospandemia, la transteatralidad y la transactorialidad.","PeriodicalId":489467,"journal":{"name":"Metáfora","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135165702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ATOR EM DEVIR: UM MODO DE ATUAÇÃO PARA O ACONTECIMENTO 成为中的行动者:事件的行动模式
Metáfora Pub Date : 2023-08-15 DOI: 10.36286/mrlad.v3i6.171
{"title":"ATOR EM DEVIR: UM MODO DE ATUAÇÃO PARA O ACONTECIMENTO","authors":"","doi":"10.36286/mrlad.v3i6.171","DOIUrl":"https://doi.org/10.36286/mrlad.v3i6.171","url":null,"abstract":"Our work proposes a review of the philosophical and political foundations that support the actor’s interpretation methods in the theater. We suggest that being directly associated with thinking about reality and the subject, the actor’s work should accompany the transformations of these thoughts. We chose the concepts of happening and becoming from the philosophy of difference and deleuzian philosophy as new foundations for the art of interpretation.","PeriodicalId":489467,"journal":{"name":"Metáfora","volume":"210 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135165689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“LA ADORACIÓN DE LOS MAGOS”. POLIFONÍA E INTERTEXTUALIDAD EN UN POEMA RELIGIOSO DE CERNUDA 《东方三博士的崇拜》。塞尔努达宗教诗歌中的复调与互文性
Metáfora Pub Date : 2023-08-15 DOI: 10.36286/mrlad.v3i6.163
{"title":"“LA ADORACIÓN DE LOS MAGOS”. POLIFONÍA E INTERTEXTUALIDAD EN UN POEMA RELIGIOSO DE CERNUDA","authors":"","doi":"10.36286/mrlad.v3i6.163","DOIUrl":"https://doi.org/10.36286/mrlad.v3i6.163","url":null,"abstract":"“La adoración de los Magos” (Las Nubes, 1943) es un extenso poema narrativo compuesto por Luis Cernuda al comienzo de su exilio británico. Lo redactó como una reescritura de un texto anterior, “Journey of the Magi”, de T. S. Eliot. Las voces de los diferentes personajes combinadas, junto con los vínculos intertextuales establecidos entre ambos poemas, generan un complejo entramado, a través del cual se deja entrever la expresión genuina de la inquietud espiritual del poeta. Los conceptos de intertextualidad y polifonía serán el marco teórico que usaremos para demostrar la identificación del autor con el sentimiento religioso expresado en el poema.","PeriodicalId":489467,"journal":{"name":"Metáfora","volume":"203 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135165695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“SÓLO TÚ ERES PURO”: EL ABSURDO Y LOS PRINCIPIOS DEL ARTE POÉTICA EN TRILCE (1922) DE CÉSAR VALLEJO “只有你是纯洁的”:cesar VALLEJO的《TRILCE诗歌艺术的荒谬和原则》(1922)
Metáfora Pub Date : 2023-08-15 DOI: 10.36286/mrlad.v3i6.160
{"title":"“SÓLO TÚ ERES PURO”: EL ABSURDO Y LOS PRINCIPIOS DEL ARTE POÉTICA EN TRILCE (1922) DE CÉSAR VALLEJO","authors":"","doi":"10.36286/mrlad.v3i6.160","DOIUrl":"https://doi.org/10.36286/mrlad.v3i6.160","url":null,"abstract":"El presente artículo explora los principios del arte poética expuestas en Trilce de César Vallejo. La idea que guía este estudio es que, en los poemas “xiv”, “xlv” y “lxxiii”, las imágenes poéticas muestran la relevancia del absurdo en la expresión de la poética vallejiana. Para tal propósito, primero, resaltamos las intuiciones estéticas de los primeros lectores del poemario y realizamos un balance de los asedios críticos enfocados en el estudio del absurdo; luego, desde la propuesta de Rafael Lapesa y Gaston Bachelard, analizamos e interpretamos las imágenes poéticas en los poemas mencionados; finalmente, se reflexiona sobre la relación entre imagen poética, absurdo y creación poética para la comprensión de la poética trílcica.","PeriodicalId":489467,"journal":{"name":"Metáfora","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135165706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MUERTE, RELACIONES DE PODER Y DISCURSO EN LA PRENSA PERUANA: “LA MÁQUINA QUE CAUSÓ LA MUERTE DE DOS JÓVENES EN MCDONALD’S” 秘鲁媒体的死亡、权力关系和话语:“导致麦当劳两名年轻人死亡的机器”
Metáfora Pub Date : 2023-08-15 DOI: 10.36286/mrlad.v3i6.159
{"title":"MUERTE, RELACIONES DE PODER Y DISCURSO EN LA PRENSA PERUANA: “LA MÁQUINA QUE CAUSÓ LA MUERTE DE DOS JÓVENES EN MCDONALD’S”","authors":"","doi":"10.36286/mrlad.v3i6.159","DOIUrl":"https://doi.org/10.36286/mrlad.v3i6.159","url":null,"abstract":"Ante el suceso en el que fallecieron dos trabajadores del restaurante McDonald’s, se suscitó una serie de cuestionamientos y especulaciones en la población local en torno al centro laboral en el que trabajaban y sus condiciones. En este artículo, se analiza la manera en que la prensa escrita peruana ha cubierto el hecho a través de una serie de discursos de diferentes periódicos. Tras el análisis, se evidencia que la prensa ha construido representaciones discursivas diferentes de estos dos actores sociales involucrados en el hecho: la cadena de restaurantes de comida rápida y sus empleados fallecidos. Por un lado, los discursos analizados recrean una imagen positiva del restaurante, que esconde su carácter agentivo, y exalta rasgos provechosos de aquella. Por otro lado, discursivamente, los empleados son dotados de una imagen negativa en tanto únicos causantes de su muerte, y excluidos o desplazados de su vínculo laboral con el restaurante.","PeriodicalId":489467,"journal":{"name":"Metáfora","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135165692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
NUEVOS DESAFÍOS PARA EROS : “MUJER EN LLAMAS ” ESCRITURA PERFORMATIVA INSONDABLE 爱神的新挑战:“燃烧中的女人”深不可测的表演写作
Metáfora Pub Date : 2023-08-15 DOI: 10.36286/mrlad.v3i6.173
{"title":"NUEVOS DESAFÍOS PARA EROS : “MUJER EN LLAMAS ” ESCRITURA PERFORMATIVA INSONDABLE","authors":"","doi":"10.36286/mrlad.v3i6.173","DOIUrl":"https://doi.org/10.36286/mrlad.v3i6.173","url":null,"abstract":"The conceptual support of the research-creation “Mujer en llamas”, a hybrid dramaturgy in which performance, dance, song, sculpture, music and audiovisual language converge, enhances the symbiotic relationship between the comparative theoretical-practical experience, and the simultaneous production of knowledge that the creative process yields, with the purpose of “embroidering” a phenomenological description from the autoethnographic experience of the actress as playwright/director-researcher. This liminal scenario proposes a cartographic journey and theoretical discussions that, from the field of theatrical philosophy and theatreology, focus on the actor/spectator encounter in “erotic tension”, and prioritize the body as a territory of perception and meaning. The performative perspective as an investigative methodology, vindicates the performative subject as a subject of knowledge, built in a fragmented and decentered way, and installs a transgressive analysis in the reflection of the self. The poetic devices proposed by “Mujer en llamas” call for the proliferation of multiple and diverse manifestations of recreation of the sensible that, when moving towards other fields of human experience, generate questions that challenge the direction and meaning of exploration and simultaneously provoke tensions. ontological that respond to the dynamics of a context in increasing acceleration and overwhelmed.","PeriodicalId":489467,"journal":{"name":"Metáfora","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135165693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DE POÉTICAS A POLÍTICAS: TEATRO EN XALAPA EN TIEMPOS DE CRISIS 从诗歌到政治:危机时期哈拉帕的戏剧
Metáfora Pub Date : 2023-08-15 DOI: 10.36286/mrlad.v3i6.169
{"title":"DE POÉTICAS A POLÍTICAS: TEATRO EN XALAPA EN TIEMPOS DE CRISIS","authors":"","doi":"10.36286/mrlad.v3i6.169","DOIUrl":"https://doi.org/10.36286/mrlad.v3i6.169","url":null,"abstract":"Two years of pandemic left experiences and learning that will mark a before and after in many aspects of social life, which also reconfigure theater projects. Territorially delimited, my study on theater in Xalapa, state of Veracruz, Mexico, works on the categories of institutional theater and independent theater or group theater. In the second category, it is necessary to distinguish between consolidated groups, others in consolidation and recent initiatives. My objective is to present and reflect on the framework between their creeds (theatre conceptions), poetics (way of generating poiesis) and production-management that implies artistic and financial conditions and solutions. The above under the conceptual lens of crisis, contingency, vulnerability, and precariousness.","PeriodicalId":489467,"journal":{"name":"Metáfora","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135165697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A MATERIALIDADE DA VIDA COTIDIANA E SEU USO NA CONSTRUÇÃO DA CENA DE TEATRO: DIÁLOGOS COM AGNES HELLER 日常生活的物质性及其在戏剧场景构建中的运用:与艾格尼丝·海勒的对话
Metáfora Pub Date : 2023-08-15 DOI: 10.36286/mrlad.v3i6.168
{"title":"A MATERIALIDADE DA VIDA COTIDIANA E SEU USO NA CONSTRUÇÃO DA CENA DE TEATRO: DIÁLOGOS COM AGNES HELLER","authors":"","doi":"10.36286/mrlad.v3i6.168","DOIUrl":"https://doi.org/10.36286/mrlad.v3i6.168","url":null,"abstract":"Este artIgo apresenta algumas reflexões sobre as distâncias entre o trabalho teatral e a vida cotidiana urbana onde esse trabalho é realizado. São compartilhadas questões sobre a materialidade do cotidiano urbano e seu uso na construção da cena teatral, através de uma análise das criações do USO - Teatro Urbano, com sede na cidade de São Paulo desde 2004. A investigação do USO é analisada à luz da teoria da vida cotidiana da filósofa Agnes Heller.","PeriodicalId":489467,"journal":{"name":"Metáfora","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135165700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MUJERES AL FRENTE: OFRENDAS TEATRALES PARA REPENSAR LA GUERRA DE MALVINAS 妇女在前线:重新思考马岛战争的戏剧作品
Metáfora Pub Date : 2023-08-15 DOI: 10.36286/mrlad.v3i6.170
{"title":"MUJERES AL FRENTE: OFRENDAS TEATRALES PARA REPENSAR LA GUERRA DE MALVINAS","authors":"","doi":"10.36286/mrlad.v3i6.170","DOIUrl":"https://doi.org/10.36286/mrlad.v3i6.170","url":null,"abstract":"The Malvinas War (2 April – 14 June 1982) is, to this day, an open wound. Although more than forty years have passed since its event, numerous consequences still need to be examined in depth. Voices, images, symbolic appropriations, among other heterogeneous elements, are part of a complex network that continues to this day, imposing challenges that can be confronted from the perspective of the arts. A unique case that Malvinology has recently experienced is that of women in war, who have gained considerable visibility in the last decade. While in the field of theater there has been a strong interest in the role of women during battle for years (Dubatti, 2022), in recent years it has grown and offered valuable poetics. This article analyzes the case of one of these poetics, Mujeres al frente. Historias de Malvinas (2021), de Gabriela Aguad. It is a show that draws on the materiality of these voices to articulate a poetics that starts from the narrative and expands it through theatrical resources to attack silences and omissions and articulate new readings of the past and present, of women and war.","PeriodicalId":489467,"journal":{"name":"Metáfora","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135165694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
LA INQUIETA ESCENA POSPANDEMIA EN SÃO PAULO 圣保罗大流行后躁动不安的景象
Metáfora Pub Date : 2023-08-15 DOI: 10.36286/mrlad.v3i6.175
{"title":"LA INQUIETA ESCENA POSPANDEMIA EN SÃO PAULO","authors":"","doi":"10.36286/mrlad.v3i6.175","DOIUrl":"https://doi.org/10.36286/mrlad.v3i6.175","url":null,"abstract":"In São Paulo, in the period following the coronavirus pandemic, the scene of theatrical production experienced a great boost with the recreation of the countless shows that took place during the recess in the multimedia virtual key. On stage, the harsh realities of the pandemic crisis and the political situation that dominated the country found an echo in the emergence of important issues such as those that highlighted the agendas of blackness, the LGBTQIA+ community, feminisms, and social exclusion. Of the shows that made up the 2022 season, taking it here as an example of the most significant produced, the work of the Núcleo Bartolomeu de Depoimentos company performs on stage a long and vibrant ritual of purgation and healing, sustained by the musicality and expressiveness of culture. hip-hop, hallmark of the group, associated with the cadences of jazz and blues.","PeriodicalId":489467,"journal":{"name":"Metáfora","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135165701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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