ATOR EM DEVIR: UM MODO DE ATUAÇÃO PARA O ACONTECIMENTO

Abstract

Our work proposes a review of the philosophical and political foundations that support the actor’s interpretation methods in the theater. We suggest that being directly associated with thinking about reality and the subject, the actor’s work should accompany the transformations of these thoughts. We chose the concepts of happening and becoming from the philosophy of difference and deleuzian philosophy as new foundations for the art of interpretation.