Social Forces最新文献_第7页

The Polarization of Popular Culture: Tracing the Size, Shape, and Depth of the “Oil Spill” 大众文化的两极分化：追溯 "石油泄漏 "的规模、形状和深度

IF 4.8 1区社会学

Social Forces Pub Date : 2023-12-28 DOI: 10.1093/sf/soad150

Craig M Rawlings, Clayton Childress

引用次数: 0

Assessing Admiration for Women Who Do “Men’s Work” 评估对从事 "男人工作 "的女性的钦佩程度

IF 4.8 1区社会学

Social Forces Pub Date : 2023-12-07 DOI: 10.1093/sf/soad148

Isabel Pike, Rachael S Pierotti, Mame Soukeye Mbaye

{"title":"Assessing Admiration for Women Who Do “Men’s Work”","authors":"Isabel Pike, Rachael S Pierotti, Mame Soukeye Mbaye","doi":"10.1093/sf/soad148","DOIUrl":"https://doi.org/10.1093/sf/soad148","url":null,"abstract":"Drawing on interviews and focus groups from Conakry, the capital city of the Republic of Guinea in West Africa, this article examines how people talk about women working in male-dominated skilled trades alongside women’s accounts of their work experiences in those sectors. We find that the idea of women doing gender atypical work, whom we call “crossovers,” evokes widespread admiration. They are unanimously described as brave and virtuous, contrasted with women who rely on money from relationships with men. However, this celebration falters in the workplace, where crossovers often experience paternalism and harassment. Building on theories of both gender beliefs and femininities, we attribute this discrepancy to the differential threats to the gender order that are posed by accommodating crossovers at work versus speaking positively about them. Working together requires men to confront actual women’s unexpected capabilities, while rhetorically celebrating crossovers may in fact reify stereotypes about most women and fail to fundamentally undermine men’s authority. Crossovers can serve as sources of inspiration for an alternative gender order, but we find that professed admiration for “exceptional” groups of women has both limitations and risks. We conclude by suggesting that the subversive potential of admiration for gender atypical behavior must be empirically examined, rather than assumed, with attention to why such women are seen as admirable as well as how this admiration is borne out in social interactions.","PeriodicalId":48400,"journal":{"name":"Social Forces","volume":"4 1","pages":""},"PeriodicalIF":4.8,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138559487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

IF 4.8 1区社会学

Social Forces Pub Date : 2023-11-24 DOI: 10.1093/sf/soad147

Erez Aharon Marantz

{"title":"Social Capital and Cultural Producers’ Copyright Ownership of Their Creations: Evidence from the Television Industry 1956–1996","authors":"Erez Aharon Marantz","doi":"10.1093/sf/soad147","DOIUrl":"https://doi.org/10.1093/sf/soad147","url":null,"abstract":"This paper explores how social capital and property regulations shape cultural producers’ ability to own copyrights for the products they create. Because individual producers lack the resources required to develop and distribute their creations, they partner with large firms who demand the copyrights for products they invest in. I argue two types of social capital—status and partner substitutability—enable producers to own their creations by increasing their bargaining power over the firms they partner with. Moreover, I propose that different types of property regulations condition whether status or partner substitutability have a stronger role in producers’ ownership outcomes. Analyzing all shows made for American television from 1956 to 1996, I show that increases in showrunners’ status and number of broadcasters they collaborated with increased the probability they owned shows they produced. However, the effects of these social capitals were contingent on the property regulations showrunners operated under. These findings advance our understanding of the allocation of copyrights, the power dynamics between creators and firms, and the effects of social capital in cultural industries. They didn’t have to pay me because I signed the contract. But is that right? I found out that these people were streaming my work, and they never had to ask me…They stole that from me. They just took it! (Dave Chappelle, The Unforgiven, 2021).","PeriodicalId":48400,"journal":{"name":"Social Forces","volume":"61 2","pages":""},"PeriodicalIF":4.8,"publicationDate":"2023-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138449769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Correction to: Review of “Equal Partners? How Dual-Professional Couples Make Career, Relationship, and Family Decisions” 更正：平等伙伴？双职工夫妇如何做出职业、感情和家庭决定

IF 4.8 1区社会学

Social Forces Pub Date : 2023-11-24 DOI: 10.1093/sf/soad149

引用次数: 0

Parental Schooling, Educational Attainment, Skills, and Earnings: A Trend Analysis across Fifteen Countries 父母教育、受教育程度、技能和收入:15个国家的趋势分析

IF 4.8 1区社会学

Social Forces Pub Date : 2023-11-16 DOI: 10.1093/sf/soad144

Nicola Pensiero, Carlo Barone

引用次数: 0

Review of “Civil War in Guangxi: The Cultural Revolution on China’s Southern Periphery” 《广西内战:中国南部边缘的文化大革命》述评

1区社会学