Frontiers in art research最新文献

{"title":"Comparative Study of Popular Songs between China and the United States Based on Data from Domestic and International Music Platforms","authors":"","doi":"10.25236/far.2023.051310","DOIUrl":"https://doi.org/10.25236/far.2023.051310","url":null,"abstract":"Popular music, as an important component of popular culture, is closely related to the development of society. Originating in the late 19th and early 20th centuries in the United States, popular music is characterized by its concise structure, accessible content, lively form, and wide dissemination. As the global hub of popular music, the United States has witnessed the diverse development of various music genres. In recent years, with the continuous growth of the music industry, popular music has become an important aspect of showcasing a country's or region's cultural soft power. Against the backdrop of globalization and fierce competition between China and the United States as major powers, the competition of cultural soft power between the two countries has become increasingly intense. Therefore, conducting a comparative analysis of the current data on popular songs from China and the United States on music platforms, analyzing and comparing their influence, is of significant importance in grasping the trends of the times, understanding popular trends, enhancing China's cultural soft power, and using music as a vehicle to promote Chinese culture on the global stage.","PeriodicalId":483327,"journal":{"name":"Frontiers in art research","volume":"136 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136053600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Schenkerian Analysis: Exploring the Exposition Part of Beethoven's Piano Sonata No.15 in D Major, Opus. 28, First Movement","authors":"","doi":"10.25236/far.2023.051218","DOIUrl":"https://doi.org/10.25236/far.2023.051218","url":null,"abstract":"This paper uses Schenkerian music theory to analyze the Beethoven Piano Sonata No.15 in D Major, the first movement's exposition part, a crucial element in sonata form. The analysis employs the Schenkerian music theory, which is a method of musical analysis that focuses on the hierarchical structure of music and the relationships between its various components. It outlines the key features of the Schenkerian approach, such as the concept of Ursatz, which refers to the fundamental structure underlying a piece of music, and the prolongation technique, which involves expanding and elaborating a musical idea. Overall, the paper aims to demonstrate the applicability of the Schenkerian approach to the analysis of classical music and its potential to deepen our understanding of the structure and meaning of musical works.","PeriodicalId":483327,"journal":{"name":"Frontiers in art research","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135750193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Research on interactive performance of dynamic illustration from the perspective of new media","authors":"","doi":"10.25236/far.2023.051401","DOIUrl":"https://doi.org/10.25236/far.2023.051401","url":null,"abstract":": This paper starts from the dynamic illustration, based on the digital media communication environment, discusses the expression of interactive dynamic illustration. By investigating the categories, characteristics and application status of dynamic illustration, comparing and analyzing excellent illustration art works, it is concluded that interactive dynamic illustration has the advantages of sensory pleasure, information transmission and space extension.","PeriodicalId":483327,"journal":{"name":"Frontiers in art research","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134980063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Unnatural Narrative in Film: Unnatural Audio-Visual Focus and Cognitive Focus","authors":"","doi":"10.25236/far.2023.051410","DOIUrl":"https://doi.org/10.25236/far.2023.051410","url":null,"abstract":": In the narrative process of unnatural film, the construction of impossible story world depends on physical reality, but also mixes with physical or logical impossibility. The impossible story world is formally constructed through unnatural audiovisual means. In multimodal film discourse, this impossibility is often conveyed in the form of visual focus, auditory focus and other modes. The unnatural form of the audiovisual mode creates the unnatural content of the narrative, and then helps the audience’s cognition focus on the unnatural content of the story. The combination of form and content promotes the audience to understand the creative intention and metaphorical meaning of the film","PeriodicalId":483327,"journal":{"name":"Frontiers in art research","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134980207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A Study of Linear Thinking in Music Analysis Approaches","authors":"","doi":"10.25236/far.2023.051411","DOIUrl":"https://doi.org/10.25236/far.2023.051411","url":null,"abstract":"This study delves into the realm of linear thinking within the context of music analysis. The introduction sets the stage by discussing the background of linear thinking in music analysis, outlining the study's objectives, and posing research questions. The theoretical framework establishes a clear definition of linear thinking in music analysis, elucidating its relationship with music theory and its role in various music analysis .The historical overview section traces the early development of linear thinking in music analysis, highlighting influential theorists and their contributions to this analytical .It also explores the evolution of linear thinking in music analysis over time. Contemporary to linear thinking in music analysis are thoroughly examined, encompassing analytical techniques that emphasize linear thinking and presenting case studies that illustrate the practical application of such .This section also acknowledges critiques and limitations associated with linear thinking in music analysis. A pivotal component of this study involves the comparative analysis of linear and non-linear thinking in music analysis, shedding light on the advantages and disadvantages of each. It explores possibilities for the integration of both linear and non-linear thinking in music analysis methodologies.","PeriodicalId":483327,"journal":{"name":"Frontiers in art research","volume":"93 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135212098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Pound's Reference to Classical Chinese Culture——Taking \"The Pisan Cantos\" as an Example","authors":"","doi":"10.25236/far.2023.051419","DOIUrl":"https://doi.org/10.25236/far.2023.051419","url":null,"abstract":"Ezra Pound is obsessed with Chinese classical culture, and his poems are also deeply influenced by Chinese classical culture. His poetry creation draws on the Chinese classical poetry to create artistic conception and embody feelings in the scene, and the content also reflects the praise of Chinese Confucian ideas everywhere. Taking The Pisan Cantos as the research object, this paper discusses the process of Pound and Chinese classical culture and the methods of Chinese classical poetry creation and Confucianism of The Pisan Cantos reflected in the perspective of comparative poetics, and finally makes a brief evaluation of Pound.","PeriodicalId":483327,"journal":{"name":"Frontiers in art research","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135212405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cross-Regional Film Festival Analysis: A Comparative Study of Asian Cinema Diversity and Trends","authors":"","doi":"10.25236/far.2023.051403","DOIUrl":"https://doi.org/10.25236/far.2023.051403","url":null,"abstract":"In cross regional and cross-cultural film exchange activities, international film festivals play an irreplaceable role, and among them, Asian film festivals are becoming increasingly important participants. It not only objectively showcases the achievements of Asian film development, but also contributes a unique cultural perspective to the diversity of world films, and provides a diversified direction for the aesthetic iteration of films. This article aims to compare the differences in cultural focus, aesthetic style, and technical characteristics of Asian film festivals, especially the three most famous ones: Busan International Film Festival in South Korea, Tokyo International Film Festival in Japan, and Mumbai Film Festival in India, in order to gain a deeper and comprehensive understanding of the current form of Asian film and make predictions about its development trends.","PeriodicalId":483327,"journal":{"name":"Frontiers in art research","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135212623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Innovative Development of Cross-cultural Communication of Folk Art and Resource Personalized Recommendation Algorithm in the Context of Intangible Cultural Heritage","authors":"","doi":"10.25236/far.2023.051417","DOIUrl":"https://doi.org/10.25236/far.2023.051417","url":null,"abstract":"With the rapid development of Internet technology, many people have acquired a lot of knowledge through online learning. However, the huge amount of information on the Internet makes it difficult for learners to find the learning resources they need in a timely and efficient manner. Therefore, in teaching technology, personalized recommendation technology has been paid more and more attention by people. The rapid development of today’s society and the country’s high emphasis on folk art have created rich conditions for the contemporary inheritance of folk art in the context of intangible cultural heritage, and opened up new development ideas. Starting from new ideas, new cultural environment, new media, new technologies and new achievements, this paper points out that folk art in the context of intangible cultural heritage should break the traditional concept and reform the way of inheritance; the power of network, market and government is fully utilized; new technologies are applied rationally, the superb skills of the ancestors are inherited, exchanges and cooperation are continued to be strengthened, advanced experience at abroad is used for reference, and new development models are created. At present, in the process of inheritance, folk art is in a passive state, that is, the demise and variation of cultural subjects. Therefore, both sides would like to see the goal of economic stability, social harmony and cultural prosperity through the exchange of ideas of “harmony but difference”, to explore cultural innovations between cultures of various countries, to cultivate the ability of dialogue and consultation, and to achieve economic stability, social harmony and cultural prosperity. The survey shows that the sharing of traditional folk art is only up to 78% due to the limitation of dissemination or geographical restrictions, and the dissemination ability is relatively low, while the shareability of modern art is as high as 90% in recent years. At the same time, traditional folk art is rarely innovated and cannot meet the needs of social development. The emergence of modern art has provided support for the inheritance of folk art, and now the innovation ability has reached 80%. Incorporating folk art into modern art while retaining its characteristics and making it popular will be a more suitable inheritance path.","PeriodicalId":483327,"journal":{"name":"Frontiers in art research","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135212624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Analysis of the development strategy of the music radio program","authors":"","doi":"10.25236/far.2023.051303","DOIUrl":"https://doi.org/10.25236/far.2023.051303","url":null,"abstract":"The survival space for traditional media has been significantly squeezed, including radio programs. In response, traditional media outlets are actively exploring avenues of innovation that align with their strengths. Music radio, in particular, remains a popular category, with a high listening rate and playing a specific role in people's daily lives. By introducing certain innovations, music radio programs can sustain market relevance for an extended period. Programs need to embrace innovation to keep up with the evolving trends and audience preferences. This innovation can occur by enhancing the internal elements of the program. The continued existence of these programs holds meaning, as an audience is still interested in them. The loss of audience is primarily due to factors such as outdated content, production methods, and host discourse that do not align with the requirements of the times. Improving the program's content and production, including enhancing the host's abilities, can address these issues. By analyzing and studying these aspects, finding a more profound path for the program's new development may be possible.","PeriodicalId":483327,"journal":{"name":"Frontiers in art research","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136053914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Digital Communication of Folk Music in Social Music Culture","authors":"","doi":"10.25236/far.2023.051406","DOIUrl":"https://doi.org/10.25236/far.2023.051406","url":null,"abstract":"With the globalization of the digital age, the spread speed of social music has been unprecedentedly developed. As an important part of social music, how to spread folk music more widely is not only a problem to be solved in the field of music, but also a key problem to be solved in the field of culture. This paper makes an in-depth analysis of the digital communication of folk music in social music culture, and believes that it is of great practical significance to promote the development of folk music culture while spreading excellent Chinese folk music culture. This paper hopes to promote the effective combination of digitalization and the communication of folk music culture through the analysis and research, and promote the win-win cooperation between the two.","PeriodicalId":483327,"journal":{"name":"Frontiers in art research","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135210803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}