A Study of Linear Thinking in Music Analysis Approaches

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Abstract

This study delves into the realm of linear thinking within the context of music analysis. The introduction sets the stage by discussing the background of linear thinking in music analysis, outlining the study's objectives, and posing research questions. The theoretical framework establishes a clear definition of linear thinking in music analysis, elucidating its relationship with music theory and its role in various music analysis .The historical overview section traces the early development of linear thinking in music analysis, highlighting influential theorists and their contributions to this analytical .It also explores the evolution of linear thinking in music analysis over time. Contemporary to linear thinking in music analysis are thoroughly examined, encompassing analytical techniques that emphasize linear thinking and presenting case studies that illustrate the practical application of such .This section also acknowledges critiques and limitations associated with linear thinking in music analysis. A pivotal component of this study involves the comparative analysis of linear and non-linear thinking in music analysis, shedding light on the advantages and disadvantages of each. It explores possibilities for the integration of both linear and non-linear thinking in music analysis methodologies.
线性思维在音乐分析方法中的应用研究
本研究在音乐分析的背景下深入探讨了线性思维的领域。引言通过讨论音乐分析中线性思维的背景,概述了研究的目标,并提出了研究问题。理论框架建立了线性思维在音乐分析中的明确定义,阐明了它与音乐理论的关系及其在各种音乐分析中的作用。历史概述部分追溯了线性思维在音乐分析中的早期发展,重点介绍了有影响力的理论家及其对这一分析的贡献。对音乐分析中的当代线性思维进行了彻底的检查,包括强调线性思维的分析技术,并提出了说明这种实际应用的案例研究。本节还承认与音乐分析中的线性思维相关的批评和局限性。本研究的一个关键组成部分是对音乐分析中的线性思维和非线性思维进行比较分析,揭示每种思维的优缺点。它探讨了在音乐分析方法中整合线性和非线性思维的可能性。
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