{"title":"The Potential of Ancient Chinese Music for the Development of Musical Perception","authors":"Xu Songze","doi":"10.25807/22225064_2023_75_158","DOIUrl":"https://doi.org/10.25807/22225064_2023_75_158","url":null,"abstract":"В статье высказывается мысль, что благодаря развитому музыкальному восприятию человек реагирует не только на эстетические, но и оздоравливающие свойства музыки. Для развития музыкального восприятия важен музыкальный материал. В качестве примера приводится древнекитайская традиционная камерная музыка — вокальная и для солирующих инструментов. Подчеркивается роль пентатоники, приоритет мелодики, специфичнских мелодических оборотов, монологического склада, исполнительских средств музыкальной выразительности, музыкального содержания определенной направленности.","PeriodicalId":477987,"journal":{"name":"Университетский научный журнал","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134932339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Genre Metamorphoses of Modern Chinese Ballet","authors":"Zhang Huiyu","doi":"10.25807/22225064_2023_75_67","DOIUrl":"https://doi.org/10.25807/22225064_2023_75_67","url":null,"abstract":"The article discusses genre metamorphoses of modern Chinese ballet. The author notes that the genre of Chinese ballet has undergone signifi cant changes in its relatively short history. Currently, there is a tendency to rethink classical works of opera and cinema in the choreographic aspect. One of the brightest examples of the new ballet genre was the ballet “Raise the Red Lantern”, which is the focus of this study.","PeriodicalId":477987,"journal":{"name":"Университетский научный журнал","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134932080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Repertoire of S. T. Richter: Touches to the Creative Portrait","authors":"Liu Chang","doi":"10.25807/22225064_2023_75_80","DOIUrl":"https://doi.org/10.25807/22225064_2023_75_80","url":null,"abstract":"The prominent musician-performer of the 20th century, Russian pianist Svyatoslav Teofi lovich Richter reached the tops of piano mastery thanks to virtuoso technique, expressive intonation, impeccable sense of style, depth of interpretation and extensive repertoire. The choice of works was due to the personal preferences of the pianist, the depth of the content of opuses, and the desire to bring aesthetic pleasure to the public with the beauty of music. The purpose of the work was to identify the principles of Richter’s selection of a concert repertoire based on an analysis of his statements about composers, aesthetic preferences, a list of works, concert programmes and sound recordings. Richter seeks to perform works of deep content, in which important ideas for all mankind are embodied, passionate temperament and exciting emotions are conveyed. A warm response in Richter’s performing arts was found by compositions combining the sincerity of utterance and the simplicity of images in the spirit of the revelations of romantic composers.","PeriodicalId":477987,"journal":{"name":"Университетский научный журнал","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134932341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE IMAGE OF SERVILIA IN THE COLLISIONS OF THE INTONATION PLOT: FROM THE DRAMA OF L. A. MEI TO THE OPERA OF N. A. RIMSKY-KORSAKOV","authors":"TATIANA ISUPOVA, MARIANA OLEYNIK","doi":"10.25807/22225064_2023_74_30","DOIUrl":"https://doi.org/10.25807/22225064_2023_74_30","url":null,"abstract":"The presented materials are the fi rst experience of considering the musical characteristics of Servilia in the context of the intonational events of N. A. Rimsky-Korsakov’s opera of the same name, unfolding in the multidimensional space of its musical reality. The personal drama of the heroine is placed in socio-historical collisions: on the one hand, the confl ict of tyranny and citizenship, and on the other, the main socio-historical confl ict immersed in the deep layers and expressed in the confrontation between paganism and Christianity. The results of the study of the opera’s musical content testify to the modality of the musical image of the young patrician, consolidating the meanings of the intonational plot, and thus being the intonational epicenter of the opera.","PeriodicalId":477987,"journal":{"name":"Университетский научный журнал","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135841110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE NATIONAL AND THE UNIVERSAL IN CHEN YI’S WORKS","authors":"XIAOLEI WU","doi":"10.25807/22225064_2023_74_59","DOIUrl":"https://doi.org/10.25807/22225064_2023_74_59","url":null,"abstract":"The article is devoted to Chen Yi, a Chinese violinist and composer living in the USA since 1986. Despite the worldwide fame, Chen Yi’s music has been little studied in Chinese and Russian musicology, except for individual works. Meanwhile, the expansion of knowledge about contemporary composers of China seems relevant for creating a general panorama of the Chinese musical culture of modern times. Many Chinese composers freely change their places of residence, tour all over the world, become honorary creative fi gures of different countries and at the same time remain dedicated to their native roots. Chen Yi’s work is an example of the commitment to the national culture, whose diverse images are embodied in the most striking modern stylistic solutions of the composer.","PeriodicalId":477987,"journal":{"name":"Университетский научный журнал","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135841309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}