Archivio d’AnnunzioPub Date : 2023-10-26DOI: 10.30687/ada/2421-292x/2023/01/011
Maria Belponer
{"title":"Simone Maiolini, Patrizia Paradisi. <i>I motti di Gabriele d’Annunzio. Le fonti, la storia, i significati</i>","authors":"Maria Belponer","doi":"10.30687/ada/2421-292x/2023/01/011","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2023/01/011","url":null,"abstract":"Maiolini, S.; Paradisi, P. (2022). I motti di Gabriele d’Annunzio. Le fonti, la storia, i significati. Introduzione di G.B. Guerri, saggio di F. Parisi. Milano: Silvana editoriale, pp. 351.","PeriodicalId":474216,"journal":{"name":"Archivio d’Annunzio","volume":"16 1-2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134908434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Archivio d’AnnunzioPub Date : 2023-10-26DOI: 10.30687/ada/2421-292x/2023/01/001
Raffaella Bertazzoli
{"title":"Il doppio sguardo sul paesaggio. D’Annunzio tra ecocritica e poesia","authors":"Raffaella Bertazzoli","doi":"10.30687/ada/2421-292x/2023/01/001","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2023/01/001","url":null,"abstract":"The essay aims to relate the term ‘ecocriticism’ to Gabriele d’Annunzio’s literary production in defence of the historical order of the city of Rome. Beginning with his journalistic activity in the 1980s, d’Annunzio denounced the cultural mediocrity of his time, and in his novel Vergini delle rocce , d’Annunzio compares the destruction of Roman monuments to the political decadence of contemporary society. The beloved places and spaces in and around the city are charged in the Elegie romane with values and sentiments as paysage de l’âme .","PeriodicalId":474216,"journal":{"name":"Archivio d’Annunzio","volume":"123 5-6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136376232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Archivio d’AnnunzioPub Date : 2023-10-26DOI: 10.30687/ada/2421-292x/2023/01/008
Edoardo Ripari
{"title":"D’Annunzio, <i>Fedra</i> e un volgarizzamento ovidiano","authors":"Edoardo Ripari","doi":"10.30687/ada/2421-292x/2023/01/008","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2023/01/008","url":null,"abstract":"Through the study of the preparatory papers of d’Annunzio’s Phaedra preserved in the Archivio Privato del Vittoriale, the article aims to demonstrate the leading role of the medieval vulgarisation of Ovidian’s Metamorphoses by Arrigo Simintendi for the composition of the tragedy. Through a careful work of compulsion and auscultation of the fourteenth-century text, d’Annunzio recovers formal and lexical tesserae to build Phaedra ’s hendecasyllables, to recreate congenial images, to provide the most appropriate sounds and musicality, and to suggest psychological insights through the comparison between his characters and the mythological archetypes dear to his theatre, of which Ovid’s masterpiece is an admirable compendium. Ultimately, the essay suggests that the influence of Simintendi’s vulgarization and the method of compulsion extends beyond the tragedy of 1909.","PeriodicalId":474216,"journal":{"name":"Archivio d’Annunzio","volume":"104 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134908967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Archivio d’AnnunzioPub Date : 2023-10-26DOI: 10.30687/ada/2421-292x/2023/01/005
Carlo Santoli
{"title":"Il colore in <i>Terra vergine</i> di d’Annunzio: bibliografia critica e nuova proposta di lettura","authors":"Carlo Santoli","doi":"10.30687/ada/2421-292x/2023/01/005","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2023/01/005","url":null,"abstract":"The article offers a new figurative reading of Terra Vergine (1882), focusing attention on the colour of the sketches of d’Annunzio’s novels and retracing the critical bibliography, in order to outline the pictorial innovation, but without evading the prodromes in the poetic collections Primo vere (1879) and Canto novo (1882). In fact, they are important for demonstrating how d’Annunzio can be considered the architect of certain technical mechanisms typical of cinematography (even modern), capable of effectively conveying a sense of the ‘wonderful’ and the ‘sublime’.","PeriodicalId":474216,"journal":{"name":"Archivio d’Annunzio","volume":"87 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136376235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Archivio d’AnnunzioPub Date : 2023-10-26DOI: 10.30687/ada/2421-292x/2023/01/010
Simone Di Valerio
{"title":"«Vorrei essere l'Unica!». Lettere inedite di Olga Treves Ferraguti a Gabriele D'Annunzio","authors":"Simone Di Valerio","doi":"10.30687/ada/2421-292x/2023/01/010","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2023/01/010","url":null,"abstract":"The essay reconstructs the relationship between Gabriele d’Annunzio and Olga Ferraguti Treves, the wife of the painter Arnaldo Ferraguti, through the unpublished letters sent by the woman to the writer. It is a relationship known so far only in its ‘public’ image, but the discovery of a hidden collection of letters in the Vittoriale archives allow it to be rewritten from a secret side, that of an intense, albeit fleeting, love story. In this sense the documents lead to redefining interesting details of d’Annunzio’s biography in the years 1902‑03. A short anthology of the letters in question is published in the appendix.","PeriodicalId":474216,"journal":{"name":"Archivio d’Annunzio","volume":"35 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136376239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Archivio d’AnnunzioPub Date : 2023-10-26DOI: 10.30687/ada/2421-292x/2023/01/003
Ilaria Crotti
{"title":"Note per una lettura del paesaggio olfattivo in <i>Terra vergine</i>","authors":"Ilaria Crotti","doi":"10.30687/ada/2421-292x/2023/01/003","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2023/01/003","url":null,"abstract":"The essay explores the meaning conveyed by the sense of smell in d’Annunzio’s first collection of novellas, Terra vergine (1882; 1884), paying particular attention to the synergies that arise between the smellscape, events and characters, in their dialectical confrontation with naturalistic and verist models, although already prepared to incorporate the mythical side","PeriodicalId":474216,"journal":{"name":"Archivio d’Annunzio","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134908806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Archivio d’AnnunzioPub Date : 2023-10-26DOI: 10.30687/ada/2421-292x/2023/01/002
Barbara Stagnitti
{"title":"«Io guardo la placida scena e dipingo». Visioni e cromatismi della natura in <i>Primo vere</i> (1880)","authors":"Barbara Stagnitti","doi":"10.30687/ada/2421-292x/2023/01/002","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2023/01/002","url":null,"abstract":"Considerably modified and enlarged compared to the 1879 print, the second edition of Primo Vere, the work of Gabriele d’Annunzio’s poetic debut, was published in 1880. This contribution focuses on it, which aims to offer an overview of the representation of nature in its chromatic, musical and olfactory aspects. Portrayed from life or fruit of the imagination, the landscape triumphs in its colouristic value and with its symphonic strength in the alternation of acute, hoarse, powerful or delicate sounds, which sometimes give way to the enchantments of silence or intertwine with the inebriation of fragrances and scents that cloak the atmosphere.","PeriodicalId":474216,"journal":{"name":"Archivio d’Annunzio","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134908170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Archivio d’AnnunzioPub Date : 2023-10-26DOI: 10.30687/ada/2421-292x/2023/01/004
Laura Melosi
{"title":"Un idillio dannunziano","authors":"Laura Melosi","doi":"10.30687/ada/2421-292x/2023/01/004","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2023/01/004","url":null,"abstract":"The article aims to verify how the modern classic of 19th century Giacomo Leopardi has influenced d’Annunzio, with particular regard to the representation of nature. Traditionally, critical studies on d’Annunzio’s models have not recognised significant traces of ‘leopardismo’ in this author. The analysis of the poem Nox , in Primo vere , shows that the young d’Annunzio knew Leopardi’s works very well like a Cicognini School student had to do. It also proves that leopardian lection of Idylls is present in some d’Annunzio’s descriptions of natural landscapes, like lunar nights and quiet countryside. However, d’Annunzio never gave up his style, which was evident right from his early poetic stage.","PeriodicalId":474216,"journal":{"name":"Archivio d’Annunzio","volume":"36 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136376242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Archivio d’AnnunzioPub Date : 2023-10-26DOI: 10.30687/ada/2421-292x/2023/01/013
Elena Santagata
{"title":"Pietro Gibellini. <i>L’arcangelo caduto. Il misterioso infortunio del 1922 nelle parole dello scrittore</i>","authors":"Elena Santagata","doi":"10.30687/ada/2421-292x/2023/01/013","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2023/01/013","url":null,"abstract":"Gibellini, P. (a cura di) (2022). L’arcangelo caduto. Il misterioso infortunio del 1922 nelle parole dello scrittore. Pescara: Ianeri edizioni, 224 pp.","PeriodicalId":474216,"journal":{"name":"Archivio d’Annunzio","volume":"108 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134908807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}