达南齐奥,费德拉和奥维德的庸俗

Edoardo Ripari
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引用次数: 0

摘要

本文通过对保存在维多利亚私人档案馆的达农齐奥的《费德拉》的准备论文的研究,旨在论证阿里戈·西明坦迪对奥维德的《变形记》的中世纪庸俗化对悲剧创作的主导作用。通过对14世纪文本的仔细强迫和听写,达农齐奥恢复了形式和词汇上的细节,以构建费德拉的十句诗,重新创造了相得益彰的形象,提供了最合适的声音和音乐性,并通过将他的人物与他的戏剧所喜爱的神话原型进行比较,提出了心理上的见解,奥维德的杰作是一个令人钦佩的纲要。最后,本文认为思明腾迪的庸俗化和强迫手法的影响超出了1909年的悲剧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
D’Annunzio, Fedra e un volgarizzamento ovidiano
Through the study of the preparatory papers of d’Annunzio’s Phaedra preserved in the Archivio Privato del Vittoriale, the article aims to demonstrate the leading role of the medieval vulgarisation of Ovidian’s Metamorphoses by Arrigo Simintendi for the composition of the tragedy. Through a careful work of compulsion and auscultation of the fourteenth-century text, d’Annunzio recovers formal and lexical tesserae to build Phaedra ’s hendecasyllables, to recreate congenial images, to provide the most appropriate sounds and musicality, and to suggest psychological insights through the comparison between his characters and the mythological archetypes dear to his theatre, of which Ovid’s masterpiece is an admirable compendium. Ultimately, the essay suggests that the influence of Simintendi’s vulgarization and the method of compulsion extends beyond the tragedy of 1909.
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