dannunzian田园诗

Laura Melosi
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引用次数: 0

摘要

本文旨在验证19世纪贾科莫·利奥帕尔迪的现代经典是如何影响达南齐奥的,特别是关于自然的表现。传统上,对达农齐奥模型的批判性研究并没有在这位作者身上发现“豹子主义”的显著痕迹。对《Primo vere》中的《诺克斯》这首诗的分析表明,年轻的达农齐奥非常了解利奥帕尔第的作品,就像西科尼尼学派的学生必须做的那样。这也证明了在达农齐奥对自然景观的一些描述中,如月夜和宁静的乡村,存在着田园诗式的豹式选择。然而,达农齐奥从未放弃他的风格,这从他早期的诗歌阶段就很明显。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Un idillio dannunziano
The article aims to verify how the modern classic of 19th century Giacomo Leopardi has influenced d’Annunzio, with particular regard to the representation of nature. Traditionally, critical studies on d’Annunzio’s models have not recognised significant traces of ‘leopardismo’ in this author. The analysis of the poem Nox , in Primo vere , shows that the young d’Annunzio knew Leopardi’s works very well like a Cicognini School student had to do. It also proves that leopardian lection of Idylls is present in some d’Annunzio’s descriptions of natural landscapes, like lunar nights and quiet countryside. However, d’Annunzio never gave up his style, which was evident right from his early poetic stage.
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