Studia Culturae最新文献

{"title":"«Жить по-иному»: эстетический опыт как опыт преображения","authors":"S. B. Nikonova","doi":"10.31312/2310-1245-2023-58-142-152","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-142-152","url":null,"abstract":"The intensity of aesthetic experience can be seen as endowed with the power to transform and transfigure. This effect is revealed in the article through the analysis of Rilke’s poem “The Archaic Torso of Apollo” (1908), which describes a concentrated aesthetic experience when contemplating a sculptural fragment, as if this experience called for a change in one’s life, but without indicating the direction of change. The nature of this experience is defined in terms of the concept of presence of H.U. Gumbrecht. The absence of a meaningful indication in aesthetic experience connected with the perception of a work of art correlates with Kantian definitions of the sublime. The aesthetically sublime indicates not concrete content, but awakens in us the idea of the infinite, and it, in turn, can be associated both with the religious experience, and with the principle of transforming and transcending oneself as the basis of a person’s spiritual life. Accordingly, it is concluded that in the post-metaphysical secular epoch, the intensity of aesthetic experience, appealing to transformation and to “another life”, replaces the metaphysical search for supernatural harmony and religious faith.","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 43","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Энергия эстетического переживания","authors":"E. N. Ustiugova","doi":"10.31312/2310-1245-2023-58-40-55","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-40-55","url":null,"abstract":"The article is devoted to the comparison of classical and modern understanding of the subject of aesthetics. During the theoretical self-definition of aesthetics in the system of philosophy (Baumgarten, Kant) it was understood as a bridge uniting empiricism of individual sensuality with universality of rational knowledge, as an experience of unity of sensual and supersensual activity of aesthetic consciousness of the subject. Such an interpretation corresponded to the ideal of a whole person in the unity of reason, feeling, spirit, will, and imagination. Contemporary aesthetics defines its subject matter as individual sensual experience, removing from it the basis of the cultural subject's self-consciousness of value. The central problem of the article is a characteristic of aesthetic experience as a procedural form of living through the value and meaningful depth of the experienced aesthetic feeling. Experiencing is treated as an emotional and intellectual process, producing inner work of comprehension of the feeling of staying in the self-relation of the cultural-historical subject with the world. The inner energy of aesthetic experience is born through the creative work of intuition and imagination, creating the likeness of a work of art, but not materialised in the language of art, but staying in the continuing state of internal residence of the imaginary image. The aesthetic experience expands the threshold of human sensibility and reveals the dimension of each phenomenon of reality in such a way that the aesthetic object is more than the object, and the subject more than the empirical individual. This is the essence of the aesthetic, indicating the difference between the aesthetic sense and the mere sensual response of individual consciousness to contact with an object. The subject of aesthetic experience is the subject of a world-relationship, experiencing the world differently in images of chaos or harmony, eternity or the mutability of time of being. Space and time in the axiosphere of culture become subjectivized and are experienced as sensual and semantic phenomena included in the aesthetic thesaurus of culture. In his analysis of the sublime, Kant spoke of the special creative energy of the aesthetic feeling, giving it the depth and duration of the subject's state of mind. Due to the inner tension of the interaction of feelings and meanings, aesthetic experience evokes a vivid sensual and supersensual response of man to his belonging to being.  It extends the range of emotional and intellectual faculties of consciousness, which remains as the memory of aesthetic experience, multiplying the possibilities of future experiences. Aesthetic experience expresses the process of synergy between sensuality and the existential meanings of the historical subject's existential world. The final conclusion of the article is that in aesthetic experience based on a complex set of sensual and supersensual transformations of aesthetic existence of man ","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140388177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Редукция трансцендентного как основание имагинативного поворота в неопрагматизме","authors":"Yu. S. Magomedova","doi":"10.31312/2310-1245-2023-58-168-187","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-168-187","url":null,"abstract":"The article is devoted to the analysis of the conceptual and methodological grounds of the imaginative turn made within the framework of neopragmatist discourse. The specific works of R. Rorty, H. Putnam, and M. Johnson are used as examples to present the features of the interpretation of ethics, moral law, and rationalist tradition. The article emphasizes the process of metaphorization of key concepts of Kant's ethics by the neopragmatists. It is argued that for Putnam Kant's ethics has value first of all for its figurative component, the presence of colorful metaphors based on the core concepts of the Judeo-Christian tradition. In adding, it is suggested to critically evaluate the position of Johnson, who deals in detail with Kant's main moral law, the meaning of the categorical imperative. It is established on the basis of the fact that neopragmatists have reduced the transcendental dimension that the crucial role begins to be taken by the sensuality of the empirical subject and imagination as a moral moderator. The author refers to this phenomenon by the term \"imaginative turn\". Citing the works of Russian researcher E.N. Ustyugova the author makes a conclusion that for neopragmatists the human being turns out to be an empirical natural phenomenon, and aesthetics is the only fundament for moral judgments.","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Теоретические и практические аспекты формирования стиля и культуры научного мышления под руководством Е. Н. Устюговой","authors":"E. V. Barkova","doi":"10.31312/2310-1245-2023-58-23-29","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-23-29","url":null,"abstract":"In this article, the material is devoted to Elena Nikolaevna Ustyugova, my scientific supervisor and mentor, whose pedagogical activities and scientific creativity determined the direction of my scientific research and the style of my scientific thinking.","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 47","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"К юбилею Е. Н. Устюговой","authors":"A. E. Radeev","doi":"10.31312/2310-1245-2023-58-8-10","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-8-10","url":null,"abstract":"","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 22","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140388173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"О трудной проблеме в эстетике","authors":"A. E. Radeev","doi":"10.31312/2310-1245-2023-58-56-66","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-56-66","url":null,"abstract":"Aesthetics, like other branches of philosophy, has its fundamental problems. At different points in the history of aesthetics, such problems have been taste as a form of aesthetic judgment, the limits of art, the possibilities of aesthetic method, and others. Today we can distinguish at least three fundamental problems that are solved in aesthetics with varying degrees of success. The first is a set of problems of aesthetic experience, including the problem of its existence and the problem of its analysis. The second is the problem of art as a special object of aesthetic experience. The third has not yet been clearly defined, but today it is labeled as the problem of the everyday aesthetics, the aesthetics of the environment, or the aesthetics of atmosphere. Within a problem field there may be a problem that is the essence of the field but has not been solved yet. Within the set of problems of aesthetic experience there is a hard problem. It is based on the distinction between sensory and aesthetic experiences. The essence of this problem: what is the necessity of the existence of aesthetic experience on a par with sensory xperience? This problem seems to be unsolved. But if we do not solve this problem, we will have to admit that aesthetic experience is accidental, that there is no need for its existence, that it is reducible to other forms of experience, and that it has no characteristic of its own.","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 14","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140388053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}