Studia Culturae最新文献

{"title":"«Бьюти-пространство» Боттичелли, поп-арт и гностики (к вопросу о становлении классического искусства)","authors":"A. V. Rykov","doi":"10.31312/2310-1245-2023-58-153-166","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-153-166","url":null,"abstract":"The article continues the series of publications by the author on the art of the Renaissance and the work of Botticelli. The author's concept of “classical art” allows us to establish closer connections with subsequent stages of artistic development, as well as with the Early Renaissance. The multi-level structure of Botticelli’s art and the “collage” nature of his works are substantiated. The “universality” of the classics correlates with the gaming strategies of Neoplatonism and Gnosticism. The features that bring the intellectual culture of the Renaissance closer to modern scientific and artistic trends are revealed. New contexts and parallels (Michael Psellus, Honore de Balzac, Arthur Schopenhauer, Alois Riegl, David Hockney, Roy Lichtenstein) allow us to re-evaluate the transformation of the Neoplatonic tradition in European culture. The author rejects rigid interpretations of Gnosticism and Neoplatonism in connection with the work of Botticelli, preferring an “aesthetic” or “poetic” reading. Within the framework of this essentially psychological approach, the author draws attention to the problem of “presence” (“life-likeness”), characteristic of both medieval and modern art. Social issues of interpretation of classical art are touched upon in the article in connection with elements of elitism in the culture of the Medici circle. The concept of “poetry”, developed by Petrarch and Boccaccio and going back to ancient prototypes, is fully consistent with this type of “court” culture, which played a decisive role in the development of classical art. The \"decadence\" of the late Quattrocento and the work of Botticelli as its highest expression were thus the result of very complex intellectual strategies that were continued during the High Renaissance and Mannerism. Particular attention in the article is paid to the revision of the usual views on the historiography of the Renaissance, the actualization of classical art historical concepts. The article returns to the problem of the origins of the semiotic concept of art. Pragmatism and the “irrational” concept of art (appealing to the unconscious) turn out to be quite compatible, that has particular theoretical significance for the revaluation of conventional approaches to the classical heritage.","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Путь эстетика в искусстве (К юбилею Е.Н. Устюговой)","authors":"S. V. Konanchuk","doi":"10.31312/2310-1245-2023-58-30-38","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-30-38","url":null,"abstract":"The article is dedicated to E. N. Ustyugova, a famous Russian scientist, specialist in the field of aesthetics and philosophy of culture. The article indicates the main areas of research by E. N. Ustyugova, including: the history of aesthetics, the history of artistic styles, the art and aesthetics of the Russian avant-garde, environmental aesthetics, ethical and aesthetic problems of modern urbanism, the city as a unity of the ecology of nature and the ecology of culture, etc. It is noted that E. N. Ustyugova is a constant organizer and participant of such significant scientific events as the Russian Aesthetic Congress, the scientific conference “Kaganov Readings” (Institute of Philosophy of St. Petersburg State University), the international scientific conference “Polylogue and synthesis of arts: history and modernity, theory and practice” (St. Petersburg State Conservatory named after N. A. Rimsky-Korsakov), scientific and practical seminar “Current Aesthetics” (Institute of Philosophy of St. Petersburg State University) and many others. The article is based on impressions from the author’s personal acquaintance with Professor E. N. Ustyugova in the period from 2009 to the present.","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 46","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Стиль «золотого века»","authors":"E. M. Gashkova","doi":"10.31312/2310-1245-2023-58-16-20","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-16-20","url":null,"abstract":"","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 19","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140388261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Это просто число? К юбилею Елены Николаевны Устюговой","authors":"B. G. Sokolov","doi":"10.31312/2310-1245-2023-58-11-14","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-11-14","url":null,"abstract":"","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 42","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Эстетика и культура: культурологическая интерпретация эстетических трансформаций в ХХ веке","authors":"N. A. Khrenov","doi":"10.31312/2310-1245-2023-58-67-131","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-67-131","url":null,"abstract":"The article is devoted to the shifts that unfolded from the turn of the XIX–XX centuries to the turn of the XX–XXI centuries in the humanities. The American researcher D. Bachmann-Medic recently made an expert in determining the most significant processes in this sense in her book \"Cultural Turns\". In accordance with her concept, at that stage in history when there was a cultural turn, linguistics took a decisive position in the humanities, in particular, in the sciences of art. It can be argued that for decades much in the humanities has been determined precisely by the linguistic turn. In general, that's what happened. This is evidenced by the appearance of formalism in its Russian and German forms at the beginning of the twentieth century, and then structuralism and poststructuralism. The semiotic turn, which aims to study existing sign systems, including art, illustrates the provisions of the book by D. Bachmann-Medic. The problem arose only with aesthetics, which, as linguistics increasingly asserted itself as a leading science, demonstrated a crisis and a decline in its high status. In general, we can agree with this characteristic of the development of the humanities. But the author of the article insists on the need for a culturological reading of scientific processes. Drawing attention to the fact that both signs and methods imitating signs take part in the communication processes (and such methods are, among others, symbols), the author of the article, referring to Hegel's idea that history is the history of the Spirit, shows that forms that arose take part in the communication processes in different periods of the history of the Spirit, including the most archaic forms, to which Hegel referred symbolic, and, in general, mythological forms. The ways of communication, determined not by signs themselves, but by ways imitating signs, and these are symbols, are at the heart of not only sign systems, but also types of culture. Asserting this, the author relies on the idea of representing the poststructuralism of Yu. Kristeva, who distinguishes iconic and unfamiliar types of cultures in history. Based on this idea, the author shows that at the turn of the XX–XXI centuries, humanity is entering an era of radical cultural renewal, which has consequences for the humanities. This epoch is characterized by an exit from a culture functioning on the basis of a sign and an appeal to symbolic forms of thinking, which corresponds to P. Sorokin's concept of sociodynamics of culture, in which types of cultures are distinguished. At the turn of the XX–XXI centuries, a culture based on sensory reality and guided by the cognition of this reality by positivist methods is experiencing a decline, which explains the decline in the status of classical aesthetics. In this context, it becomes clear the final stage in the functioning of the humanities, at which a linguistic turn was possible. This is explained by the next extinction of positivism. Such its extincti","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Репрезентация личности и трансформация культурного пространства в век постмодерна","authors":"N. V. Razuvaev","doi":"10.31312/2310-1245-2023-58-132-141","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-132-141","url":null,"abstract":"The article considers some current trends in the transformation of human personality and socio-cultural space in the postmodern context. In the author's opinion, the most important changes that determine the shape of postmodern society and culture include, firstly, the loss of certainty inherent in the process of the symbolic communication, secondly, the fragmentation of cultural space, which includes very heterogeneous and often inconsistent components, and, thirdly, the crisis of human personality representation. The above trends are core in terms of the general characterization of those crisis phenomena that affect the state of postmodern culture. The paper concludes that the most important means of overcoming the existential crisis is to restore the lost integrity of human personality on the basis of a new (or revived) metanarrative, which, in turn, will ensure the coherence of cultural space in the new historical situation.","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 39","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140388226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Эко У. Собор, флейтист и интерпретация","authors":"A. Y. Borkina","doi":"10.31312/2310-1245-2023-58-206-210","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-206-210","url":null,"abstract":"<span lang=\"EN-US\">Eco U. “The Cathedral, the Flutist, and Interpretation”, <em>Grand Street</em>, no. 40 (1991): 118–121. </span>","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Каменецкая П.А. Как искусство аутсайдеров само стало в авангард (Рецензия на книгу Анны Суворовой «Искусство аутсайдеров и авангард»)","authors":"P. A. Kamenetskaya","doi":"10.31312/2310-1245-2023-58-212-225","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-212-225","url":null,"abstract":"","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 43","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140387941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Приветствие Елене Николаевне Устюговой от кафедры эстетики Московского университета","authors":"E. A. Kondratiev","doi":"10.31312/2310-1245-2023-58-21-22","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-21-22","url":null,"abstract":"","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 40","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140388088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Что бы ни случилось с киноопытом: от чувственных данных к опытности в истории эстетики","authors":"E. A. Strugova","doi":"10.31312/2310-1245-2023-58-188-204","DOIUrl":"https://doi.org/10.31312/2310-1245-2023-58-188-204","url":null,"abstract":"The aesthetics of sensuality is rightfully considered an interdisciplinary field. One of the principles of such reasoning is the shift from the particular to the general, since sensuality is able to resist the 'majors' of rationality among topics (aesthetic judgment, art expertise). Even the most non-reductive approaches, standing apart from the Theories, emphasize the absence of common features that many aesthetic experiences would inherit. Whereas experience, along with observation, has a base that acts as an aid to academic texts. In the language of film criticism, there are seemingly intuitive, but productive notions: intonation, voice and atmosphere. Experienceness as a concept at the intersection of practical aesthetics and film theory makes it possible to find prerequisites for interest in sensuality in a cumulative sense in the history of aesthetics. Being an expression of a particle 'already', referring to both time and space, experienceness in the narrow sense (watchfullness) means a qualitative gap between the value judgment of the film and the depth of experience. While in a broad sense (namely experienceness ) It can be a reason to reconcile the axiology and phenomenology of the sensual side of cinematic experience.","PeriodicalId":474109,"journal":{"name":"Studia Culturae","volume":" 45","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140388209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}