RepresentationsPub Date : 2023-01-01DOI: 10.1525/rep.2023.162.6.65
Leela. Gandhi
{"title":"On Sitting","authors":"Leela. Gandhi","doi":"10.1525/rep.2023.162.6.65","DOIUrl":"https://doi.org/10.1525/rep.2023.162.6.65","url":null,"abstract":"By way of a formal experiment in speculative entanglement, this essay hopes to set in motion an account of nonviolence as a disposition vested in principles of relationship rather than renunciation. It also counters what the cultural anthropologist Thomas Trautmann has described as the “theory-deadness” of non-Western antiquities—a double effect, we might argue, of their disciplinary incarceration by possessive orientalist modes of expertise and policing by various insurgent cultural nationalisms.","PeriodicalId":47353,"journal":{"name":"Representations","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66929898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RepresentationsPub Date : 2023-01-01DOI: 10.1525/rep.2023.164.6.137
Alexander Bigman
{"title":"Acts of Feeling","authors":"Alexander Bigman","doi":"10.1525/rep.2023.164.6.137","DOIUrl":"https://doi.org/10.1525/rep.2023.164.6.137","url":null,"abstract":"In this essay I address the emotive charge of James Welling’s photographic abstractions from the early 1980s, described by the artist as “images about the act of feeling.” Welling’s endeavor to stage this “act,” I argue, places his work within a wider effort by peers like Sherrie Levine, Cindy Sherman, and David Salle to reassess what it meant for art to be “expressive.” At a moment when modernist models of this concept had lost their credibility and “expressionism” as a genre had come to appear politically toxic, such an inquiry took on new urgency, raising questions that remain central to ongoing debates about the relationship between art, affect, and the social.","PeriodicalId":47353,"journal":{"name":"Representations","volume":"141 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135711056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RepresentationsPub Date : 2023-01-01DOI: 10.1525/rep.2023.164.4.80
Jensen Suther
{"title":"Novel, Organism, Form","authors":"Jensen Suther","doi":"10.1525/rep.2023.164.4.80","DOIUrl":"https://doi.org/10.1525/rep.2023.164.4.80","url":null,"abstract":"This essay intervenes in the contemporary debate surrounding the Bildungsroman and its roots in German Idealism through a new reading of the idea of “life” in two major modern texts: G. W. F. Hegel’s Lectures on Fine Art and the famous “Research” chapter of Thomas Mann’s The Magic Mountain. I establish three key points: 1) Hegel pioneers a bio-aesthetics that grasps the work of art as a distinctly social and historical, reflective manifestation of organic life; 2) Mann’s novel achieves a kind of self-conscious knowledge of the Bildungsroman in particular as such a manifestation; and 3) Karl Marx’s analysis of the alienation of humanity from its “species-being” under capitalism accounts for the opposition between nature and culture, animality and rationality, that drives Mann’s modernist experiment with genre: his innovation of what I call “the novel of deformation.”","PeriodicalId":47353,"journal":{"name":"Representations","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135758390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RepresentationsPub Date : 2023-01-01DOI: 10.1525/rep.2023.161.3.41
J. Matz
{"title":"Montage Diversity","authors":"J. Matz","doi":"10.1525/rep.2023.161.3.41","DOIUrl":"https://doi.org/10.1525/rep.2023.161.3.41","url":null,"abstract":"Montage diversity divides even as it unites the people it represents, making it a telling register of possibilities for social inclusion in American visual culture. Montage effects in Mr. Smith Goes to Washington (1939) and Pepsi-Cola’s 1969 campaign “You’ve Got a Lot to Live” demonstrate the problems that arise in the combination of social diversity and filmic montage, and, because one was the work of avant-garde film artist Slavko Vorkapich and the other of his son Ed Vorkapich, compose a critical genealogy of montage diversity and its implications for social inclusion.","PeriodicalId":47353,"journal":{"name":"Representations","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66930085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RepresentationsPub Date : 2023-01-01DOI: 10.1525/rep.2023.161.6.124
Louis Klee
{"title":"Ethics and Associativeness","authors":"Louis Klee","doi":"10.1525/rep.2023.161.6.124","DOIUrl":"https://doi.org/10.1525/rep.2023.161.6.124","url":null,"abstract":"These conversations between Teju Cole and Louis Klee explore form and ethics in Cole’s photography and writing. They begin with a close engagement with the central thematic concerns and motifs in Cole’s 2017 photo-essay book Blind Spot and then move to his recent book of essays, Black Paper (2021). Throughout, the focus is on questions of how photography and writing relate, and how politics and ethics are implicated in literary and artistic form.","PeriodicalId":47353,"journal":{"name":"Representations","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66930143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RepresentationsPub Date : 2023-01-01DOI: 10.1525/rep.2023.162.2.11
Farah Bakaari
{"title":"Qabyo","authors":"Farah Bakaari","doi":"10.1525/rep.2023.162.2.11","DOIUrl":"https://doi.org/10.1525/rep.2023.162.2.11","url":null,"abstract":"Maandeeq, or she-camel, is the most recognizable and dominant metaphor for the Somali nation-state, a symbol conceived and institutionalized through classical pastoral poetry. This article examines how Somali poets of the twentieth century made use of another metaphor to consider the anxieties of independence and the founding paradoxes of the Somali state: the metaphor of qabyo. Unlike the binary offered by the stable figure of maandeeq—she’s either dead or alive, stolen or reclaimed, shared or contested—qabyo attends to the incongruent, overlapping, and cyclical forms of ruination and repair that subtend the makings of the Somali state. Moreover, by contesting the determinism of failure narratives and instead focusing on the daily labor required to conduct a life in the ruins of history, qabyo poetics, I argue, advances a sociopolitical theory of the Somali subject as one who must learn to survive ruinous time.","PeriodicalId":47353,"journal":{"name":"Representations","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66930263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RepresentationsPub Date : 2023-01-01DOI: 10.1525/rep.2023.162.4.44
Nijah Cunningham
{"title":"Heliology","authors":"Nijah Cunningham","doi":"10.1525/rep.2023.162.4.44","DOIUrl":"https://doi.org/10.1525/rep.2023.162.4.44","url":null,"abstract":"This essay attempts to think anticolonialism as theory. It does so by first embracing the role of metaphor in the contemporary discourse on decolonization. Then, turning to Frantz Fanon’s The Wretched of the Earth, it models a way of re-reading the promise of anticolonial freedom attuned to the alternative conceptions of decolonization that persist in the wake of past struggles. Reading with Fanon and, subsequently, with Achille Mbembe in his revision of the former’s political vision, the essay traces the temporalities that converge under the sign of decolonization in search of what hidden potentials remain at hand.","PeriodicalId":47353,"journal":{"name":"Representations","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66929842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RepresentationsPub Date : 2023-01-01DOI: 10.1525/rep.2023.162.8.109
C. León
{"title":"Knots in the Throat","authors":"C. León","doi":"10.1525/rep.2023.162.8.109","DOIUrl":"https://doi.org/10.1525/rep.2023.162.8.109","url":null,"abstract":"This essay concentrates on the figural knots that both refuse and suture readings across Raquel Salas Rivera’s Preguntas frecuentes and X/Ex/Exis. Tracing self-translations, the essay reads how Salas Rivera steals back from English and binary gender in the poetic and translation decisions to withhold, or hold onto, loss as itself incommensurable or untranslatable. His poetics situates Latinx at the hinge and limit of two colonial languages, requiring us to contend with ongoing problems of reference and translation. Through material tropes, Salas Rivera’s poetry registers entanglements and displacements of colonial grammars, transgender terms, and the material remains of empire.","PeriodicalId":47353,"journal":{"name":"Representations","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66930578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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