Montage Diversity

IF 0.9 4区社会学 Q2 CULTURAL STUDIES

Representations Pub Date : 2023-01-01 DOI:10.1525/rep.2023.161.3.41

J. Matz

引用次数: 0

Abstract

Montage diversity divides even as it unites the people it represents, making it a telling register of possibilities for social inclusion in American visual culture. Montage effects in Mr. Smith Goes to Washington (1939) and Pepsi-Cola’s 1969 campaign “You’ve Got a Lot to Live” demonstrate the problems that arise in the combination of social diversity and filmic montage, and, because one was the work of avant-garde film artist Slavko Vorkapich and the other of his son Ed Vorkapich, compose a critical genealogy of montage diversity and its implications for social inclusion.

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蒙太奇的多样性

蒙太奇的多样性在把它所代表的人团结起来的同时也造成了分裂，这使它成为美国视觉文化中社会包容的可能性的生动记录。《史密斯先生去华盛顿》(1939)中的蒙太奇效果和百事可乐1969年的广告“你有很多事情要做”展示了社会多样性和电影蒙太奇结合所产生的问题，而且，因为一个是前卫电影艺术家斯拉科夫·沃尔卡维奇(Slavko Vorkapich)的作品，另一个是他的儿子埃德·沃尔卡维奇(Ed Vorkapich)的作品，构成了蒙太奇多样性及其对社会包容的影响的批判性谱系。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Representations Multiple-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： An interdisciplinary journal edited by renowned scholars, Representations publishes trend-setting articles and criticism in a wide variety of fields in the humanities. In addition to special topical issues, tributes, and forums, inside you’ll find insightful coverage of: •The Body, Gender, and Sexuality •Culture and Law •Empire, Imperialism, and The New World •History and Memory •Narrative and Poetics •National Identities •Politics and Aesthetics •Philosophy and Religion •Race and Ethnicity •Science Studies •Society, Class, and Power •Visual Culture