Design Journal最新文献

{"title":"The Soul Trembles: An Exhibition of Shiota Chiharu's Art and Design Work.","authors":"Xiwei Shen, Ling Wang, Mengting Ge","doi":"10.1080/14606925.2022.2088103","DOIUrl":"https://doi.org/10.1080/14606925.2022.2088103","url":null,"abstract":"The immersive space design work of Shiota Chiharu reflects her unique and delicate artistic expression, her sensitive observation of the world and rich emotional expression. Her works, which are usually inspired by her personal experience and emotion, extend beyond the personal to encompass the concerns of all people, such as life and death, memory and interpersonal relationships. Her art reaches people’s hearts through her use of intertwined net forms, strong and pure colors, and daily objects closely related to life. Shiota Chiharu was born in Osaka in 1972. She studied oil painting in Kyoto Seika University from 1992 to 1996. After 1997, she studied at Braunschweig University of Art and University of the Arts Berlin. She lived in Germany after that (Yoshimoto 2014). Shiota Chiharu’s art includes installation art, performance, and images, and it usually examines intangible themes, such as memory, anxiety, dreams, and silence. Her works have been exhibited in institutions worldwide, including the Museum of New Zealand Te Papa Tongarewa, the Art Gallery of South Australia, MoMA PS1, New York, Power Station of Art, Shanghai, National Museum of Art, Osaka, Freerand Sackler Galleries of Art, Washington D.C, K21 Kunstsammlung Nordrhein-Westfalen, D€ usseldorf, etc. Her works have also appeared in important international exhibitions, including Biennale of Sydney, Setouchi Triennale, Kwangju Art Biennale, etc. In 2015, Shiota Chiharu participated in the 56th La Biennale di Venezia on behalf of Japan. In 2019, Shiota Chiharu’s largest solo exhibition, at Mori Art Museum in Tokyo, Japan, caused a great sensation and attracted visitors from all over the world. On December 19, 2021, her solo exhibition toured to Shanghai Long Art Museum in China. About eighty pieces of Shiota Chiharu’s works since the 1990s, mainly large-scale installations, sculptures, performance","PeriodicalId":46826,"journal":{"name":"Design Journal","volume":"26 1","pages":"163 - 172"},"PeriodicalIF":1.0,"publicationDate":"2022-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49471879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Odyssey and Homecoming","authors":"Xiwei Shen, Ling Wang, Weidong Wang, M. Padua","doi":"10.1080/14606925.2022.2088102","DOIUrl":"https://doi.org/10.1080/14606925.2022.2088102","url":null,"abstract":"Background The exhibition Cai Guoqiang: Odyssey and Homecoming opened at the Pudong Art Museum (MAP) in Shanghai on July 8, 2021. Guoqiang Cai is a Chinese artist and designer known for his designs that use gunpowder blasting to explore society, culture, and nature. He has done art projects in 218 cities in 50 countries around the world. On the exhibition wall on the third floor of the Pudong Art Museum, there is a huge world map and a photo wall that records his artistic footprint. In addition to the 538 projects that have been realized, 101 unrealized projects are also marked on the map (Figure 1). However,","PeriodicalId":46826,"journal":{"name":"Design Journal","volume":"25 1","pages":"902 - 910"},"PeriodicalIF":1.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48824831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Locating writing in design education as a pedagogical asset","authors":"K. Gelmez, T. E. Tüfek","doi":"10.1080/14606925.2022.2088174","DOIUrl":"https://doi.org/10.1080/14606925.2022.2088174","url":null,"abstract":"Abstract In pursuit of constructivist learning, design education can benefit from various methods, tools and applications that directly influence learners’ design processes. In this sense, writing has become prominent as a learning and teaching tool with the attention of both design teachers and design researchers. However, there is no particular study addressing a comprehensive characterization of writing-related studies in design education within the existing literature. Through this scoping literature review, we sought answers about how writing serves as a pedagogical vehicle in design education. To achieve this, we extracted and identified studies in design education literature with three categories; conceptual and empirical studies, as well as instructional cases. Thematic analysis revealed four major themes with 18 sub-themes in which writing can render the design education discourse. Briefly, through a wide range of writing formats, writing can promote processes, develop skills, utilize tools and deal with issues regarding design.","PeriodicalId":46826,"journal":{"name":"Design Journal","volume":"25 1","pages":"675 - 695"},"PeriodicalIF":1.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45875630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Issues of Power and Representation in/of the Local Context: The role of self-reflexivity and positionality in design research","authors":"Gizem Öz, Şebnem Timur","doi":"10.1080/14606925.2022.2088097","DOIUrl":"https://doi.org/10.1080/14606925.2022.2088097","url":null,"abstract":"Abstract This article links design research in local contexts to the methodological issues of positionality and self-reflexivity. A critical examination of design’s relationship with the local context indicates a need for self-reflexive methodologies as means of addressing power imbalances in the field, deciphering prejudices, and maintaining receptivity to diverse ways of knowing and approaches to knowledge. Drawing upon the first author’s experience of fieldwork in a Turkish village, this article delves into the fluidity of positioning in the field. It self-reflexively examines the impact of the positionality of identities claimed and assigned during the research process, the relations and interactions that occurred in the field and the construction of the research text. While promoting self-reflexivity as a tool for critically engaged research, the article also addresses how design researchers in the local context might associate these methodological insights to their own studies.","PeriodicalId":46826,"journal":{"name":"Design Journal","volume":"26 1","pages":"252 - 269"},"PeriodicalIF":1.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45579860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Promoting Emotional Durability and Sustainable Fashion Consumption through Art Derivatives Design Methods","authors":"Manqian Wang, Eunyoung Kim, Bo Du","doi":"10.1080/14606925.2022.2088095","DOIUrl":"https://doi.org/10.1080/14606925.2022.2088095","url":null,"abstract":"Abstract This research clarifies the impact of aesthetic emotions on consumers’ emotional durability of fashion products. Four design methods of fashion art derivatives were proposed, and 24 samples were selected for testing. The experiment was conducted in China, testing the relationship between respondents’ preferences and aesthetic emotions. Results suggested that the direct participation of artists in design could gain the favour of more respondents. A significant correlation was found between the developed period of derivatives and respondents’ preferences. Derivatives that experience time precipitation may be more popular with respondents. Different design methods could affect the aesthetic emotions of the public. Artists’ participation can evoke better Pleasant–Excited emotion, while most of the emotions of art institute derivatives belong to the Pleasant–Calm range. The emotions evoked by respondents’ preferred samples were mainly in-depth emotions, which indicated that collaborative design could distinguish fashion derivatives from common fashion products and obtain longer lifespans.","PeriodicalId":46826,"journal":{"name":"Design Journal","volume":"25 1","pages":"789 - 806"},"PeriodicalIF":1.0,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47502644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Co-creation with crowdfunding backers for new products and entrepreneurial development: A longitudinal study on design entrepreneurs in Taiwan","authors":"Fang-Wu Tung","doi":"10.1080/14606925.2022.2088092","DOIUrl":"https://doi.org/10.1080/14606925.2022.2088092","url":null,"abstract":"Abstract Beyond financial aid, crowdfunding platforms allow entrepreneurs to involve potential customers in co-create activities to work on the project and enable entrepreneurial development. This longitudinal study explores the phenomenon of design entrepreneurship through crowdfunding, particularly, how design entrepreneurs develop new products through crowdfunding while engaging in value co-creation aimed at developing businesses. The study over three years was conducted to obtain holistic data to address the research inquiry. The findings of this study identify the patterns of the new product development (NPD) activities associated with the crowdfunding process and the open search strategy for seeking external knowledge. Co-creation with backers for new products and entrepreneurial development involves four components: (i) co-creation form, (ii) engagement platform, (iii) approach, and (iv) major actor. A framework was proposed to help crowdfunding entrepreneurs understand the interplay between customers and firms in terms of how co-creation arises and develops.","PeriodicalId":46826,"journal":{"name":"Design Journal","volume":"25 1","pages":"768 - 788"},"PeriodicalIF":1.0,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43159212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Participatory design in sensitive contexts: A proposal for a conceptual framework","authors":"Sneha Raman, T. French","doi":"10.1080/14606925.2022.2088091","DOIUrl":"https://doi.org/10.1080/14606925.2022.2088091","url":null,"abstract":"Abstract There has been an increasing focus on Participatory Design (PD) and design research involving ‘vulnerable groups’ and sensitive topics in recent years. Existing approaches, however, focus on working with discrete ‘vulnerable groups’ and/or sensitive topics, with limited work capturing shared learnings and key principles across these. In this position paper, we discuss our work specifically focusing on enabling participation from people perceived as vulnerable to engage on sensitive research topics, sharing key themes from project examples across three different contexts. We present a proposal for a conceptual framework synthesising key principles for Participatory Design in Sensitive Contexts. The framework emphasises: valuing lived experience as expertise; rights-based ethos foregrounding the political, ethical and social commitment of PD; asset-based design promoting individual and collective agency, voice and empowerment; and attuning participation with a focus on relationships, dynamics of engagement and wellbeing, to create appropriate conditions for genuine participation and transformation.","PeriodicalId":46826,"journal":{"name":"Design Journal","volume":"25 1","pages":"752 - 767"},"PeriodicalIF":1.0,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47893968","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Five components of social design: A unified framework to support research and practice","authors":"Nynke Tromp, Stéphane Vial","doi":"10.1080/14606925.2022.2088098","DOIUrl":"https://doi.org/10.1080/14606925.2022.2088098","url":null,"abstract":"Abstract Although the term social design is being widely adopted around the world, conceptual clarity is still lacking. The way social design is understood and executed can vary greatly. Without a shared conceptual foundation, knowledge exchange and development are restricted, and so is the professionalisation of practice. This paper brings forward a framework that unites all social design around an overarching objective to foster the common good but argues that design activities to do so may be driven by different values and focus on different outcomes. We identify five components of social design: (1) care-driven design activities for the wellbeing of underprivileged people, (2) responsiveness-driven design activities for good governance, (3) political progress-driven design activities for empowered citizens, (4) social capital-driven design activities for beneficial communities, and, (5) resilience-driven design activities for sustainable future systems. We describe how the framework helps explain, discuss and systematically study social design.","PeriodicalId":46826,"journal":{"name":"Design Journal","volume":"26 1","pages":"210 - 228"},"PeriodicalIF":1.0,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48332696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Role of Visual Experience in Individual Differences of Brain Connectivity.","authors":"Sriparna Sen, Nanak Nihal Khalsa, Ningcong Tong, Smadar Ovadia-Caro, Xiaoying Wang, Yanchao Bi, Ella Striem-Amit","doi":"10.1523/JNEUROSCI.1700-21.2022","DOIUrl":"10.1523/JNEUROSCI.1700-21.2022","url":null,"abstract":"<p><p>Visual cortex organization is highly consistent across individuals. But to what degree does this consistency depend on life experience, in particular sensory experience? In this study, we asked whether visual cortex reorganization in congenital blindness results in connectivity patterns that are particularly variable across individuals, focusing on resting-state functional connectivity (RSFC) patterns from the primary visual cortex. We show that the absence of shared visual experience results in more variable RSFC patterns across blind individuals than sighted controls. Increased variability is specifically found in areas that show a group difference between the blind and sighted in their RSFC. These findings reveal a relationship between brain plasticity and individual variability; reorganization manifests variably across individuals. We further investigated the different patterns of reorganization in the blind, showing that the connectivity to frontal regions, proposed to have a role in the reorganization of the visual cortex of the blind toward higher cognitive roles, is highly variable. Further, we link some of the variability in visual-to-frontal connectivity to another environmental factor-duration of formal education. Together, these findings show a role of postnatal sensory and socioeconomic experience in imposing consistency on brain organization. By revealing the idiosyncratic nature of neural reorganization, these findings highlight the importance of considering individual differences in fitting sensory aids and restoration approaches for vision loss.<b>SIGNIFICANCE STATEMENT</b> The typical visual system is highly consistent across individuals. What are the origins of this consistency? Comparing the consistency of visual cortex connectivity between people born blind and sighted people, we showed that blindness results in higher variability, suggesting a key impact of postnatal individual experience on brain organization. Further, connectivity patterns that changed following blindness were particularly variable, resulting in diverse patterns of brain reorganization. Individual differences in reorganization were also directly affected by nonvisual experiences in the blind (years of formal education). Together, these findings show a role of sensory and socioeconomic experiences in creating individual differences in brain organization and endorse the use of individual profiles for rehabilitation and restoration of vision loss.</p>","PeriodicalId":46826,"journal":{"name":"Design Journal","volume":"20 1","pages":"5070-5084"},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9233442/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85642624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Navigating Complexity through Co-Design: Visualising, Understanding and Activating Entrepreneurial Ecosystems","authors":"B. Nthubu, David Pérez, Daniel Richards, L. Cruickshank","doi":"10.1080/14606925.2022.2088096","DOIUrl":"https://doi.org/10.1080/14606925.2022.2088096","url":null,"abstract":"Abstract Small and medium-sized enterprises (SMEs) draw on inter-firm resources to innovate. As a result, SMEs find themselves embedded in complex local ecosystems that they do not fully understand. We used the co-design visualisation approach to help actors visualise, understand, and activate entrepreneurial actions to address this challenge. The study engaged SMEs, researchers, and innovation policymakers as examples of key actors in a local ecosystem. The first co-design workshop was at a Botswana leather incubator with 15 manufacturing SMEs. Then we evaluated our approach with 65 participants from research and policy environments across seven African countries. Lastly, we conducted a workshop with 20 SMEs from Botswana Innovation Hub. Our findings suggest that using ecosystem visualisations as rigorous heuristics empowers actors to identify opportunities for entrepreneurship. Implications for this research emphasise the role of co-design visualisations in navigating complex and less developed entrepreneurial ecosystems to drive regional strategy and innovation.","PeriodicalId":46826,"journal":{"name":"Design Journal","volume":"25 1","pages":"730 - 751"},"PeriodicalIF":1.0,"publicationDate":"2022-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48089167","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}