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Message from CAA Executive Director CAA执行董事致辞
IF 0.7 1区 艺术学
ART BULLETIN Pub Date : 2023-04-03 DOI: 10.1080/00043079.2023.2179327
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引用次数: 0
Art on the Edge: The Church of the Holy Cross, Jvari, Georgia 边缘的艺术：圣十字教堂，乔治亚州Jvari
IF 0.7 1区 艺术学
ART BULLETIN Pub Date : 2023-01-02 DOI: 10.1080/00043079.2022.2109388
A. Eastmond
{"title":"Art on the Edge: The Church of the Holy Cross, Jvari, Georgia","authors":"A. Eastmond","doi":"10.1080/00043079.2022.2109388","DOIUrl":"https://doi.org/10.1080/00043079.2022.2109388","url":null,"abstract":"Abstract Jvari, the Church of the Holy Cross, overlooking the old capital of Georgia, Mtskheta, is a building that is literally and metaphorically on the edge. It is a liminal monument that crosses borders but also creates them. The church lies at the heart of Georgia’s Christian history, but in the seventh century it lay on the frontier between the Byzantine and Sasanian empires. Architecturally it belongs to a group of churches found across the Caucasus, but it has often been promoted as an exclusively Georgian monument. Jvari is a single monument that illuminates issues in transnational history, and the changing roles of a building in the creation of identities in the early Middle Ages.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"64 - 92"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44755194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Arabesques”: The Making and Breaking of a Concept in Renaissance Italy “Arabesques”：文艺复兴时期意大利一个概念的形成与打破
IF 0.7 1区 艺术学
ART BULLETIN Pub Date : 2023-01-02 DOI: 10.1080/00043079.2022.2109382
R. Brennan
{"title":"“Arabesques”: The Making and Breaking of a Concept in Renaissance Italy","authors":"R. Brennan","doi":"10.1080/00043079.2022.2109382","DOIUrl":"https://doi.org/10.1080/00043079.2022.2109382","url":null,"abstract":"Abstract “Arabesques” (arabeschi) took shape as a term and concept in sixteenth-century Italy to describe motifs deriving from Islamic art. The formation of the concept reflects a complex interplay between art making and art theory, which played out differently across different media. In metalwork, the arabesque was conceptualized in tandem with conscious projects of imperialist appropriation, whereas in needlework it furnished a theoretical basis for a highly conflicted affirmation of female artists. In the long term, these countervailing developments laid the groundwork for increasingly racialized identifications between the arabesque and the grotesque.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"9 - 36"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45546411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial Board and Information for Authors 编委会和作者信息
IF 0.7 1区 艺术学
ART BULLETIN Pub Date : 2023-01-02 DOI: 10.1080/00043079.2023.2139993
{"title":"Editorial Board and Information for Authors","authors":"","doi":"10.1080/00043079.2023.2139993","DOIUrl":"https://doi.org/10.1080/00043079.2023.2139993","url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"2 - 2"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42326953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A New Look for the Jewish Past: Historicism, Authenticity, and Fantasy in E. M. Lilien’s Bible Art 犹太人过去的新面貌:e.m.利连圣经艺术中的历史主义、真实性和幻想
IF 0.7 1区 艺术学
ART BULLETIN Pub Date : 2023-01-02 DOI: 10.1080/00043079.2022.2109387
Eva Miller
{"title":"A New Look for the Jewish Past: Historicism, Authenticity, and Fantasy in E. M. Lilien’s Bible Art","authors":"Eva Miller","doi":"10.1080/00043079.2022.2109387","DOIUrl":"https://doi.org/10.1080/00043079.2022.2109387","url":null,"abstract":"Abstract In the multivolume Bücher der Bibel (1908–12), Jewish artist Ephraim Mose Lilien imagined a glorious Jewish past that resonated with Zionist discourses of spiritual and artistic revival. He visualized this past in part through appropriating iconography from ancient Egypt and Mesopotamia. The significance of Lilien’s historicism must be understood in the context of a culture conflicted about the relationship between the Bible and the Middle Eastern past, at a time when an association between German imperial power and the ancient Middle East was ubiquitous in popular media and promoted at the highest levels of the state.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"37 - 63"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48632744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crafting Enlightenment: Artisanal Histories and Transnational Networks, edited by Lauren R. Cannady and Jennifer Ferng; and The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV's France, by Meredith Martin and Gillian Weiss 《手工启蒙：手工历史与跨国网络》，劳伦·R·卡纳迪和珍妮弗·弗恩主编；《海上太阳王：路易十四法国的海上艺术与画廊奴隶制》，梅雷迪思·马丁和吉莉安·韦斯著
IF 0.7 1区 艺术学
ART BULLETIN Pub Date : 2023-01-02 DOI: 10.1080/00043079.2023.2139983
Sarah R. Cohen
{"title":"Crafting Enlightenment: Artisanal Histories and Transnational Networks, edited by Lauren R. Cannady and Jennifer Ferng; and The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV's France, by Meredith Martin and Gillian Weiss","authors":"Sarah R. Cohen","doi":"10.1080/00043079.2023.2139983","DOIUrl":"https://doi.org/10.1080/00043079.2023.2139983","url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"140 - 145"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44298857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Art History In and Outside of the Academy 学院内外的艺术史
IF 0.7 1区 艺术学
ART BULLETIN Pub Date : 2023-01-02 DOI: 10.1080/00043079.2023.2155100
C. Anderson
{"title":"Art History In and Outside of the Academy","authors":"C. Anderson","doi":"10.1080/00043079.2023.2155100","DOIUrl":"https://doi.org/10.1080/00043079.2023.2155100","url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"6 - 8"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46075925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Visualizing Peasant and Bovine Self-Sustenance in the Famine Tracts of Colonial India 想象印度殖民地饥荒地区的农民和牛的自我维持
IF 0.7 1区 艺术学
ART BULLETIN Pub Date : 2023-01-02 DOI: 10.1080/00043079.2022.2109390
L. Oliver
{"title":"Visualizing Peasant and Bovine Self-Sustenance in the Famine Tracts of Colonial India","authors":"L. Oliver","doi":"10.1080/00043079.2022.2109390","DOIUrl":"https://doi.org/10.1080/00043079.2022.2109390","url":null,"abstract":"Abstract In the second half of the nineteenth century, the British Raj sponsored cattle competitions across India to educate peasants in responsible bovine husbandry practices to mitigate famine. Photographs of these competitions, which demonstrate the fraught convergence of economic liberalism and colonial humanitarianism, aimed to constitute model peasants and cattle of measurable self-improvement. Simultaneously, the photographs reveal traces of bovine-peasant relationships that unsettle these newly conceived colonial subjects and that speak to the manner in which cattle’s bodies were sites of competing political and affective inscription.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"117 - 139"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43249246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Painting, Poetry, and the Invention of Tenderness in the Early Roman Empire, by Hérica Valladares; and Destinations in Mind: Portraying Places on the Roman Empire’s Souvenirs, by Kimberly Cassibry 《早期罗马帝国的绘画、诗歌和温柔的发明》，作者:hsamica Valladares;《心中的目的地:描绘罗马帝国纪念品上的地方》，金伯利·卡西布里著
IF 0.7 1区 艺术学
ART BULLETIN Pub Date : 2023-01-02 DOI: 10.1080/00043079.2023.2139987
B. Kellum
{"title":"Painting, Poetry, and the Invention of Tenderness in the Early Roman Empire, by Hérica Valladares; and Destinations in Mind: Portraying Places on the Roman Empire’s Souvenirs, by Kimberly Cassibry","authors":"B. Kellum","doi":"10.1080/00043079.2023.2139987","DOIUrl":"https://doi.org/10.1080/00043079.2023.2139987","url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"146 - 149"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43988442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Botanical Illustration and Byzantine Visual Inquiry in the Morgan Dioscorides Morgan Dioscorides中的植物插图和拜占庭视觉探究
IF 0.7 1区 艺术学
ART BULLETIN Pub Date : 2023-01-02 DOI: 10.1080/00043079.2022.2109389
Andrew Griebeler
{"title":"Botanical Illustration and Byzantine Visual Inquiry in the Morgan Dioscorides","authors":"Andrew Griebeler","doi":"10.1080/00043079.2022.2109389","DOIUrl":"https://doi.org/10.1080/00043079.2022.2109389","url":null,"abstract":"Abstract Standard art historical narratives portray early medieval and Byzantine botanical illustration as a stagnate tradition resulting from the uncritical copying of ancient models. The Morgan Dioscorides, however, testifies to robust critical practices in Byzantine botanical illustration as early as the ninth or tenth century ce. In this article I argue that the makers of the Morgan Dioscorides critically compared variant pictures from the same manuscript tradition. They drew upon nature observation and close readings of text to create illustrations absent from the existing tradition. I further explore the theoretical and empirical underpinnings for these practices.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"93 - 116"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47822224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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