{"title":"想象印度殖民地饥荒地区的农民和牛的自我维持","authors":"L. Oliver","doi":"10.1080/00043079.2022.2109390","DOIUrl":null,"url":null,"abstract":"Abstract In the second half of the nineteenth century, the British Raj sponsored cattle competitions across India to educate peasants in responsible bovine husbandry practices to mitigate famine. Photographs of these competitions, which demonstrate the fraught convergence of economic liberalism and colonial humanitarianism, aimed to constitute model peasants and cattle of measurable self-improvement. Simultaneously, the photographs reveal traces of bovine-peasant relationships that unsettle these newly conceived colonial subjects and that speak to the manner in which cattle’s bodies were sites of competing political and affective inscription.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"117 - 139"},"PeriodicalIF":0.4000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Visualizing Peasant and Bovine Self-Sustenance in the Famine Tracts of Colonial India\",\"authors\":\"L. Oliver\",\"doi\":\"10.1080/00043079.2022.2109390\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract In the second half of the nineteenth century, the British Raj sponsored cattle competitions across India to educate peasants in responsible bovine husbandry practices to mitigate famine. Photographs of these competitions, which demonstrate the fraught convergence of economic liberalism and colonial humanitarianism, aimed to constitute model peasants and cattle of measurable self-improvement. Simultaneously, the photographs reveal traces of bovine-peasant relationships that unsettle these newly conceived colonial subjects and that speak to the manner in which cattle’s bodies were sites of competing political and affective inscription.\",\"PeriodicalId\":46667,\"journal\":{\"name\":\"ART BULLETIN\",\"volume\":\"105 1\",\"pages\":\"117 - 139\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ART BULLETIN\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00043079.2022.2109390\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ART BULLETIN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00043079.2022.2109390","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Visualizing Peasant and Bovine Self-Sustenance in the Famine Tracts of Colonial India
Abstract In the second half of the nineteenth century, the British Raj sponsored cattle competitions across India to educate peasants in responsible bovine husbandry practices to mitigate famine. Photographs of these competitions, which demonstrate the fraught convergence of economic liberalism and colonial humanitarianism, aimed to constitute model peasants and cattle of measurable self-improvement. Simultaneously, the photographs reveal traces of bovine-peasant relationships that unsettle these newly conceived colonial subjects and that speak to the manner in which cattle’s bodies were sites of competing political and affective inscription.
期刊介绍:
The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December