{"title":"犹太人过去的新面貌:e.m.利连圣经艺术中的历史主义、真实性和幻想","authors":"Eva Miller","doi":"10.1080/00043079.2022.2109387","DOIUrl":null,"url":null,"abstract":"Abstract In the multivolume Bücher der Bibel (1908–12), Jewish artist Ephraim Mose Lilien imagined a glorious Jewish past that resonated with Zionist discourses of spiritual and artistic revival. He visualized this past in part through appropriating iconography from ancient Egypt and Mesopotamia. The significance of Lilien’s historicism must be understood in the context of a culture conflicted about the relationship between the Bible and the Middle Eastern past, at a time when an association between German imperial power and the ancient Middle East was ubiquitous in popular media and promoted at the highest levels of the state.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"37 - 63"},"PeriodicalIF":0.4000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A New Look for the Jewish Past: Historicism, Authenticity, and Fantasy in E. M. Lilien’s Bible Art\",\"authors\":\"Eva Miller\",\"doi\":\"10.1080/00043079.2022.2109387\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract In the multivolume Bücher der Bibel (1908–12), Jewish artist Ephraim Mose Lilien imagined a glorious Jewish past that resonated with Zionist discourses of spiritual and artistic revival. He visualized this past in part through appropriating iconography from ancient Egypt and Mesopotamia. The significance of Lilien’s historicism must be understood in the context of a culture conflicted about the relationship between the Bible and the Middle Eastern past, at a time when an association between German imperial power and the ancient Middle East was ubiquitous in popular media and promoted at the highest levels of the state.\",\"PeriodicalId\":46667,\"journal\":{\"name\":\"ART BULLETIN\",\"volume\":\"105 1\",\"pages\":\"37 - 63\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ART BULLETIN\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00043079.2022.2109387\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ART BULLETIN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00043079.2022.2109387","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
A New Look for the Jewish Past: Historicism, Authenticity, and Fantasy in E. M. Lilien’s Bible Art
Abstract In the multivolume Bücher der Bibel (1908–12), Jewish artist Ephraim Mose Lilien imagined a glorious Jewish past that resonated with Zionist discourses of spiritual and artistic revival. He visualized this past in part through appropriating iconography from ancient Egypt and Mesopotamia. The significance of Lilien’s historicism must be understood in the context of a culture conflicted about the relationship between the Bible and the Middle Eastern past, at a time when an association between German imperial power and the ancient Middle East was ubiquitous in popular media and promoted at the highest levels of the state.
期刊介绍:
The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December