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The Child in the Dark: On Child Abuse in Robert Walser 黑暗中的孩子:罗伯特·沃尔瑟的《虐待儿童》
IF 0.3 3区 文学
NEW GERMAN CRITIQUE Pub Date : 2022-08-01 DOI: 10.1215/0094033x-9734833
B. Nagel
{"title":"The Child in the Dark: On Child Abuse in Robert Walser","authors":"B. Nagel","doi":"10.1215/0094033x-9734833","DOIUrl":"https://doi.org/10.1215/0094033x-9734833","url":null,"abstract":"The attention that the Swiss modernist writer Robert Walser pays to domestic violence can be regarded as exceptional. So why does child abuse still remain a blind spot in the scholarship on Walser? This article discerns techniques that Walser uses to render family violence invisible, such as multiperspectivism and changes of tonality. These aesthetic techniques gain in depth through comparison to concepts from object relations theory: Sándor Ferenczi’s “identification with the aggressor” and Wilfred R. Bion’s “attacks on linking.” With family brutality, the problem of perspective is not purely formal but intrinsic, because part of the violence of domestic violence is the exhausting degree of affective mobility it demands—a capacity but also a vertiginous obligation to change tones and perspectives.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43484888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Mabuse Returns: Fritz Lang, 1950s Berlin, and the Afterlife of Nazi Television 马滥用回归:弗里茨·朗，1950年代的柏林，以及纳粹电视的来世
IF 0.3 3区 文学
NEW GERMAN CRITIQUE Pub Date : 2022-08-01 DOI: 10.1215/0094033x-9734861
Brook Henkel
{"title":"Mabuse Returns: Fritz Lang, 1950s Berlin, and the Afterlife of Nazi Television","authors":"Brook Henkel","doi":"10.1215/0094033x-9734861","DOIUrl":"https://doi.org/10.1215/0094033x-9734861","url":null,"abstract":"Fritz Lang’s film The Thousand Eyes of Dr. Mabuse (1960) stands out among West German cinema of the Adenauer years for its attention to urban space and the afterlife of Nazism in the postwar era. This article rereads the film as an incisive representation of the new mobilities and historically layered spaces and infrastructure of 1950s Berlin, a representation informed by Lang’s exile experience and Hollywood film noir. By newly contextualizing the film in relation to the history of Nazi television, as well as Siegfried Kracauer’s and Theodor W. Adorno’s early postwar writings, the article reconstructs the film’s interconnections with critical discourses on the afterlife of fascist terror, authoritarianism, and irrationality in postwar urban space, media, and astrology. It demonstrates further the importance of rereading Lang, and cinema in general, in close relation to other media like television.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42933085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Franz Rosenzweig, Richard Wagner, and the Sacred Theater of the Day of Atonement Franz Rosenzweig、Richard Wagner与赎罪日神圣剧院
IF 0.3 3区 文学
NEW GERMAN CRITIQUE Pub Date : 2022-08-01 DOI: 10.1215/0094033x-9734805
Ido Ben Harush
{"title":"Franz Rosenzweig, Richard Wagner, and the Sacred Theater of the Day of Atonement","authors":"Ido Ben Harush","doi":"10.1215/0094033x-9734805","DOIUrl":"https://doi.org/10.1215/0094033x-9734805","url":null,"abstract":"This article deals with the mark of Richard Wagner on Franz Rosenzweig’s account of the Day of Atonement service in Der Stern der Erlösung. It exposes the presence of Wagner’s Tristan und Isolde, his theory of Gesamtkunstwerk, and particularly his theory of gesture in Rosenzweig’s discussion of the liturgical gesture of the Jewish holiday. It suggests that Rosenzweig models this most significant moment as a form of “sacred theater” depicting the Wagnerian “music opera.” Through this analysis, not only does “drama” emerge as the link between the three sections of Der Stern and as the key to unlocking the work’s argument as a whole, but also the fertility of Wagner’s theatrical theory for religious thought is revealed.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43696953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Guy Maddin’s Careful and the Mountain Film: A Transnational Approach to German Film History 盖伊·马丁的《小心与山地》：德国电影史的跨国考察
IF 0.3 3区 文学
NEW GERMAN CRITIQUE Pub Date : 2022-08-01 DOI: 10.1215/0094033x-9734847
Karolina Watroba
{"title":"Guy Maddin’s Careful and the Mountain Film: A Transnational Approach to German Film History","authors":"Karolina Watroba","doi":"10.1215/0094033x-9734847","DOIUrl":"https://doi.org/10.1215/0094033x-9734847","url":null,"abstract":"Guy Maddin is a contemporary Canadian director who has been often lauded for the national distinctiveness of his work. Maddin’s Careful (1992), however, poses as an unrestored German Bergfilm (mountain film) from the early 1930s. This article offers a close reading of Careful and a critical dialogue with commentaries on both the mountain film and discussions of Maddin’s oeuvre. Putting to use transnational perspectives, this analysis of a Canadian director’s appropriation of a hallmark German genre problematizes previous constructions of national identity and national cinema as well as the periodization of film history.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42157096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Nazism as Inhumanity: Carl Schmitt and Hannah Arendt on Race and Language 纳粹主义是不人道的:卡尔·施密特和汉娜·阿伦特论种族和语言
IF 0.3 3区 文学
NEW GERMAN CRITIQUE Pub Date : 2022-08-01 DOI: 10.1215/0094033x-9734791
Ville Suuronen
{"title":"Nazism as Inhumanity: Carl Schmitt and Hannah Arendt on Race and Language","authors":"Ville Suuronen","doi":"10.1215/0094033x-9734791","DOIUrl":"https://doi.org/10.1215/0094033x-9734791","url":null,"abstract":"Drawing on a large array of less-known materials, this article offers a new comparison of Carl Schmitt and Hannah Arendt by focusing on their opposing understandings of National Socialism as a novel political ideology. While Schmitt’s Nazi writings theorize a new kind of racial politics under Nazi rule, Arendt’s political thought develops as a systematic critique and response to the histories of antisemitism, imperialism, and totalitarianism. After joining the Nazi Party in 1933, Schmitt endorsed the expulsion of Jewish intellectuals from Germany, celebrated the burning of their writings (including those of Arendt), and supported the process of Gleichschaltung as the first steps in creating a nazified Germany. While Schmitt claimed that the Jews have no access to German substance, culture, and language, noting that “the Jew lies when he speaks German,” Arendt always emphasized that for her, Germany meant precisely “the mother tongue, the philosophy and the poetry.” Relying on thus far unacknowledged biographical and theoretical contrasts, this article aims to show that Schmitt and Arendt understand the political meanings of race and language in a radically different manner.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42492089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Concert Hall as Agonistic Public Space: The Gewandhaus in Leipzig 音乐厅作为激烈的公共空间:莱比锡的格万特豪斯
IF 0.3 3区 文学
NEW GERMAN CRITIQUE Pub Date : 2022-08-01 DOI: 10.1215/0094033x-9734819
Juliane Schicker
{"title":"The Concert Hall as Agonistic Public Space: The Gewandhaus in Leipzig","authors":"Juliane Schicker","doi":"10.1215/0094033x-9734819","DOIUrl":"https://doi.org/10.1215/0094033x-9734819","url":null,"abstract":"This article deals with questions of the sociopolitical involvement of classical music performance spaces. During the last twenty years of the German Democratic Republic (GDR), the Gewandhaus in Leipzig provided opportunities for its users to emancipate themselves from Socialist Unity Party oppression. Through its architecture, music, and visual art, the Gewandhaus symbolized an agonistic space that aided in disrupting its sociopolitical surroundings, because it made visible what real-existing socialism was lacking: unity, openness, transparency, and internationality. Examining how the Gewandhaus interacted with its sociopolitical surroundings sheds light on its ability to engage with public discourse within the restricted society of the GDR.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43775812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Intermittent Legitimacy: Hans Blumenberg and Artificial Intelligence 断断续续的合法性:汉斯·布鲁门伯格与人工智能
IF 0.3 3区 文学
NEW GERMAN CRITIQUE Pub Date : 2022-02-01 DOI: 10.1215/0094033x-9439601
Leif Weatherby
{"title":"Intermittent Legitimacy: Hans Blumenberg and Artificial Intelligence","authors":"Leif Weatherby","doi":"10.1215/0094033x-9439601","DOIUrl":"https://doi.org/10.1215/0094033x-9439601","url":null,"abstract":"Hans Blumenberg’s only known treatment of the topic of artificial intelligence comes in the form of a fragmentary meditation on the first chatbot, Joseph Weizenbaum’s ELIZA. Blumenberg compares this program to the philosophy of Edmund Husserl, arguing that both AI and phenomenology make a false assumption about intelligence or consciousness. This article argues that Blumenberg’s brush with digital systems is crucial in updating our own critique of AI as it proliferates in a new, dynamic form today. Drawing on and shifting the account of technology in the phenomenological tradition, Blumenberg includes machines in the constitution of meaning through rhetoric and points the way to a new wave of digital critique.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43928064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Working on the Myth of the Anthropocene: Blumenberg and the Need for Philosophical Anthropology 研究人类世的神话:布鲁门伯格与哲学人类学的需要
IF 0.3 3区 文学
NEW GERMAN CRITIQUE Pub Date : 2022-02-01 DOI: 10.1215/0094033x-9439643
Vida Pavesich
{"title":"Working on the Myth of the Anthropocene: Blumenberg and the Need for Philosophical Anthropology","authors":"Vida Pavesich","doi":"10.1215/0094033x-9439643","DOIUrl":"https://doi.org/10.1215/0094033x-9439643","url":null,"abstract":"The Anthropocene concept emerged from questions raised by scientists about whether human activity has ushered in a new and perilous geological age. The term migrated into the humanities and social sciences and now involves a proliferation of metanarratives about anthropogenic disruptions to systems that support life on this planet. This article develops an interpretive framework drawn from Hans Blumenberg’s theories of myth and metaphor, philosophical anthropology, and philosophy of history to address how Immanuel Kant’s fourth question, “What is the human being?,” has reemerged in the Anthropocene, and to assess which narratives tend to best reflect realistic responses to the current crisis. In contrast to the mythical species-subject Anthropos, Blumenberg’s minimal anthropology characterizes humans as having a permanent bioanthropological need for orientation that requires cultural compensation, including partial reliance on metaphor and myth. As an interpretive optic, this anthropology has the resources to deflate narrative excess. In addition, Blumenberg’s philosophy of history can shed light on how the Anthropocene is both unprecedented yet not entirely new insofar as it addresses problems or questions suppressed by modernist progress myths. Through the prism of a minimal anthropology and an application of Blumenberg’s philosophy of history, this article explores those questions and presents criteria for distinguishing between harmless narratives and unrealistic, dangerous myths, such as ecomodernist fantasies of controlling the Earth system.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43715516","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hans Blumenberg and Leonardo 汉斯·布卢门伯格与莱昂纳多
IF 0.3 3区 文学
NEW GERMAN CRITIQUE Pub Date : 2022-02-01 DOI: 10.1215/0094033x-9439629
John C. Endres
{"title":"Hans Blumenberg and Leonardo","authors":"John C. Endres","doi":"10.1215/0094033x-9439629","DOIUrl":"https://doi.org/10.1215/0094033x-9439629","url":null,"abstract":"Hans Blumenberg’s, frequently oblique, reflections on art rank among the most erudite in twentieth-century theories of art. The following investigations focus especially on his views on the visual arts as they unfold from his critical reception of Leonardo da Vinci’s art and science. At the center of such a reception stands a preeminent image concept of the Renaissance, the “window image,” and its epistemological implications, which Blumenberg counters with a skeptical attitude toward the mimetic aesthetics of images. In doing so, he contradicts Paul Valéry’s influential interpretation of Leonardo’s “method,” which Blumenberg discusses at great length, just to cut short the ambiguities of Renaissance perspective as a “symbolic form.”","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49139197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Unburdening from the Absolute: In Memory of Hans Blumenberg 摆脱绝对：纪念汉斯·布鲁门伯格
IF 0.3 3区 文学
NEW GERMAN CRITIQUE Pub Date : 2022-02-01 DOI: 10.1215/0094033x-9439699
O. Marquard, Hannes Bajohr
{"title":"Unburdening from the Absolute: In Memory of Hans Blumenberg","authors":"O. Marquard, Hannes Bajohr","doi":"10.1215/0094033x-9439699","DOIUrl":"https://doi.org/10.1215/0094033x-9439699","url":null,"abstract":"First delivered as a short laudatory speech on the occasion of Hans Blumenberg receiving the Sigmund Freud Prize for Academic Prose in 1980, this essay by the German philosopher Odo Marquard served as a eulogy at a memorial event for Blumenberg after his death in 1996. Marquard, who was a colleague of Blumenberg’s at the University of Giessen between 1965 and 1970, offers one of the first and still most influential attempts at condensing Blumenberg’s thought to a basic idea: willfully reductive, Marquard argues that all of Blumenberg’s books can be read as a variation on the theme of “unburdening from the absolute”—the task of human beings to keep an overwhelming reality at bay. Marquard thus interprets him mainly as a proponent of the German current of “philosophical anthropology.” The text also sheds light on Blumenberg’s relationship to finitude, his life and reclusiveness, and his writing technique.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46536670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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