音乐厅作为激烈的公共空间:莱比锡的格万特豪斯

IF 0.4 3区文学 0 LITERARY THEORY & CRITICISM

NEW GERMAN CRITIQUE Pub Date : 2022-08-01 DOI:10.1215/0094033x-9734819

Juliane Schicker

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引用次数: 2

摘要

本文探讨古典音乐表演空间的社会政治介入问题。在德意志民主共和国（GDR）的最后二十年里，莱比锡的Gewandhaus为其用户提供了从社会主义统一党的压迫中解放出来的机会。通过其建筑、音乐和视觉艺术，Gewandhaus象征着一个痛苦的空间，有助于破坏其社会政治环境，因为它让人们看到了真正的现有社会主义所缺乏的东西：团结、开放、透明和国际化。考察格旺德豪斯如何与其社会政治环境互动，可以揭示其在民主德国受限社会中参与公共话语的能力。

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The Concert Hall as Agonistic Public Space: The Gewandhaus in Leipzig

This article deals with questions of the sociopolitical involvement of classical music performance spaces. During the last twenty years of the German Democratic Republic (GDR), the Gewandhaus in Leipzig provided opportunities for its users to emancipate themselves from Socialist Unity Party oppression. Through its architecture, music, and visual art, the Gewandhaus symbolized an agonistic space that aided in disrupting its sociopolitical surroundings, because it made visible what real-existing socialism was lacking: unity, openness, transparency, and internationality. Examining how the Gewandhaus interacted with its sociopolitical surroundings sheds light on its ability to engage with public discourse within the restricted society of the GDR.

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来源期刊

NEW GERMAN CRITIQUE LITERARY THEORY & CRITICISM-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Widely considered the top journal in its field, New German Critique is an interdisciplinary journal that focuses on twentieth- and twenty-first-century German studies and publishes on a wide array of subjects, including literature, film, and media; literary theory and cultural studies; Holocaust studies; art and architecture; political and social theory; and philosophy. Established in the early 1970s, the journal has played a significant role in introducing U.S. readers to Frankfurt School thinkers and remains an important forum for debate in the humanities.