{"title":"A Performance studies scholar adapts","authors":"Scott Dillard","doi":"10.1080/10462937.2024.2402469","DOIUrl":"https://doi.org/10.1080/10462937.2024.2402469","url":null,"abstract":"Published in Text and Performance Quarterly (Ahead of Print, 2024)","PeriodicalId":46504,"journal":{"name":"Text and Performance Quarterly","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142269164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Listen, performance: dropping a note for a future performer","authors":"Chris McRae","doi":"10.1080/10462937.2024.2403637","DOIUrl":"https://doi.org/10.1080/10462937.2024.2403637","url":null,"abstract":"This note (and subsequent series of endnotes) for a performer considers and presents performance as an invitation for engaged and generative practice of listening.","PeriodicalId":46504,"journal":{"name":"Text and Performance Quarterly","volume":"21 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142257880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A performance pedagogy of the small","authors":"Aubrey A. Huber","doi":"10.1080/10462937.2024.2393422","DOIUrl":"https://doi.org/10.1080/10462937.2024.2393422","url":null,"abstract":"In this essay, I urge teachers of performance to write their performance pedagogies to further document and theorize the careful work they do as performance scholars and practitioners that contribu...","PeriodicalId":46504,"journal":{"name":"Text and Performance Quarterly","volume":"21 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142180323","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cracking up: Black feminist comedy in the twentieth & twenty-first century United States","authors":"Amani Starnes","doi":"10.1080/10462937.2024.2387537","DOIUrl":"https://doi.org/10.1080/10462937.2024.2387537","url":null,"abstract":"Published in Text and Performance Quarterly (Ahead of Print, 2024)","PeriodicalId":46504,"journal":{"name":"Text and Performance Quarterly","volume":"58 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141937196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Windowscapes, dreamscapes and screen texts: train travel as performative practice in experimental film","authors":"Kornelia Boczkowska","doi":"10.1080/10462937.2024.2320643","DOIUrl":"https://doi.org/10.1080/10462937.2024.2320643","url":null,"abstract":"Echoing the current research on mobilities, performative practice and the performative documentary, railway journey in screen texts is increasingly seen as a complex embodied, experiential and perf...","PeriodicalId":46504,"journal":{"name":"Text and Performance Quarterly","volume":"28 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140006794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Depression (re)cycling: geotraumatic performance & other cosmic plot holes","authors":"Tyler S. Rife","doi":"10.1080/10462937.2024.2311932","DOIUrl":"https://doi.org/10.1080/10462937.2024.2311932","url":null,"abstract":"While biomedical paradigms may pathologize depression, there is much critical potential in disclosing the disposition as a more complex, material, and ecological entanglement. In this performance, ...","PeriodicalId":46504,"journal":{"name":"Text and Performance Quarterly","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139759431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Rezvane Nayebian, Akbar Darouie, Arezoo Hasanvand, Mohsen Vahedi
{"title":"Cepstral and Perceptual Investigations of Voice in Speech and Language Pathologists with Vocal Fatigue.","authors":"Rezvane Nayebian, Akbar Darouie, Arezoo Hasanvand, Mohsen Vahedi","doi":"10.1007/s12070-023-04048-x","DOIUrl":"10.1007/s12070-023-04048-x","url":null,"abstract":"<p><p>Vocal fatigue is known as a hyperfunctional voice disorder that can lead to other conditions, such as muscle tension dysphonia (MTD). Speech and language pathologists (SLPs) are professional voice users who may suffer from vocal fatigue due to heavy vocal demands. This study aimed at investigating the cepstral and perceptual dimensions of voice and their correlation in the SLPs with vocal fatigue. Twenty-six SLPs and senior speech therapy students (mean age = 27.11 ± 6.8 yrs), including men (n = 5) and women (n = 21), participated in this descriptive cross-sectional study. They had vocal fatigue according to the Vocal Fatigue Index (VFI). In acoustic assessment, cepstral analysis (CPP and CPPS) was performed using <i>Praat</i> software. The Persian version of Consensus Auditory Perceptual Evaluation of Voice (CAPE-V) was used to evaluate the overall severity of dysphonia. The correlation between these two evaluations was also investigated using IBM SPSS Statistics software version 23. Results revealed that the mean CPPS (13.716 ± 2.084) was lower than the cutoff point. Perceptual findings indicated that the mean overall severity (10.557 ± 11.210) fell in the normal variability of voice quality (NVVQ) range. In addition, cepstral and perceptual evaluations had no significant correlation (<i>P</i> > 0/05). The findings showed that auditory-perceptual evaluation considered the gold standard method of voice evaluation, cannot solely identify vocal fatigue. However, cepstral measures can help provide a more objective profile of vocal function in SLPs with vocal fatigue. Therefore, both of these evaluations are recommended for voice assessment of vocal fatigue.</p>","PeriodicalId":46504,"journal":{"name":"Text and Performance Quarterly","volume":"33 1","pages":"3696-3702"},"PeriodicalIF":0.6,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10645846/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81664351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"<i>Is She Mad, or Does She Joke?</i> Mapping the digital performance piece about the Countess de Castiglione","authors":"Lisa Flanagan","doi":"10.1080/10462937.2023.2272642","DOIUrl":"https://doi.org/10.1080/10462937.2023.2272642","url":null,"abstract":"ABSTRACTA response to the digital recording of Theatre Aug's production of “Is She Mad of Does She Joke?” written and directed by Dr. Melanie Kitchens O'Meara.KEYWORDS: Brechtmapsthe countess Disclosure statementNo potential conflict of interest was reported by the author(s).","PeriodicalId":46504,"journal":{"name":"Text and Performance Quarterly","volume":"31 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135272557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Black and white, quare and queer: reimagining interracial dating through the <i>Sibling Rivalry</i> podcast","authors":"Aisha Powell, Shinsuke Eguchi, Kenya Sumner","doi":"10.1080/10462937.2023.2271043","DOIUrl":"https://doi.org/10.1080/10462937.2023.2271043","url":null,"abstract":"ABSTRACTSibling Rivalry is a podcast hosted by Bob the Drag Queen and Monet X Change, where the two share their Black queer experiences. Drawing quare studies, this essay closely reads their discourse surrounding being queer and dating interracially. From this, three themes emerged: the imagined realities of interracial queer dating, the stigmatization of interracial dating and media representations of Black love. The two articulate being strongly influenced to have strong Black preferential romantic inclinations in their youth, but race became a more negligent aspect of their romantic relationships after being able to travel and explore the world.KEYWORDS: Queer studiesblack podcastsqueer datingperformancerepresentationrace and sexuality Disclosure statementNo potential conflict of interest was reported by the authors.Authors notesThe authors’ collaboration began with Howard University’s Communication, Culture and Media Studies alumni student mentorship program.","PeriodicalId":46504,"journal":{"name":"Text and Performance Quarterly","volume":"29 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135567637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Awareness, reflection and imagination: how the metatheatrical explores the self and society in contemporary storytelling","authors":"Alex Vickery-Howe, Lisa Harper Campbell","doi":"10.1080/10462937.2023.2267660","DOIUrl":"https://doi.org/10.1080/10462937.2023.2267660","url":null,"abstract":"ABSTRACTBuilding from the authors’ own experiment, the conception and creation of Watchlist (Vickery-Howe, Citation2020), this article interrogates metatheatricality in contemporary theatrical works: How Not To Make It In America (Steel, 2021) and Destroyer of Worlds (Lewis, 2015) and recent television series: Kidding (Holstein, 2018–2020), Landscapers (Sinclair, 2021) and Wakefield (Dunphy, 2021-). It will argue that these works represent a significant movement into alternative, meta-dramaturgies wherein the characters portrayed, and the worlds they inhabit, exist behind a porous and fragile fourth wall, through which they may wink at their audience – not so much stories within stories, but stories reflecting stories.KEYWORDS: MetatheatricalitytheatertelevisionformalismWatchlist Disclosure statementNo potential conflict of interest was reported by the author(s).","PeriodicalId":46504,"journal":{"name":"Text and Performance Quarterly","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136112429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}