Archaeology in Oceania最新文献

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A highly fragrant comestible: the cartilaginous fish (Chondrichthyes) in pre-European Māori New Zealand 一种非常芳香的可食用食物:前欧洲Māori新西兰的软骨鱼(软骨鱼科)
IF 0.9 3区 历史学
Archaeology in Oceania Pub Date : 2021-10-05 DOI: 10.1002/arco.5248
Matthew Campbell, Lara Shepherd, Melissa Kellett, Robert Brassey
{"title":"A highly fragrant comestible: the cartilaginous fish (Chondrichthyes) in pre-European Māori New Zealand","authors":"Matthew Campbell,&nbsp;Lara Shepherd,&nbsp;Melissa Kellett,&nbsp;Robert Brassey","doi":"10.1002/arco.5248","DOIUrl":"10.1002/arco.5248","url":null,"abstract":"<div>\u0000 \u0000 <p>A count of 6235 Chondrichthyes vertebrae was recovered from the 17th to 18th century AD NRD site (R11/859) on the Manukau Harbour, Auckland, New Zealand. These have been identified by aDNA analysis as mostly rig (<i>Mustelus lenticulatus</i>). To provide context for this unusual assemblage we briefly review the archaeological record of Chondrichthyes fishing in Oceania and New Zealand, and more extensively review the 19th and early 20th century ethnography of Māori shark fishing in New Zealand along with the archaeological record. Chondrichthyes were of economic, social and spiritual importance to pre-European Māori. A variety of species were caught by a variety of techniques, including mass harvest, and could be dried for storage. Our initial reading of the ethnographic record led us to expect that the assemblage would be dominated by school shark (<i>Galeorhinus galeus</i>), but a closer analysis of the record showed that Māori sharking practice was diverse. The NRD assemblage encapsulates this variation.</p>\u0000 </div>","PeriodicalId":46465,"journal":{"name":"Archaeology in Oceania","volume":"57 1","pages":"1-15"},"PeriodicalIF":0.9,"publicationDate":"2021-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41404312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rock art on excavated monolithic statues (moai), Rano Raraku statue quarry, Rapa Nui (Easter Island): context, chronology and the crescent motif 在拉帕努伊岛(复活节岛)出土的巨石雕像(摩埃)上的岩石艺术:背景,年代和新月主题
IF 0.9 3区 历史学
Archaeology in Oceania Pub Date : 2021-09-20 DOI: 10.1002/arco.5253
JO ANNE VAN TILBURG
{"title":"Rock art on excavated monolithic statues (moai), Rano Raraku statue quarry, Rapa Nui (Easter Island): context, chronology and the crescent motif","authors":"JO ANNE VAN TILBURG","doi":"10.1002/arco.5253","DOIUrl":"10.1002/arco.5253","url":null,"abstract":"<div>\u0000 \u0000 <p>Monolithic statues (<i>moai</i>) of Rapa Nui (Easter Island) are three-dimensional objects and unique to the ancient public art of Eastern Polynesia. The primary purpose here is to summarize the specific landscape and statue production contexts of <i>moai</i> 156 and <i>moai</i> 157 in Rano Raraku, the statue quarry, demonstrating that they are embellished with rock art applied post-production (sixteenth to seventeenth centuries) and after they were upright and partially buried by colluvium in a named quarry chamber. Secondly, motif analysis reveals that crescents are present on <i>moai</i> 156 and 157 and incorporated into other motif types at 'Orongo, Rano Kau. The crescent is the central motif in a diagrammatic schema of Rapa Nui design development. Thirdly, iconographic norms allow controlled comparison with other <i>moai</i> for applied rock art. Although Hoa Hakananai'a differs in material, size, and situation from all others, the motifs on it are within the conventions of the iconographic corpus. Rano Raraku and Rano Kau are validated as ritual places on the dualistic, regionalized Rapa Nui landscape. The internal affinities and overall continuity of Rapanui cultural expression is established within an evolving anthropogenic environment during the sixteenth and seventeenth centuries.</p>\u0000 </div>","PeriodicalId":46465,"journal":{"name":"Archaeology in Oceania","volume":"56 3","pages":"239-266"},"PeriodicalIF":0.9,"publicationDate":"2021-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45800538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A review of the rock art of Palau, Micronesia in local and regional contexts 密克罗尼西亚帕劳的岩石艺术在地方和区域背景下的回顾
IF 0.9 3区 历史学
Archaeology in Oceania Pub Date : 2021-09-16 DOI: 10.1002/arco.5254
JOLIE LISTON, RACHEL HOERMAN, MACSTYL O. SASAO, SYLVIA KLOULUBAK
{"title":"A review of the rock art of Palau, Micronesia in local and regional contexts","authors":"JOLIE LISTON,&nbsp;RACHEL HOERMAN,&nbsp;MACSTYL O. SASAO,&nbsp;SYLVIA KLOULUBAK","doi":"10.1002/arco.5254","DOIUrl":"10.1002/arco.5254","url":null,"abstract":"<p>The style and iconography of the ten rock art sites known so far in Palau, Micronesia, including two newly discovered rock painting sites, are described and linked to their geographic locations, archaeological associations, oral traditions and local iconographies. Following a brief review of rock art in Micronesia and parts of Island Southeast Asia and New Guinea, Palau's eight rock painting sites and two rock engraving sites are regionally contextualized. We found no apparent relationships with rock art elsewhere in Micronesia but stylistic similarities with eastern Indonesia and West Papua painting traditions are clear. This may suggest the Palau paintings were created early in the archipelago's cultural sequence. Palau's rock paintings are clearly within the Austronesian painting tradition while the single well-recorded carving site does not conform with the Austronesian engraving style. Palau's rock art is also closely aligned to the Oceanic Rock Art Tradition.</p>","PeriodicalId":46465,"journal":{"name":"Archaeology in Oceania","volume":"56 3","pages":"322-343"},"PeriodicalIF":0.9,"publicationDate":"2021-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1002/arco.5254","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47972035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Voyagers: The Settlement of the Pacific. By Nicholas Thomas. Basic Books, New York, 2021. ISBN: 9781541619838. Pp. 224. US$25. 航海家:太平洋的定居。尼古拉斯·托马斯著。Basic Books,纽约,2021年。ISBN: 9781541619838。224页。25美元。
IF 0.9 3区 历史学
Archaeology in Oceania Pub Date : 2021-09-15 DOI: 10.1002/arco.5255
ETHAN E. COCHRANE
{"title":"Voyagers: The Settlement of the Pacific. By Nicholas Thomas. Basic Books, New York, 2021. ISBN: 9781541619838. Pp. 224. US$25.","authors":"ETHAN E. COCHRANE","doi":"10.1002/arco.5255","DOIUrl":"10.1002/arco.5255","url":null,"abstract":"","PeriodicalId":46465,"journal":{"name":"Archaeology in Oceania","volume":"57 1","pages":"69-70"},"PeriodicalIF":0.9,"publicationDate":"2021-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1002/arco.5255","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43443983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aboriginal serrated and perforated shell artefacts from the Murray River, South Australia 来自南澳大利亚默里河的土著锯齿和穿孔贝壳工艺品
IF 0.9 3区 历史学
Archaeology in Oceania Pub Date : 2021-09-15 DOI: 10.1002/arco.5250
AMY ROBERTS, CRAIG WESTELL, CHRISTOPHER WILSON, MICHELLE C. LANGLEY, RIVER MURRAY AND MALLEE ABORIGINAL CORPORATION, NGARRINDJERI ABORIGINAL CORPORATION
{"title":"Aboriginal serrated and perforated shell artefacts from the Murray River, South Australia","authors":"AMY ROBERTS,&nbsp;CRAIG WESTELL,&nbsp;CHRISTOPHER WILSON,&nbsp;MICHELLE C. LANGLEY,&nbsp;RIVER MURRAY AND MALLEE ABORIGINAL CORPORATION,&nbsp;NGARRINDJERI ABORIGINAL CORPORATION","doi":"10.1002/arco.5250","DOIUrl":"10.1002/arco.5250","url":null,"abstract":"<div>\u0000 \u0000 <p>This article describes three freshwater mussel shell artefacts recently documented for the Murray River in South Australia. These finds more than double the known examples of such artefacts from this region. Two of the modified shells are perforated, with the other serrated. The finely serrated item is a rare artefact and we have not located any similar published examples in Australia, although international correlates exist. The function/s and cultural significance of the objects are also considered in this paper. Hypotheses for the perforated finds include ornamentation, tool stringing and fibre scraping. Ornamentation, idle tinkering and food utensil use are considered as possible intended functions for the serrated artefact. Given the age range of the objects reported here (c. 6181–517 cal BP), together with other finds in the Murray Darling Basin, we tentatively suggest that shells have been a material resource used continually in this region for a range of purposes. However, as argued by other researchers, we concur that there has probably been infrequent identification and reporting of such shell artefacts. This is considered particularly likely given that our finds were recovered from relatively small scale excavation/coring and surface sampling efforts. As such, this paper attempts to raise awareness of this form of material culture in archaeological sequences.</p>\u0000 </div>","PeriodicalId":46465,"journal":{"name":"Archaeology in Oceania","volume":"57 1","pages":"16-27"},"PeriodicalIF":0.9,"publicationDate":"2021-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1002/arco.5250","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48900087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Dogs of Remote Oceania: an archaeological and ethnohistorical view of domestic dog introduction and loss in the South Pacific 遥远的大洋洲的狗:从考古和民族历史的角度看南太平洋的家狗的引进和损失
IF 0.9 3区 历史学
Archaeology in Oceania Pub Date : 2021-09-14 DOI: 10.1002/arco.5252
Justin Cramb
{"title":"The Dogs of Remote Oceania: an archaeological and ethnohistorical view of domestic dog introduction and loss in the South Pacific","authors":"Justin Cramb","doi":"10.1002/arco.5252","DOIUrl":"10.1002/arco.5252","url":null,"abstract":"<div>\u0000 \u0000 <p>Domestic dogs were transported by voyagers to the islands of Remote Oceania. However, the distribution of these, and other domesticates, varies by location. By the time of European contact, dogs were extirpated from many islands, but the cause of their disappearance remains unknown. Archaeological reports and ethnohistoric text analysed for 35 islands and island groups in Remote Oceania reveal regional patterns of dog introduction and loss that shed light on their disappearance. The findings of this survey indicate that people introduced dogs to most island groups in Remote Oceania and that pre-European extirpation rates were high. The highest localized extinction rates occurred on low islands suggesting that low-island vulnerabilities and spatial constraints on population size affect survivorship. The dogs of Remote Oceania have a complex history in which introduction to new islands was common, but long-term persistence was difficult.</p>\u0000 </div>","PeriodicalId":46465,"journal":{"name":"Archaeology in Oceania","volume":"57 1","pages":"28-38"},"PeriodicalIF":0.9,"publicationDate":"2021-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1002/arco.5252","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43949253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
A review of Philippine rock art and its regional context 回顾菲律宾岩画及其地域背景
IF 0.9 3区 历史学
Archaeology in Oceania Pub Date : 2021-09-13 DOI: 10.1002/arco.5251
Andrea Jalandoni
{"title":"A review of Philippine rock art and its regional context","authors":"Andrea Jalandoni","doi":"10.1002/arco.5251","DOIUrl":"10.1002/arco.5251","url":null,"abstract":"<div>\u0000 \u0000 <p>This paper provides a complete overview of all the known rock art sites to demonstrate the variation in motifs and techniques used in the Philippines, outline the indigenous associations, and highlight issues for conservation. In addition, new findings are introduced that include a second rock art site in Alab and previously unnoticed styles of rock art in Peñablanca. In recent years, the study of Philippine rock art has also yielded valuable contributions for archaeology both in methods and theory. Recording the rock art in challenging contexts necessitated the development of several pioneering digital methods, some low-cost, to see obfuscated rock art and expedite inventories that can be used worldwide. After reviewing the rock art in the Philippines, it is clear that the much-debated Austronesian rock art theories do not apply to these sites. A comparison of similar motifs and their contexts found in Southeast Asia and Micronesia is a starting point for developing new rock art theories in the region.</p>\u0000 </div>","PeriodicalId":46465,"journal":{"name":"Archaeology in Oceania","volume":"56 3","pages":"267-283"},"PeriodicalIF":0.9,"publicationDate":"2021-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1002/arco.5251","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41268627","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Resistance and remembering through rock art: Contact-period rock art in Wardaman country, Northern Australia 岩石艺术中的抵抗与记忆:澳大利亚北部瓦尔达曼地区接触时期的岩石艺术
IF 0.9 3区 历史学
Archaeology in Oceania Pub Date : 2021-09-06 DOI: 10.1002/arco.5246
Madeleine A. Kelly, Wardaman Indigenous Protected Area
{"title":"Resistance and remembering through rock art: Contact-period rock art in Wardaman country, Northern Australia","authors":"Madeleine A. Kelly,&nbsp;Wardaman Indigenous Protected Area","doi":"10.1002/arco.5246","DOIUrl":"10.1002/arco.5246","url":null,"abstract":"<p>Although notions of resistance are not new in rock art research concerning cross-cultural colonial encounters, this study shows how multiple dimensions of Indigenous resistance can be explored through a multidisciplinary analysis of rock art in northern Australia. The study explores the intersections between introduced “Western” and pre-existing “traditional” motifs in rock art near Yingalarri waterhole in Wardaman Country, Northern Territory, analysing the visual conventions and superimpositions with an eye towards Wardaman epistemological engagements with rock art and experiences of colonial occupation. These intersections reveal further dimensions of Wardaman responses to colonial occupation, including the negotiation of shifting inter-regional relationships and engagements with Country as well as the continued emphasis on inherited artistic practices. The study also explores the continuing role that rock art, and its interpretation, plays in Indigenous colonial resistance. Wardaman discussions of introduced motifs documented during the 1988–1991 Earthwatch project brought the paintings out of the past, giving them contemporary significance via kinship connections and narratives of survival that challenge colonial efforts to erase Indigenous experiences of early colonial contact and occupation. The paper contributes to archaeological understandings of inter-regional connections between northern Australian rock art regions and rock art production and discussion as a means for Aboriginal resistance and remembrance after the arrival of Europeans.</p>","PeriodicalId":46465,"journal":{"name":"Archaeology in Oceania","volume":"56 3","pages":"173-195"},"PeriodicalIF":0.9,"publicationDate":"2021-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1002/arco.5246","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47198148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
An Archaeology of Innovation: Approaching Social and Technological Change in Human Society By Catherine J. Frieman. Manchester University Press, Manchester, 2021. ISBN 978-1-5261-3264-2 (hardback). Pp. 238. £80.00 (approx. AUD$150). 《创新考古:走近人类社会的社会和技术变革》,Catherine J.Frieman,曼彻斯特大学出版社,2021年,ISBN 978‐1‐5261‐3264‐2(精装本)。第238页。80.00英镑(约150澳元)。
IF 0.9 3区 历史学
Archaeology in Oceania Pub Date : 2021-08-24 DOI: 10.1002/arco.5249
JAMES L. FLEXNER
{"title":"An Archaeology of Innovation: Approaching Social and Technological Change in Human Society By Catherine J. Frieman. Manchester University Press, Manchester, 2021. ISBN 978-1-5261-3264-2 (hardback). Pp. 238. £80.00 (approx. AUD$150).","authors":"JAMES L. FLEXNER","doi":"10.1002/arco.5249","DOIUrl":"10.1002/arco.5249","url":null,"abstract":"","PeriodicalId":46465,"journal":{"name":"Archaeology in Oceania","volume":"57 1","pages":"68-69"},"PeriodicalIF":0.9,"publicationDate":"2021-08-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1002/arco.5249","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42522461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Rock engravings and occupation sites in the Mount Bosavi Region, Papua New Guinea: Implications for our understanding of the human presence in the Southern Highlands 巴布亚新几内亚博萨维山地区的岩石雕刻和占领地点:对我们理解人类在南部高地存在的影响
IF 0.9 3区 历史学
Archaeology in Oceania Pub Date : 2021-08-13 DOI: 10.1002/arco.5247
LARA LAMB, BRYCE BARKER, MATTHEW LEAVESLEY, MAXIME AUBERT, ANDREW FAIRBAIRN, TIINA MANNE
{"title":"Rock engravings and occupation sites in the Mount Bosavi Region, Papua New Guinea: Implications for our understanding of the human presence in the Southern Highlands","authors":"LARA LAMB,&nbsp;BRYCE BARKER,&nbsp;MATTHEW LEAVESLEY,&nbsp;MAXIME AUBERT,&nbsp;ANDREW FAIRBAIRN,&nbsp;TIINA MANNE","doi":"10.1002/arco.5247","DOIUrl":"10.1002/arco.5247","url":null,"abstract":"<p>An extensive body of engraved rock art on the Great Papuan Plateau is documented here for the first time, along with the first dates for occupation. Consisting largely of deeply abraded or pecked barred ovals and cupules, the rock art of this region does not fit comfortably into any regional models for rock art previously described. It does, however, exhibit some similarity to art in regions to the east and the west of the plateau. Subject to further archaeological testing, we present a number of exploratory hypotheses with which to explain the presence of the engravings; as part of the ethnographic and contemporary Kasua's cultural suite; as part of a relatively recent (late Holocene) migration of peoples from the Gulf to the plateau; or as part of an earlier movement of people from the west, possibly as part of the movement of people into the Sahul continent in the Late Pleistocene. We conclude that the Great Papuan Plateau is not a late and marginally occupied ‘backwater’ but rather part of a possible corridor of human movement across northern Sahul and a region that could allow us to better understand modern humans as they reached the Sahul continent.</p>","PeriodicalId":46465,"journal":{"name":"Archaeology in Oceania","volume":"56 3","pages":"304-321"},"PeriodicalIF":0.9,"publicationDate":"2021-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1002/arco.5247","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45976928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
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