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Not your ordinary drone: odes to the Bayraktar in the Russia–Ukraine war 非同一般的无人机：俄乌战争中的 "拜拉克塔 "号颂歌
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-03-11 DOI: 10.1017/s0261143024000047
Anastassiya Andrianova
{"title":"Not your ordinary drone: odes to the Bayraktar in the Russia–Ukraine war","authors":"Anastassiya Andrianova","doi":"10.1017/s0261143024000047","DOIUrl":"https://doi.org/10.1017/s0261143024000047","url":null,"abstract":"<p>‘Bayraktar’, a pop/rap song written by a Ukrainian soldier following Russia's invasion of Ukraine on 24 February 2022, went viral, spawning various covers, from electronic dance music to hardcore punk. I analyse this digital archive of 19 ‘Bayraktar’ songs, including five that share only the title with Taras Borovok's paradigmatic song, and contextualise it within the broader historical and decolonial frameworks of Ukrainian resistance music, including the protest music of the Orange Revolution and the <span>Euromaidan</span> demonstrations, and the anti-war music produced during the Donbas war and in the first six months of the ongoing Russia–Ukraine war. I apply the method of multimodal critical discourse analysis to highlight the ways that sound, image (videos and stills) and text (lyrics and verbal descriptions on <span>YouTube</span>) forge nationalist and global protest rhetorics, and also function pragmatically to raise awareness, fundraise for the armed forces and humanitarian efforts, and boost morale in Ukraine and abroad.</p>","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":"11 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140098205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘The practice of the twanged instruments’. Evaluating the amateur fretted instrument orchestra in British popular musical life, c.1890–c.1960 敲击乐器的实践"。评估英国流行音乐生活中的业余弹拨乐器乐团，约 1890 年至 1960 年
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-03-01 DOI: 10.1017/s026114302300051x
Dave Russell
{"title":"‘The practice of the twanged instruments’. Evaluating the amateur fretted instrument orchestra in British popular musical life, c.1890–c.1960","authors":"Dave Russell","doi":"10.1017/s026114302300051x","DOIUrl":"https://doi.org/10.1017/s026114302300051x","url":null,"abstract":"The British amateur fretted instrument orchestra was a product of the late Victorian and Edwardian banjo and mandolin ‘crazes’. Lacking deep community roots, early organisations were numerous but mainly short-lived. However, reconstituted as more broadly based clubs, they enjoyed a substantial revival from the later 1920s and played a major role in the preservation of fretted instrumental culture at a time when it was losing purchase in wider popular musical life. Clubs and orchestras provided a significant outlet for the musical talents of lower-middle and working-class amateur musicians and, although always ultimately male-dominated, gave greater opportunity to women than was the norm within amateur instrumental music-making. The charitable concerts that featured so strongly in their work provided an impressive record of public service. However, their instrumentation and middle-of-the-road repertoire rendered them increasingly unfashionable in the changed popular musical climate of the 1950s and entirely marginal by the end of the 1960s.","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":"79 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140019251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The ‘Anchoring vi Schema’ and its relation to phrase rhythm in popular music 锚定 vi 模式 "及其与流行音乐中乐句节奏的关系
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-01-08 DOI: 10.1017/s026114302300048x
Stanley Ralph Fink
{"title":"The ‘Anchoring vi Schema’ and its relation to phrase rhythm in popular music","authors":"Stanley Ralph Fink","doi":"10.1017/s026114302300048x","DOIUrl":"https://doi.org/10.1017/s026114302300048x","url":null,"abstract":"<p>In order to reveal normative prototypes undergirding various formal sections, this article introduces the ‘Anchoring vi Schema’: a medium length major-mode passage (typically eight or 16 bars) that initiates on an unambiguous hypermetric downbeat (for example, the beginning of a verse or chorus). The Anchoring vi Schema must begin with tonic harmony and deploy submediant harmony at its midpoint – the second most hypermetrically strong beat. The identification of the Anchoring vi Schema enables closer readings of phrase expansion and deletion in popular music. A comparison of the common harmonies used in eight- and 16-measure passages reveals some striking similarities, particularly in terms of where tonic and subdominant chords are likely to occur. Although the endings of formal sections can take a variety of paths – including arriving at various tonal goals within a range of possible times – hypermetrically accented beginnings and midpoints show greater consistency in their organisation.</p>","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":"140 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139398128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates 词曲作者与唱片业：英国流媒体辩论中统计数据的使用与滥用
IF 0.4 3区 艺术学
Popular Music Pub Date : 2023-12-15 DOI: 10.1017/s0261143023000508
Richard Osborne
{"title":"Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates","authors":"Richard Osborne","doi":"10.1017/s0261143023000508","DOIUrl":"https://doi.org/10.1017/s0261143023000508","url":null,"abstract":"In Britain, the Select Committee of the government department for Digital, Culture, Media and Sport has investigated the economics of streaming and recommended that the share of revenues for record companies should decrease so that songwriters can earn more. This article addresses lobbying activity that has resulted from this recommendation. To support their causes, songwriter representatives and record company organisations have made incorrect or misleading use of data from the report <jats:italic>Music Creators’ Earnings in the Digital Age</jats:italic>. This article looks at the impact of these uses and provides corrections and alternatives to the statistics that have been employed. It also looks at the importance of the issues that have been raised. In conclusion, it addresses aspects of record company accounting that will need to be considered if an increase for songwriters is to be made at their expense.","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":"7 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138687556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Punk Rock Politics of Joe Strummer. Radicalism, Resistance and Rebellion. By Gregor Gall. Manchester: Manchester University Press, 2022. 295 pp. ISBN 978-1-52614-898-8 乔-斯特鲁默的朋克摇滚政治。激进主义、抵抗与反叛。作者：格雷戈尔-加尔曼彻斯特：曼彻斯特大学出版社，2022 年。295 pp.ISBN 978-1-52614-898-8
IF 0.4 3区 艺术学
Popular Music Pub Date : 2023-12-11 DOI: 10.1017/s0261143023000478
Kieran Edmond James
{"title":"The Punk Rock Politics of Joe Strummer. Radicalism, Resistance and Rebellion. By Gregor Gall. Manchester: Manchester University Press, 2022. 295 pp. ISBN 978-1-52614-898-8","authors":"Kieran Edmond James","doi":"10.1017/s0261143023000478","DOIUrl":"https://doi.org/10.1017/s0261143023000478","url":null,"abstract":"","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":"16 10","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138979900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Naná Vasconcelos's Saudades. By Daniel B. Sharp. Bloomsbury Academic, 33 1/3 Brazil series, 2021. 272 pp. ISBN: 978-1-501-34570-8 Naná Vasconcelos 的 Saudades。作者：丹尼尔-B-夏普。布鲁姆斯伯里学术出版社，33 1/3 巴西系列，2021 年。272 pp.ISBN: 978-1-501-34570-8
IF 0.4 3区 艺术学
Popular Music Pub Date : 2023-11-28 DOI: 10.1017/s0261143023000454
Jessica Sequeira
{"title":"Naná Vasconcelos's Saudades. By Daniel B. Sharp. Bloomsbury Academic, 33 1/3 Brazil series, 2021. 272 pp. ISBN: 978-1-501-34570-8","authors":"Jessica Sequeira","doi":"10.1017/s0261143023000454","DOIUrl":"https://doi.org/10.1017/s0261143023000454","url":null,"abstract":"","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":"26 1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139219704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Raving. By McKenzie Wark. Durham, NC: Duke University Press, 2023, 136 pp. ISBN: 978-1-4780-1938-1 咆哮。麦肯齐-瓦克著。北卡罗来纳州达勒姆：杜克大学出版社，2023 年，136 页。ISBN: 978-1-4780-1938-1
IF 0.4 3区 艺术学
Popular Music Pub Date : 2023-11-28 DOI: 10.1017/s0261143023000430
James A. Hodges
{"title":"Raving. By McKenzie Wark. Durham, NC: Duke University Press, 2023, 136 pp. ISBN: 978-1-4780-1938-1","authors":"James A. Hodges","doi":"10.1017/s0261143023000430","DOIUrl":"https://doi.org/10.1017/s0261143023000430","url":null,"abstract":"","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":"36 22 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139217872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Exhibitions, Music and the British Empire. By Sarah Kirby. Martelsham: Boydell Press, 2022. 264 pp. ISBN: 978-1-783-27673-8 展览、音乐与大英帝国。萨拉-柯比（Sarah Kirby）著。马特尔舍姆：博伊德尔出版社，2022 年。264 pp.订货号：978-1-783-27673-8
IF 0.4 3区 艺术学
Popular Music Pub Date : 2023-11-20 DOI: 10.1017/s0261143023000442
Duncan Heining
{"title":"Exhibitions, Music and the British Empire. By Sarah Kirby. Martelsham: Boydell Press, 2022. 264 pp. ISBN: 978-1-783-27673-8","authors":"Duncan Heining","doi":"10.1017/s0261143023000442","DOIUrl":"https://doi.org/10.1017/s0261143023000442","url":null,"abstract":"","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":"13 3-4","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139256850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Under suspicion: library music and the Musicians’ Union in Britain, 1960–1978 – CORRIGENDUM 怀疑:图书馆音乐和英国音乐家联盟，1960-1978 -勘误表
3区 艺术学
Popular Music Pub Date : 2023-09-25 DOI: 10.1017/s0261143023000387
Elodie A. Roy
{"title":"Under suspicion: library music and the Musicians’ Union in Britain, 1960–1978 – CORRIGENDUM","authors":"Elodie A. Roy","doi":"10.1017/s0261143023000387","DOIUrl":"https://doi.org/10.1017/s0261143023000387","url":null,"abstract":"An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135816333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In Memory of Toru Mitsui (1940–2023) 纪念三井彻（1940-2023 年）
3区 艺术学
Popular Music Pub Date : 2023-09-22 DOI: 10.1017/s0261143023000314
Shuhei Hosokawa, Yusuke Wajima
{"title":"In Memory of Toru Mitsui (1940–2023)","authors":"Shuhei Hosokawa, Yusuke Wajima","doi":"10.1017/s0261143023000314","DOIUrl":"https://doi.org/10.1017/s0261143023000314","url":null,"abstract":"An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":"816 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136061678","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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