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Lives in Music 音乐生活
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-04-29 DOI: 10.1017/s0261143024000138
Simon Frith
{"title":"Lives in Music","authors":"Simon Frith","doi":"10.1017/s0261143024000138","DOIUrl":"https://doi.org/10.1017/s0261143024000138","url":null,"abstract":"<p>One of the more annoying aspects of the life of a popular music academic is that we study music that is primarily made and used by people who seem to have no interest at all in what we have to say. Popular musicians and fans are engaged with <span>what</span> we're talking about but not with <span>how</span> we talk about it. When the first volume of our history of live music came out, covering 1950–67 (Frith <span>et al</span>. 2013), I did some non-academic promotional work for it – presenting our book at a literary festival, library events and pensioners’ clubs (these were the people who had lived through what we were describing). Audiences were, like my non-academic friends, sufficiently interested in live music history to discuss our findings with enthusiasm but, at the same time, found the book unreadable. They couldn't be doing with academic research conventions, with the references constantly interrupting the narrative flow, with the painstaking collection and assessment of evidence, the stolid back and forth between the particular (the facts) and the general (the concepts).</p>","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140810963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Taking stock of a discourse: An integrative content analysis of musical structures and cultural stereotypes in top-10 German Schlager songs from 2009 to 2019 盘点话语：对 2009 至 2019 年德国 Schlager 十佳歌曲中音乐结构和文化定型观念的综合内容分析
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-04-18 DOI: 10.1017/s0261143024000102
Felix Christian Thiesen
{"title":"Taking stock of a discourse: An integrative content analysis of musical structures and cultural stereotypes in top-10 German Schlager songs from 2009 to 2019","authors":"Felix Christian Thiesen","doi":"10.1017/s0261143024000102","DOIUrl":"https://doi.org/10.1017/s0261143024000102","url":null,"abstract":"<p>German Schlager's simple and static musical form is considered by many authors as an immutable key factor in the genre's overall success. However, the introduction of break routines and pop drops to the genre seem to refute this point of view. Cultural references and musical clichés are also integral parts of Schlager's staging. This paper presents an integrative content analysis of 548 songs from 2009 to 2019 with the aim of observing trends in musical form and the use of both cultural references and musical clichés in contemporary Schlager. Overall, the corpus shows more variability than expected, featuring a growing number of structural parts. Contrary to strong claims, the genre is undergoing a change in musical structure. However, whether this also applies to the reproduction of certain stereotypes in song lyrics remains to be seen: about a quarter of the songs contain cultural references, outnumbering musical clichés by a factor of three.</p>","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140617643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Politics of Vibration, Music as a Cosmopolitical Practice. By Marcus Boon, Durham, NC: Duke University Press, 2022. 288 pp. ISBN 978-1-4780-1839-1 振动的政治，作为宇宙政治实践的音乐》。马库斯-布恩著，北卡罗来纳州达勒姆：杜克大学出版社，2022 年。288 pp.国际标准书号 978-1-4780-1839-1
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-04-11 DOI: 10.1017/s0261143024000096
Salomé Voegelin
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引用次数: 0
The Musicians’ Syndicate and the contradictions of state control over music in Egypt 埃及音乐家辛迪加与国家控制音乐的矛盾
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-04-02 DOI: 10.1017/s0261143024000035
Sophie Frankford
{"title":"The Musicians’ Syndicate and the contradictions of state control over music in Egypt","authors":"Sophie Frankford","doi":"10.1017/s0261143024000035","DOIUrl":"https://doi.org/10.1017/s0261143024000035","url":null,"abstract":"<p>Based on 21 months of ethnographic fieldwork in Cairo with musicians who perform a musical style known as <span>shaʿbi</span>, this article unravels the complex role that the state-affiliated Musicians’ Syndicate plays in musicians’ working lives in order to investigate the contradictions of state control over music in Egypt. Focusing on moments of encounter between musicians and Syndicate officials, I consider why my interlocutors’ time was split between evading the Syndicate and its restrictions, and embracing the Syndicate by calling for it to implement harsher interventions. Doing so not only sheds light on the reality of cultural production in an authoritarian state, but also prompts a broader reconsideration of scholarly approaches to popular music censorship, requiring us to move beyond dichotomies of ‘state <span>vs.</span> society,’ ‘censors <span>vs.</span> censored,’ and ‘resistors <span>vs.</span> oppressors’ that have tended to dominate scholarship on music censorship.</p>","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140585971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Unknown Pleasure: interpretations of the mystery hiss in Feist's 2017 album 未知的快乐：费斯特 2017 年专辑中神秘嘶嘶声的诠释
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-03-19 DOI: 10.1017/s0261143023000521
Joseph Coughlan-Allen
{"title":"Unknown Pleasure: interpretations of the mystery hiss in Feist's 2017 album","authors":"Joseph Coughlan-Allen","doi":"10.1017/s0261143023000521","DOIUrl":"https://doi.org/10.1017/s0261143023000521","url":null,"abstract":"This article examines the critical reception of Feist's 2017 album <jats:italic>Pleasure</jats:italic>, and interpretations by reviewers of the mysterious hiss that permeates most of the album's tracks. I firstly contextualise <jats:italic>Pleasure</jats:italic> in relation to the aesthetics of record production. I then examine interviews with Feist and her collaborators to identify the source of the hiss, and explain its presence on <jats:italic>Pleasure</jats:italic>. Lastly, I examine a corpus of 20 reviews, showcasing how critics (mis)identified and (mis)interpreted the sound, as well as the effect of this on their overall understanding of the album. To explain the relationship between the hiss and accompanying music, I assume a semiotic perspective. Following Poyatos, I regard these two kinds of sound as part of distinct yet related cosystems of signs, loosely analogous to the relationship between verbal utterances and nonverbal behaviours in face-to-face communication. Through this lens, I analyse how <jats:italic>Pleasure'</jats:italic>s hiss was heard to modify, support, emphasise and undermine the meaning of the music by reviewers.","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140168844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Not your ordinary drone: odes to the Bayraktar in the Russia–Ukraine war 非同一般的无人机：俄乌战争中的 "拜拉克塔 "号颂歌
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-03-11 DOI: 10.1017/s0261143024000047
Anastassiya Andrianova
{"title":"Not your ordinary drone: odes to the Bayraktar in the Russia–Ukraine war","authors":"Anastassiya Andrianova","doi":"10.1017/s0261143024000047","DOIUrl":"https://doi.org/10.1017/s0261143024000047","url":null,"abstract":"<p>‘Bayraktar’, a pop/rap song written by a Ukrainian soldier following Russia's invasion of Ukraine on 24 February 2022, went viral, spawning various covers, from electronic dance music to hardcore punk. I analyse this digital archive of 19 ‘Bayraktar’ songs, including five that share only the title with Taras Borovok's paradigmatic song, and contextualise it within the broader historical and decolonial frameworks of Ukrainian resistance music, including the protest music of the Orange Revolution and the <span>Euromaidan</span> demonstrations, and the anti-war music produced during the Donbas war and in the first six months of the ongoing Russia–Ukraine war. I apply the method of multimodal critical discourse analysis to highlight the ways that sound, image (videos and stills) and text (lyrics and verbal descriptions on <span>YouTube</span>) forge nationalist and global protest rhetorics, and also function pragmatically to raise awareness, fundraise for the armed forces and humanitarian efforts, and boost morale in Ukraine and abroad.</p>","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140098205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
How Hip Hop Became Hit Pop. By Amy Coddington. Berkeley, CA: University of California Press, 2023. 226 pp. ISBN 978-0-520-38392-0 嘻哈是如何成为流行音乐的作者：艾米-科丁顿。加州伯克利：加州大学出版社，2023 年。226 pp.ISBN 978-0-520-38392-0
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-03-11 DOI: 10.1017/s0261143024000084
Justin A. Williams
{"title":"How Hip Hop Became Hit Pop. By Amy Coddington. Berkeley, CA: University of California Press, 2023. 226 pp. ISBN 978-0-520-38392-0","authors":"Justin A. Williams","doi":"10.1017/s0261143024000084","DOIUrl":"https://doi.org/10.1017/s0261143024000084","url":null,"abstract":"","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140252794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘The practice of the twanged instruments’. Evaluating the amateur fretted instrument orchestra in British popular musical life, c.1890–c.1960 敲击乐器的实践"。评估英国流行音乐生活中的业余弹拨乐器乐团，约 1890 年至 1960 年
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-03-01 DOI: 10.1017/s026114302300051x
Dave Russell
{"title":"‘The practice of the twanged instruments’. Evaluating the amateur fretted instrument orchestra in British popular musical life, c.1890–c.1960","authors":"Dave Russell","doi":"10.1017/s026114302300051x","DOIUrl":"https://doi.org/10.1017/s026114302300051x","url":null,"abstract":"The British amateur fretted instrument orchestra was a product of the late Victorian and Edwardian banjo and mandolin ‘crazes’. Lacking deep community roots, early organisations were numerous but mainly short-lived. However, reconstituted as more broadly based clubs, they enjoyed a substantial revival from the later 1920s and played a major role in the preservation of fretted instrumental culture at a time when it was losing purchase in wider popular musical life. Clubs and orchestras provided a significant outlet for the musical talents of lower-middle and working-class amateur musicians and, although always ultimately male-dominated, gave greater opportunity to women than was the norm within amateur instrumental music-making. The charitable concerts that featured so strongly in their work provided an impressive record of public service. However, their instrumentation and middle-of-the-road repertoire rendered them increasingly unfashionable in the changed popular musical climate of the 1950s and entirely marginal by the end of the 1960s.","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140019251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sex and Gender in Pop/Rock Music: the Blues through The Beatles to Beyoncé. By Walter Everett. London: Bloomsbury, 2023. xii + 260 pp. ISBN: 978-1-5013-4595-1 流行/摇滚音乐中的性与性别：从蓝调到披头士再到碧昂斯。沃尔特-埃弗雷特著。伦敦：布鲁姆斯伯里出版社，2023 年。xii + 260 页。国际标准书号：978-1-5013-4595-1
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-02-16 DOI: 10.1017/s0261143023000545
Dai Griffiths
{"title":"Sex and Gender in Pop/Rock Music: the Blues through The Beatles to Beyoncé. By Walter Everett. London: Bloomsbury, 2023. xii + 260 pp. ISBN: 978-1-5013-4595-1","authors":"Dai Griffiths","doi":"10.1017/s0261143023000545","DOIUrl":"https://doi.org/10.1017/s0261143023000545","url":null,"abstract":"","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139961940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Creole Soul: Zydeco Lives. By Burt Feintuch. Edited by Jeannie Banks Thomas. With photographs by Gary Samson. Jackson, MI: University Press of Mississippi. 2022. 267pp. ISBN 978-1-4968-4246-6 克里奥尔灵魂：Zydeco 的生活。作者：伯特-费因图奇。珍妮-班克斯-托马斯（Jeannie Banks Thomas）编辑。配图：加里-萨姆森（Gary Samson）。密歇根州杰克逊：密西西比大学出版社。2022.267页。ISBN 978-1-4968-4246-6
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-02-16 DOI: 10.1017/s0261143023000557
Gwendolen von Einsiedel
{"title":"Creole Soul: Zydeco Lives. By Burt Feintuch. Edited by Jeannie Banks Thomas. With photographs by Gary Samson. Jackson, MI: University Press of Mississippi. 2022. 267pp. ISBN 978-1-4968-4246-6","authors":"Gwendolen von Einsiedel","doi":"10.1017/s0261143023000557","DOIUrl":"https://doi.org/10.1017/s0261143023000557","url":null,"abstract":"","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139962094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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