{"title":"非同一般的无人机:俄乌战争中的 \"拜拉克塔 \"号颂歌","authors":"Anastassiya Andrianova","doi":"10.1017/s0261143024000047","DOIUrl":null,"url":null,"abstract":"<p>‘Bayraktar’, a pop/rap song written by a Ukrainian soldier following Russia's invasion of Ukraine on 24 February 2022, went viral, spawning various covers, from electronic dance music to hardcore punk. I analyse this digital archive of 19 ‘Bayraktar’ songs, including five that share only the title with Taras Borovok's paradigmatic song, and contextualise it within the broader historical and decolonial frameworks of Ukrainian resistance music, including the protest music of the Orange Revolution and the <span>Euromaidan</span> demonstrations, and the anti-war music produced during the Donbas war and in the first six months of the ongoing Russia–Ukraine war. I apply the method of multimodal critical discourse analysis to highlight the ways that sound, image (videos and stills) and text (lyrics and verbal descriptions on <span>YouTube</span>) forge nationalist and global protest rhetorics, and also function pragmatically to raise awareness, fundraise for the armed forces and humanitarian efforts, and boost morale in Ukraine and abroad.</p>","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":"11 1","pages":""},"PeriodicalIF":0.7000,"publicationDate":"2024-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Not your ordinary drone: odes to the Bayraktar in the Russia–Ukraine war\",\"authors\":\"Anastassiya Andrianova\",\"doi\":\"10.1017/s0261143024000047\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>‘Bayraktar’, a pop/rap song written by a Ukrainian soldier following Russia's invasion of Ukraine on 24 February 2022, went viral, spawning various covers, from electronic dance music to hardcore punk. I analyse this digital archive of 19 ‘Bayraktar’ songs, including five that share only the title with Taras Borovok's paradigmatic song, and contextualise it within the broader historical and decolonial frameworks of Ukrainian resistance music, including the protest music of the Orange Revolution and the <span>Euromaidan</span> demonstrations, and the anti-war music produced during the Donbas war and in the first six months of the ongoing Russia–Ukraine war. I apply the method of multimodal critical discourse analysis to highlight the ways that sound, image (videos and stills) and text (lyrics and verbal descriptions on <span>YouTube</span>) forge nationalist and global protest rhetorics, and also function pragmatically to raise awareness, fundraise for the armed forces and humanitarian efforts, and boost morale in Ukraine and abroad.</p>\",\"PeriodicalId\":46171,\"journal\":{\"name\":\"Popular Music\",\"volume\":\"11 1\",\"pages\":\"\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2024-03-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Popular Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s0261143024000047\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Popular Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s0261143024000047","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Not your ordinary drone: odes to the Bayraktar in the Russia–Ukraine war
‘Bayraktar’, a pop/rap song written by a Ukrainian soldier following Russia's invasion of Ukraine on 24 February 2022, went viral, spawning various covers, from electronic dance music to hardcore punk. I analyse this digital archive of 19 ‘Bayraktar’ songs, including five that share only the title with Taras Borovok's paradigmatic song, and contextualise it within the broader historical and decolonial frameworks of Ukrainian resistance music, including the protest music of the Orange Revolution and the Euromaidan demonstrations, and the anti-war music produced during the Donbas war and in the first six months of the ongoing Russia–Ukraine war. I apply the method of multimodal critical discourse analysis to highlight the ways that sound, image (videos and stills) and text (lyrics and verbal descriptions on YouTube) forge nationalist and global protest rhetorics, and also function pragmatically to raise awareness, fundraise for the armed forces and humanitarian efforts, and boost morale in Ukraine and abroad.
期刊介绍:
Popular Music is an international multi-disciplinary journal covering all aspects of the subject - from the formation of social group identities through popular music, to the workings of the global music industry, to how particular pieces of music are put together. The journal includes all kinds of popular music, whether rap or rai, jazz or rock, from any historical era and any geographical location. Popular Music carries articles by scholars from a variety of disciplines and theoretical perspectives. Each issue contains substantial, authoritative and influential articles, topical pieces, and reviews of a wide range of books.