{"title":"‘Save Me from My Friends’: The Transnational Intimacies of an Irish-Latvian Couple within and beyond the Irish Revolution, 1916–1921","authors":"Maurice J. Casey","doi":"10.1017/s0960777322000911","DOIUrl":"https://doi.org/10.1017/s0960777322000911","url":null,"abstract":"What can a focus on intimacies and affinities between radical immigrants in Ireland and their Irish counterparts tell us about the transnational scope of the global Irish revolution? This article answers this question through the lives of Rose MacKenna, an Irish playwright and socialist, and her husband Sidney Arnold, a Latvian literary translator. The activist career of this obscure Irish-Latvian couple took them from revolutionary Dublin in the wake of the Easter Rising to Petrograd in the aftermath of the Russian Revolution. This article argues that MacKenna and Arnold, by virtue of their obscurity and marginality, rather than in spite of it, can suggest the sources and methodologies required to uncover the transnational world of Ireland's radical intelligentsia.","PeriodicalId":46066,"journal":{"name":"Contemporary European History","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47681263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Neoliberal Turn that Never Was: Breaking with the Standard Narrative of Mitterrand's tournant de la rigueur","authors":"Mathieu Fulla","doi":"10.1017/s0960777322000881","DOIUrl":"https://doi.org/10.1017/s0960777322000881","url":null,"abstract":"On 10 May 1981, French voters elected a socialist president, François Mitterrand, whose programmes promised to change their daily lives. Less than two years later, his government definitively endorsed economic austerity. The adverse international context, it was argued at the time, forced France to prioritise its European commitments over radical reform of capitalism. Since then, most commentators have interpreted this decision either as a betrayal by the socialist elites or as a symbol of their economic incompetence. This article reappraises these narratives. Based on archival research and a large body of lesser-known critical French-language scholarship, it contends that the 1983 austerity plan was neither a sudden shift nor a neoliberal turn. Without denying the crucial political and symbolic dimensions of the decisions of the left in 1983, the article also shows that the crucial stages of the liberalisation of French capitalism occurred in fact later in the decade.","PeriodicalId":46066,"journal":{"name":"Contemporary European History","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41435484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Europe in the Mirror of Russia: How Interwar Travels to the Soviet Union Reshaped European Perceptions of Borders, Time and History","authors":"Jessica Wardhaugh","doi":"10.1017/S0960777321000849","DOIUrl":"https://doi.org/10.1017/S0960777321000849","url":null,"abstract":"Studies of interwar travels from Europe to Russia tend to prioritise reactions to the Soviet Union. This article, in contrast, examines how travellers reflected on Europe in the mirror of Russia and focuses on the little-studied writing and reception of narratives by Andrée Viollis, Luc Durtain, Georges Duhamel and Alfred Fabre-Luce in the late 1920s. Through a comparative analysis shaped by recent histories of temporality, the article explores how encounters between Europe and Russia challenged assumptions on borders, time and history. Although Europeans are generally associated with a model of linear, evolutionary time, this case study reveals their engagement with competing models of time as linear, cyclical and salvational.","PeriodicalId":46066,"journal":{"name":"Contemporary European History","volume":"32 1","pages":"97 - 113"},"PeriodicalIF":0.8,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41717411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contemporary History as an Intrusion into Personal Memory: Methodological Dilemmas, Public Presence and the Perils of Presentism","authors":"Evanthis Hatzivassiliou","doi":"10.1017/s0960777322000509","DOIUrl":"https://doi.org/10.1017/s0960777322000509","url":null,"abstract":"In a brilliant 1972 cartoon, the creator of Snoopy, Charles M. Schulz, depicts the contemplative beagle going through a crisis of rage. Snoopy discovers that a six-storey parking garage has been built on the site of the Daisy Hill Puppy Farm, a place in which, we are led to understand, he had spent some of his happiest childhood moments. Snoopy cannot contain himself. ‘You stupid people’, he shouts; ‘You're parking on my memories’.","PeriodicalId":46066,"journal":{"name":"Contemporary European History","volume":"32 1","pages":"9 - 14"},"PeriodicalIF":0.8,"publicationDate":"2023-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46190702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Irrelevant Scapegoat: The Perils of Doing European History in Post-Trump America","authors":"D. Reill","doi":"10.1017/s0960777322000571","DOIUrl":"https://doi.org/10.1017/s0960777322000571","url":null,"abstract":"On 8 February 2022, an expert in Middle Eastern legal history – Florida State University associate professor Will Hanley – testified in front of Florida's House Education and Employment Committee. As a volunteer commentator rather than an invited speaker, Hanley was allotted just sixty seconds. But in his brief time, he did everything he could to argue against the adoption of the HB 7 ‘stop WOKE act’, which called for new educational protocols, especially regarding how race be taught in US classrooms.1 Hanley is not an Americanist; he does not teach on the subjects the HB 7 law affects, such as the Declaration of Independence, the US constitution, or the Federalist Papers. Nonetheless, this specialist on Islamic naming practices and Ottoman-Egyptian nationalisms stepped up and risked his career at a publicly funded institution because he knew that the reach of the US culture wars is much greater than American history, affecting all historians and all the students they teach – in the United States and beyond.2 In this essay, I want to explain why Hanley's actions should serve as a model for us all. To do this, I focus on how the US culture wars – as waged by both the right and the left – are triggering a global reconceptualisation of European history that will have dangerous consequences for students, researchers, teachers, and the profession at large. I start with Florida – the state where both Hanley and I work – because it is an extreme case of how the new culture wars have taken aim at history education, a template unfortunately being replicated with similar interventions in other US states.","PeriodicalId":46066,"journal":{"name":"Contemporary European History","volume":"91 2","pages":"27 - 32"},"PeriodicalIF":0.8,"publicationDate":"2023-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41271145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Confronting the Past: The Role of the European Historian Today","authors":"Emile Chabal, E. Karamouzi","doi":"10.1017/s0960777322000832","DOIUrl":"https://doi.org/10.1017/s0960777322000832","url":null,"abstract":"The pandemic may have consigned historians to their homes, but this did not stop history from taking centre-stage in public debate. From falling statues to culture wars, history in all its forms has continued to be deployed by states, activists, prestigious institutions and grassroots organisations. As has always been the case, those who study history for a living have rarely played a prominent role in these debates. At best, historians have tended to be confined to supporting roles as ‘advisers’, ‘consultants’ or ‘experts’. Still, even for those historians who eschew the rough-and-tumble of political and civic discussion, it is impossible to remain entirely neutral. Governments and politicians can overturn funding priorities; universities can suddenly find themselves targets of hostile political campaigning; and lecture halls can turn into sites of civic struggle. This constant historical instrumentalisation is a dramatic reminder of the power of narratives in constructing realities.","PeriodicalId":46066,"journal":{"name":"Contemporary European History","volume":"32 1","pages":"1 - 2"},"PeriodicalIF":0.8,"publicationDate":"2023-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47390437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Scholars and the Politics of International Art Restitution","authors":"Jelena Subotić","doi":"10.1017/s0960777322000613","DOIUrl":"https://doi.org/10.1017/s0960777322000613","url":null,"abstract":"Almost every week brings news of another major European museum agreeing to return looted art. Since the 2000s we have grown somewhat accustomed to the headlines describing a ceremonial return to its original owners of a painting looted in the Holocaust, a process that took decades to develop and was initially met with considerable resistance in the art world and in the countries where this art was displayed.1 In the past few years, however, building in part on the perceived success of Holocaust art restitution but also on the increased visibility and impact of national and global social movements demanding racial justice and institutional decolonisation, major international museums have come under ever stronger pressure to return art looted as part of colonial occupations. Perhaps the most organised of the current campaigns is the campaign to return the so-called ‘Benin Bronzes’ – a vast collection of various artifacts looted from the Kingdom of Benin (in today's Nigeria) and dispersed across major international museums, most prominently the British Museum in London, the Ethnological Museum in Berlin, and the Musée du quai Branly in Paris, among others. Since 2020, a number of museums have pledged to return their holdings of Benin Bronzes and restitute them to Nigeria, where a major new museum is being built to display them in Benin City. All of this activity has also reenergised perhaps the most famous case for restitution – the movement to return the Parthenon ‘Elgin’ marbles from the British Museum to the Acropolis in Athens.","PeriodicalId":46066,"journal":{"name":"Contemporary European History","volume":"32 1","pages":"33 - 37"},"PeriodicalIF":0.8,"publicationDate":"2023-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48774431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Memory of Southern European Dictatorships in Popular TV Shows","authors":"Kostis Kornetis","doi":"10.1017/S0960777322000741","DOIUrl":"https://doi.org/10.1017/S0960777322000741","url":null,"abstract":"Ever since the ground-breaking historical mini-series Holocaust (1978), television has proven to play a major role in structuring the collective memory about the past.1 This medium has, moreover, displayed a capacity to trigger a collective rendering of, and coming to terms with, painful, hidden or forgotten aspects of the past. Media specialist Garry R. Edgerton has even argued that ‘television is the principal means by which most people learn about history’.2 Even though such assertions might be tempered by today's predominance of social media – especially in generational terms – an inquiry into the politics of memory in popular television is still relevant for the field of public history, as well as for memory studies. This is particularly pertinent when representing dictatorship in the European South. Alongside public history projects of all kinds (including museums, memorials, commemorative plaques and practices), filmic representations (be it for cinematic or television use) structure the collective imaginary about the recent past. This essay briefly discusses TV shows that deal with and shape public understandings of the dictatorships in Spain (the final phase of Francoism, post-1968), Greece (the Colonels’ dictatorship, post-1969) and Portugal (the final phase of the Estado Novo (New State), post-1968).","PeriodicalId":46066,"journal":{"name":"Contemporary European History","volume":"32 1","pages":"46 - 51"},"PeriodicalIF":0.8,"publicationDate":"2023-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45686964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The (Re-)construction of Monuments in Germany: New Historical Narratives in a Time of Nation-building","authors":"Sandrine Kott, T. Wieder","doi":"10.1017/S0960777322000467","DOIUrl":"https://doi.org/10.1017/S0960777322000467","url":null,"abstract":"In the slipstream of the Black Lives Matter movement in the United States, there has been a global mobilisation around monuments and statues of famous figures involved in the slave trade and European colonial conquest. In former colonial states – such as France and Britain – and states shaped by the legacies of slavery – such as the United States – activists have defaced, damaged or torn down monuments associated with these contested pasts. This is hardly a novelty. The destruction of physical symbols is often a response to regime change. But, in this case, the mobilisation has taken a different form. Instead of legitimising a new regime and new elites, the destruction of monuments is part of a demand for justice from historically marginalised groups who are seeking to reclaim their heritage. The deconstruction of these monuments automatically entails the deconstruction of dominant national narratives that have contributed to such marginalisation.","PeriodicalId":46066,"journal":{"name":"Contemporary European History","volume":"68 12","pages":"3 - 8"},"PeriodicalIF":0.8,"publicationDate":"2023-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41331337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Political Role of the Historian","authors":"David Motadel","doi":"10.1017/S0960777322000716","DOIUrl":"https://doi.org/10.1017/S0960777322000716","url":null,"abstract":"Debates about history have never been strictly confined to the world of scholarship. They have also been at the centre of political controversies in society. ‘The problem for professional historians’, Eric Hobsbawm once observed, ‘is that their subject has important social and political functions’.1 ‘This duality’, he noted, ‘is the core of our subject’. This essay offers some reflections on the political role of historians, exploring the relationship between their scholarly work and their involvement in political debates. A closer look at the issue shows that it is not so much a problem as an opportunity for historians to engage with their subject on various levels, from the realm of scholarship to the realm of contemporary politics, which makes their position in society both more complex and more critical.","PeriodicalId":46066,"journal":{"name":"Contemporary European History","volume":"32 1","pages":"38 - 45"},"PeriodicalIF":0.8,"publicationDate":"2023-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49314005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}