JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY最新文献_第5页

The Art Museum Redefined: Power, Opportunity, and Community Engagement 美术馆重新定义：权力、机会和社区参与

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2022-04-04 DOI: 10.1080/10632921.2022.2052780

Mairead Quinn

引用次数: 3

Generous and Ungenerous Contracts: Case Study of the Artist William Powhida’s Grevsky and Store-to-Own Contracts 慷慨与不慷慨的契约——以艺术家波惠达的《Grevsky》和《商店到自己的契约》为例

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2022-03-09 DOI: 10.1080/10632921.2022.2041141

A. Whitaker

{"title":"Generous and Ungenerous Contracts: Case Study of the Artist William Powhida’s Grevsky and Store-to-Own Contracts","authors":"A. Whitaker","doi":"10.1080/10632921.2022.2041141","DOIUrl":"https://doi.org/10.1080/10632921.2022.2041141","url":null,"abstract":"ABSTRACT This paper investigates the case study of William Powhida and two different contracts that the artist developed: first, the intentionally draconian contracts that the artist developed within an artwork, Grevsky, to force artists into subordinating their intellectual property position to commodification, and second, the contract that the artist William Powhida, the person, developed to ask his friends to help him store art. Applying Grant’s (2013) framework of givers, takers, and transactors, this paper presents a conceptual framework of ungenerous and generous contracts. The paper makes the argument that economic awareness, legal strategy, and a spirit of friendship can co-exist and that draconian contracts are rarely needed in an arts context in which stakeholders are likely to have shared interests in both sides of a contract. This analysis presents a more generalizable framework of non-zero-sum contractual negotiation in relation to the artistic and financial nature of works of art, as well as an argument for the importance of rhetoric and contractual structures of collaboration and friendship. These contractual questions become increasingly important as artists employ self-executing “smart” contracts for blockchain-based or non-fungible token (NFT) works, and as artists continue to rely on contracted freelance work. The increased reliance on digital working conditions creates higher stakes rights management given likelihood of recording.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44374426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Kaunas Biennial: From Local Exhibition to Contemporary Art Platform Evolution Stages, Features and Management Models 考纳斯双年展:从本土展览到当代艺术平台的演变阶段、特征与管理模式

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2022-03-03 DOI: 10.1080/10632921.2022.2038750

V. Jurėnienė, Ugnė Pavlovaitė, Dovilė Peseckienė

{"title":"Kaunas Biennial: From Local Exhibition to Contemporary Art Platform Evolution Stages, Features and Management Models","authors":"V. Jurėnienė, Ugnė Pavlovaitė, Dovilė Peseckienė","doi":"10.1080/10632921.2022.2038750","DOIUrl":"https://doi.org/10.1080/10632921.2022.2038750","url":null,"abstract":"ABSTRACT Contemporary art biennials are one of the most important events that last for two years in the context of the contemporary art industry. Contemporary art events and biennials in different cities of the world are appreciated not only for their cultural or artistic value but also because they help to increase local popularity internationally from the economic perspective, thus, ensuring circulation of the art industry as well as the economy of local and international contemporary art market. The article analyses the case of Kaunas biennial revealing its evolution stages, structural and management changes, and creating its management model. The historical development of Kaunas Biennial started back in 1997, and in 2013, Kaunas biennial was included into one of the largest biennial foundations in the world. The biennial changed its management structure, and in 2013, Public Institution Kaunas Biennial was established. The comparative analysis presented herein reveals the general features of contemporary art biennials, their organizational structure and management models. Therefore, the input of this article into the management theory shall be based on a newly systematized theory basis by providing general contemporary art biennial development opportunities and applicability in further research.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43923390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Artists and Online Dissemination: An Analysis of Positions and Position-Takings 艺术家与网络传播:立场与立场占有分析

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2022-02-28 DOI: 10.1080/10632921.2022.2034691

P. Booth, Sigrid Røyseng

引用次数: 0

Within a Carnivalesque Space: The Textual Identity of Danmu and the Rise of Mass Writing 在一个狂欢式的空间里:丹木的文本身份与大众写作的兴起

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2022-02-16 DOI: 10.1080/10632921.2022.2030271

Hui-min Deng, Di Zhan

引用次数: 1

Unpacking High-Impact Practices in the Arts: Predictors of College, Career, and Community Engagement Outcomes 在艺术中打开高影响力的实践:大学，职业和社区参与结果的预测

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2022-02-10 DOI: 10.1080/10632921.2022.2029786

Angie L. Miller, Nathan D. Martin, Alexandre Frenette

引用次数: 5

The Cultural Entrepreneurship Scorecard: An Instrument for Assessing Cultural Institutions 文化创业记分卡:一种评估文化机构的工具

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2022-02-10 DOI: 10.1080/10632921.2022.2030270

Edwin van Meerkerk

引用次数: 1

The Destiny of Movies’ Box Office Performance in China: An Expectation–Evaluation Model 中国电影票房的命运:一个期望-评价模型

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2022-01-18 DOI: 10.1080/10632921.2021.2018375

Xuefei Li, Hua-liang Lu, Chengzhong Wu

引用次数: 0

Cultures of Participation: Arts, Digital Media and Cultural Institutions 参与文化:艺术、数字媒体和文化机构

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2022-01-18 DOI: 10.1080/10632921.2021.2015033

Kathrin Schmidt

引用次数: 2

Creating a Global Cultural City via Public Participation in the Arts: Conversations with Hong Kong’s Leading Arts and Cultural Administrators 通过公众参与艺术创建一个全球文化城市：与香港主要艺术和文化管理者的对话

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2022-01-18 DOI: 10.1080/10632921.2021.2020196

Zexun Zhang

{"title":"Creating a Global Cultural City via Public Participation in the Arts: Conversations with Hong Kong’s Leading Arts and Cultural Administrators","authors":"Zexun Zhang","doi":"10.1080/10632921.2021.2020196","DOIUrl":"https://doi.org/10.1080/10632921.2021.2020196","url":null,"abstract":"Along these lines, the volume presents critical voices of the industrialization of creativity in the creative economy. An important theme throughout many chapters is the delicate border between resistance or transformation and cop-option. It is a trap lurking in efforts to resist commercialization being submitted to the commercial practice it seeks to confront in the first place. While the first volume succeeds in showing the variety of value forms in the creative industries, it does not consider this tricky crossing. Though often shadowed, the forces behind co-option are powerful and prevalent in the processes of creative production. This invisibility of power draws an interesting angle with the invisibility of value central to the first book. Together, the works show the variety of approaches to the question of value at the heart of the creative economy. They also present the inherent complexity of value, resulting from its intangible and entangled performance as well as its inextricable link to questions of social inequalities, and exclusion, and politics. The large number of contributions cover rich, new empirical evidence that offers helpful insights for researchers, policy makers, and creative practitioners in the field. It should be noted, however, that in spite of several examples taken from different parts of the world, the volumes both convey a strong European flavor.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-01-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44963252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0