{"title":"Peripheral Labor","authors":"Christine Okoth","doi":"10.1353/mfs.2022.0005","DOIUrl":"https://doi.org/10.1353/mfs.2022.0005","url":null,"abstract":"Abstract:This essay gives a literary account of contemporary capitalism's reliance on what Sandro Mezzadra and Brett Neilson refer to as differential inclusion through a focus on labor in contemporary Nigerian migrant fiction. In Chimamanda Ngozi Adichie's novel Americanah and Lesley Nneka Arimah's short story \"Windfalls,\" characters find themselves occupying the economic peripheries of contemporary capitalism, oscillating between waged and unwaged work, formal and informal employment. As this essay demonstrates, the mechanisms of narrative peripheralization that these characters contend with also function as a means of maintaining an Anglophone, neoliberal, and value-producing vision of the African continent.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89976773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Writing Against Peripheralization: Glorifying Labor in Chinese Socialist Literature","authors":"Xian Wang","doi":"10.1353/mfs.2022.0007","DOIUrl":"https://doi.org/10.1353/mfs.2022.0007","url":null,"abstract":"Abstract:This essay examines the political and aesthetic aspects of labor in Chinese socialist literature and argues that beyond its purpose of economic development, the glorification of labor also aimed to build an egalitarian society that would put an end to the alienation of labor. However, the disastrous consequences of the Great Leap Forward have shown that the advocation of selfless labor needs boundaries. Labor has been depoliticized and commodified since the post-Mao reforms. Migrant workers' literature acts as a form of cultural resistance to the alienation of labor in postsocialist China under global capitalism.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79071921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Peripheral Literatures and the History of Capitalism: An Introduction","authors":"Ericka Beckman, O. Nir, Emilio Sauri","doi":"10.1353/mfs.2022.0000","DOIUrl":"https://doi.org/10.1353/mfs.2022.0000","url":null,"abstract":"Abstract:The introduction argues for rethinking the problem of historical transition under capitalism from the vantage point of peripheral literatures. The understanding of the relationships between such transition and literary form, and the periodizing schemas employed to make sense of them, has largely been limited to heartlands of accumulation in Western Europe and North America. Much less has been written about how literatures from the rest of the world have expressed transitions to and within this global, if internally variegated and uneven, system. This introduction asks how literature from the world's peripheries and semiperipheries have written the history of capitalism.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81475941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mozambican Literature, Neoliberalism, and the Long 1980s","authors":"T. Waller","doi":"10.1353/mfs.2022.0004","DOIUrl":"https://doi.org/10.1353/mfs.2022.0004","url":null,"abstract":"Abstract:Although the work of Mozambican authors has routinely been overlooked within the Anglophone academy, due in part to its use of a semiperipheral colonial language and a lack of availability in translation, the study of Mozambican texts from the period of the long 1980s can nevertheless offer valuable insight into both the literary coordinates of neoliberal world-culture as well as the more general strategies used by peripheral writers to mediate moments of economic transition. This essay seeks to remedy this disconnect through a series of comparative readings of texts by Mia Couto, Suleiman Cassamo, and Ungulani Ba Ka Khosa.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88225427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Writing the Survivor: The Rape Novel in Late Twentieth-Century American Fiction by Robin E. Field (review)","authors":"Mary K. Holland","doi":"10.1353/mfs.2021.0046","DOIUrl":"https://doi.org/10.1353/mfs.2021.0046","url":null,"abstract":"","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90771113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Science Fiction and Prehistory”: Don DeLillo’s Underworld and the Novel of the Anthropocene","authors":"P. Whitmarsh","doi":"10.1353/mfs.2021.0034","DOIUrl":"https://doi.org/10.1353/mfs.2021.0034","url":null,"abstract":"Abstract:Often associated with literary retrospectives on the Cold War, Don DeLillo’s novel Underworld is rarely viewed as an expression of the Anthropocene: the proposed geological period in which human activity has a significant impact on earth systems. Underworld integrates its complex narrative structure with an experimental spatial perspective that shifts from horizontal to vertical, thereby effectively destabilizing humanity’s position within history and revealing its entanglement with the planet. DeLillo adopts this perspectival approach from land art, specifically the work of Robert Smithson. The novel’s own visual artist, Klara Sax, embodies this aesthetics.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90495119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Southern Literature, Cold War Culture, and the Making of Modern America by Jordan J. Dominy (review)","authors":"Greg Barnhisel","doi":"10.1353/mfs.2021.0042","DOIUrl":"https://doi.org/10.1353/mfs.2021.0042","url":null,"abstract":"","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89675143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Graham Greene Takes Flight","authors":"G. Woodward","doi":"10.1353/mfs.2021.0035","DOIUrl":"https://doi.org/10.1353/mfs.2021.0035","url":null,"abstract":"Abstract:Drawing on advances in studies of airmindedness and aerial warfare by Peter Adey and Thomas Hippler, this essay traces Graham Greene’s preoccupation with flight and aerial perspective. In a writing career that stretched over half a century, from the 1930s to the 1980s, Greene addressed and articulated in fiction and journalism how flight altered and disrupted experiences and perceptions of time and space, both for those borne aloft and for those who remained grounded. In Greene’s works, the aeroplane emerges as a vehicle with the power to unsettle historiographical and geographical norms.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85419491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Castrating Superman: Rachel Pollack’s Transgender Mutant Cyborg Superhero in Doom Patrol","authors":"Péter Nagy","doi":"10.1353/mfs.2021.0038","DOIUrl":"https://doi.org/10.1353/mfs.2021.0038","url":null,"abstract":"Abstract:This essay argues that in her run on the serial DC comic Doom Patrol Rachel Pollack, transgender activist and science-fiction author, seizes on the figure of the mutant superhero to explore an affirmative account of transgender subjectivity. Pollack’s depiction of Coagula, one of the few transgender women to appear in mainstream comics, responds to concurrently emergent discourses about trans subjectivity, specifically the anti-identitarian formulations of gender, sexuality, and embodiment through which modern transgender studies countered the essentialist roots of antitrans feminism and began to radicalize understandings of gender subjectivity.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79949611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Minority Formalism, Aesthetic Concepts, and Chuang Hua’s Crossings","authors":"Sue-Im Lee","doi":"10.1353/mfs.2021.0037","DOIUrl":"https://doi.org/10.1353/mfs.2021.0037","url":null,"abstract":"Abstract:This essay engages philosophy of art, Adorno’s aesthetic theory, and Asian American literary studies to show that aesthetic concepts—terms describing the sensory, perceptual properties of a text—are crucial to theorizing minority formalism and minority aesthetic concepts. Using Adorno’s theory of substantial formalism to analyze Crossings (1968), a little-known Asian American novel, this essay shows that rather than being just adjectives describing the expressive qualities of a text or tropes describing its particular theoretical maneuvers, terms such as opaque, non-linear, fragmented, discordant, or dissonant are aesthetic concepts that exert political import through form.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86333573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}