{"title":"Threshold Modernism: New Public Women and the Literary Spaces of Imperial London by Elizabeth F. Evans (review)","authors":"M. Corbett","doi":"10.1353/mfs.2022.0034","DOIUrl":"https://doi.org/10.1353/mfs.2022.0034","url":null,"abstract":"a welcome addition here. A more puzzling choice is the inclusion of “The Master Race,” the subject of the final chapter, “Visual Landscapes of Memory: Fracturing Time and Space.” Here Aarons returns to mid-century America to discuss “Master Race,” illustrated by Al Feldstein and Bernie Krigstein, respectively, of EC Comics, which specialized in crime, horror and suspense. While “Master Race” is a fascinating piece that has deservedly received recognition for its place in the historiography of Holocaust graphic narratives (perhaps the first postwar US comic to address the aftereffects of the Shoah), it is a fictious tale of revenge that is a departure from the other narratives’ personal connection to the Holocaust and, thus, seems out of place given the author’s overall arc of her study. Aarons’s work is an astute analysis of post-Maus graphic narratives, showing how they have continued to grapple with and inform the Holocaust’s legacy. Her impressive research, drawn from a range of sources, and insightful analysis more than convince that the genre uniquely lends itself to furthering the traumatic memory of the Holocaust. Even, or perhaps especially, as the temporal distance to the event grows, Aarons demonstrates that Holocaust graphic narratives offer a compelling way to approach and remember the complexity of the history and its legacy.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":"110 1","pages":"574 - 577"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80665127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"This Grisly Act of Love\": Monstrous Heterosexuality in Giovanni's Room","authors":"Meg Wesling","doi":"10.1353/mfs.2022.0040","DOIUrl":"https://doi.org/10.1353/mfs.2022.0040","url":null,"abstract":"Abstract:This essay examines James Baldwin's Giovanni's Room (1956) and argues for a feminist reading that highlights Baldwin's critique of heteronormativity as a political system whose coercive power distorts all the characters. The relations between men and women are depicted as monstrous, so that there seems little about them that could be described as natural. Compulsory heterosexuality is normative, but as Baldwin demonstrates, it is far from normal. Baldwin thus upends the binary that structures the debate about the etiology of sexual identity (natural or cultural) in ways that remain urgent for us today.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":"83 1","pages":"434 - 459"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80392322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Translation, Poetics of Instability, and the Postmonolingual Condition in Jhumpa Lahiri's In Other Words","authors":"Sohomjit Ray","doi":"10.1353/mfs.2022.0029","DOIUrl":"https://doi.org/10.1353/mfs.2022.0029","url":null,"abstract":"Abstract:Jhumpa Lahiri's language memoir in Italian generated strong reactions in anglophone reviewers. This essay takes reviews of the bilingual edition of In Other Words as a symptom of the entrenched monolingual paradigm in the United States, analyzes how the textual organization of the book disrupts this paradigm, and identifies Lahiri's understanding of translation as transparent transfer to be the condition of possibility for this disruption. The disruptive multilingualism and poetics of instability in Lahiri's text can be seen as tending toward a postmonolingual paradigm, an increasingly common precondition for writing in a globalized world with or without translation.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":"28 1","pages":"544 - 565"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83516549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Queer Atlantic: Masculinity, Mobility, and the Emergence of Modernist Form by Daniel Hannah (review)","authors":"Robert L. Caserio","doi":"10.1353/mfs.2022.0035","DOIUrl":"https://doi.org/10.1353/mfs.2022.0035","url":null,"abstract":"","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":"7 1","pages":"567 - 570"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87190998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"A World Full of Doors\": Postapocalyptic Hospitality in Mohsin Hamid's Exit West","authors":"Penny Vlagopoulos","doi":"10.1353/mfs.2022.0039","DOIUrl":"https://doi.org/10.1353/mfs.2022.0039","url":null,"abstract":"Abstract:This essay contends that though hospitality is always threatened by its double—hostility—the dire displacement crisis of our time requires that we theorize new forms of solidarity across geopolitical borders. Exit West promotes hospitality by activating links between people on small and large scales and suggests that forging relationships with distant others is a necessary project for a robust planetary community. The novel thereby attunes us to ways in which aesthetic engagements with refugees can critique the criminalization of the worldwide movement of peoples and resuscitate a commitment to hospitality.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":"14 1","pages":"407 - 433"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76701923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"People with Equal but Opposite Afflictions, Propping Each Other Up\": Sleep Solidarity and Fictions of Mass Sleeplessness","authors":"A. Bennett","doi":"10.1353/mfs.2022.0028","DOIUrl":"https://doi.org/10.1353/mfs.2022.0028","url":null,"abstract":"Abstract:The texts considered in this essay—Sleepless by Charlie Huston (2010), Nod by Adrian Barnes (2012), Black Moon by Kenneth Calhoun (2014), and Sleep Donation by Karen Russell (2014)—imagine an epidemic of fatal mass insomnia. They form a micro-genre I call mass-sleeplessness fiction, which emerged at the same time as the anxious discourse of the contemporary sleep crisis. This essay argues that the texts adapt genre elements from the zombie apocalypse to conceptualize the deeply uneven effects of sleep crisis and to identify forms of sleep solidarity as an alternative to conventions of privatized and individualized sleep.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":"9 1","pages":"525 - 543"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85110739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Where I Have Never Been: Migration, Melancholia, and Memory in Asian American Narratives of Return by Patricia Chu (review)","authors":"Hong Zeng","doi":"10.1353/mfs.2022.0033","DOIUrl":"https://doi.org/10.1353/mfs.2022.0033","url":null,"abstract":"tiveness, which seems affirmed in the final chapter’s discussion of constrained hope. Emphasizing the possibility of “the sequel” (136) as one such overarching trope might have been one way to shortcircuit that. What would have happened if Watkins had started with this emphasis and gone on to bust open our conventional notion of that literary term? I have the sense that is what Watkins wanted to do with the final chapter—and that, ironically, “the sequel” discussion comes too late. In fact, this was my reaction too on finding in the final chapter an extended reading of Octavia Butler’s unfinished Parable trilogy. Chronologically this is among the earliest among the texts discussed, and an undoubted game-changer in the history of women’s speculative writing. It feels like this discussion could have as easily come at the beginning of the book as at the end—and by treating it as a kind of ur-text for our time, we might indeed have a stronger sense of the feminist literary genealogy that Watkins’s book would provocatively lay out for us. This is no hysterical realism—but rather a development of a specifically feminist mode of realism that Watkins so carefully and provocatively traces for us.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":"381 1","pages":"593 - 596"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80680000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dark Words: Blackness in Pale Fire","authors":"W. Pritchard","doi":"10.1353/mfs.2022.0041","DOIUrl":"https://doi.org/10.1353/mfs.2022.0041","url":null,"abstract":"Abstract:This essay considers the complicated racial dynamics of Vladimir Nabokov's Pale Fire (1962). In particular, it focuses on Charles Kinbote's young Black gardener and John Shade's childhood clockwork toy. In what ways does race matter to Pale Fire? To what extent is Nabokov critical of—or susceptible to—American racism? I argue that Nabokov shows considerable ambivalence in his depiction of African Americans and that the novel is helpfully illuminated by our noticing how it deploys what Toni Morrison calls, in her book Playing in the Dark, \"a real or fabricated Africanist presence.\"","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":"116 1","pages":"460 - 481"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89325150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"The Circle Stands before You\": Reincarnation and Traumatic Memory in Phyllis Alesia Perry's Stigmata","authors":"Stella Setka","doi":"10.1353/mfs.2022.0026","DOIUrl":"https://doi.org/10.1353/mfs.2022.0026","url":null,"abstract":"Abstract:This essay examines Phyllis Alexia Perry's Stigmata, a neo-slave narrative in which the Yoruba concept of matrilineal reincarnation, or yetunde, serves as an interface between the slave past and postslavery African American identity. Specifically, the novel adapts the Yoruba notion of yetunde to frame the corporeal and emotional connection that the protagonist, Lizzie, shares with her female ancestors. Drawing on decolonized trauma theory, this essay shows how Perry's novel not only rejects the primacy of Western ontologies but also insists that a reappraisal of the traumatic history of enslavement be evaluated from a postcolonial perspective.","PeriodicalId":45576,"journal":{"name":"MFS-Modern Fiction Studies","volume":"88 1","pages":"482 - 505"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73631046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}