发布求助
文献互助 智能选刊 最新文献

FILM QUARTERLY最新文献

筛选
英文 中文
Review: How Do We Look? Resisting Visual Biopolitics, by Fatimah Tobing Rony 回顾:我们看起来如何?《抵制视觉生物政治》，法蒂玛·托宾·罗尼著
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.75.3.97
Maggie Roberts
{"title":"Review: How Do We Look? Resisting Visual Biopolitics, by Fatimah Tobing Rony","authors":"Maggie Roberts","doi":"10.1525/fq.2022.75.3.97","DOIUrl":"https://doi.org/10.1525/fq.2022.75.3.97","url":null,"abstract":"","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67058966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Review: Relaying Cinema in Midcentury Iran: Material Cultures in Transit, by Kaveh Askari 回顾:中世纪伊朗的电影转播:物质文化的变迁，Kaveh Askari著
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.76.1.104
Babak Tabarraee
{"title":"Review: Relaying Cinema in Midcentury Iran: Material Cultures in Transit, by Kaveh Askari","authors":"Babak Tabarraee","doi":"10.1525/fq.2022.76.1.104","DOIUrl":"https://doi.org/10.1525/fq.2022.76.1.104","url":null,"abstract":"","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67059045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Taylor Sheridan Is Sorry but His Characters Are Not 泰勒·谢里丹很抱歉，但他的角色不会
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.76.2.78
R. Wanzo
{"title":"Taylor Sheridan Is Sorry but His Characters Are Not","authors":"R. Wanzo","doi":"10.1525/fq.2022.76.2.78","DOIUrl":"https://doi.org/10.1525/fq.2022.76.2.78","url":null,"abstract":"FQ columnist Rebecca Wanzo examines the complex and contradictory politics of Taylor Sheridan’s Westerns, focusing on the popular Paramount+ series Yellowstone. While often described as “red-state television”—referring to both its location and the presumed audience demographics—Yellowstone has conservative diegetic logic at the same time as it depicts white supremacists as antagonists and critiques racial profiling. Yellowstone’s “messiness” suggests to Wanzo that it may be time to acknowledge that there are some contexts in which the category of “conservative” may not do analytical justice to the complicated ways in which pleasure, genre history, and politics work.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67059953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Identity Remakes in and out of Time 身份在时间里和时间外都在重塑
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.75.3.71
R. Wanzo
{"title":"Identity Remakes in and out of Time","authors":"R. Wanzo","doi":"10.1525/fq.2022.75.3.71","DOIUrl":"https://doi.org/10.1525/fq.2022.75.3.71","url":null,"abstract":"Film Quarterly columnist Rebecca Wanzo reads Hagai Levi’s remake of Ingmar Bergman’s Scenes from a Marriage as a case study for ongoing debates about remakes. Noting the particular scorn a remake can be subject to when racial or gender identities are changed or updated, she suggests that Levi’s Scenes is a feminist update that also illustrates how genre can get in the way of more progressive renderings of gender roles, revealing instead the intransigence of heteronormative gender performance.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67058494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review: The Japanese Cinema Book, edited by Hideaki Fujiki and Alastair Phillips; Routledge Handbook of Japanese Cinema, edited by Joanne Bernardi and Shota T. Ogawa; A Companion to Japanese Cinema, edited by David Desser 书评:《日本电影书》，藤木秀明和阿拉斯泰尔·菲利普斯主编;《劳特利奇日本电影手册》，由乔安妮·贝尔纳迪和小川修太编辑;《日本电影伴侣》，大卫·德瑟编辑
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.75.3.89
Markus Nornes
{"title":"Review: The Japanese Cinema Book, edited by Hideaki Fujiki and Alastair Phillips; Routledge Handbook of Japanese Cinema, edited by Joanne Bernardi and Shota T. Ogawa; A Companion to Japanese Cinema, edited by David Desser","authors":"Markus Nornes","doi":"10.1525/fq.2022.75.3.89","DOIUrl":"https://doi.org/10.1525/fq.2022.75.3.89","url":null,"abstract":"","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67058295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Diversity Hire to Diverse Critic 从多元化招聘到多元化批评
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.75.3.66
Bilal Qureshi
{"title":"From Diversity Hire to Diverse Critic","authors":"Bilal Qureshi","doi":"10.1525/fq.2022.75.3.66","DOIUrl":"https://doi.org/10.1525/fq.2022.75.3.66","url":null,"abstract":"FQ columnist Bilal Qureshi reflects upon his own career as a film critic of color in light of America’s current culture wars surrounding issues of race, representation, wokeness, and white privilege. Noting that the backlash to diversification has coalesced in the form of opposition to a hollowed-out conception of Critical Race Theory, Qureshi suggests an ancillary development within mainstream journalism that he calls Critical Representation Theory: the uplift of the minority critic as a representational course correction. He argues that Critical Representation Theory means that critics of color are pigeonholed by identity in terms of the films they are assigned and likewise restricts their responses through the narrow lens of race. Using the examples of Eternals (Chloé Zhao, 2021) and Dune (Denis Villeneuve, 2021)—two recent blockbusters notable for their diverse casting, or lack thereof—Qureshi argues for a critical practice removed from political and representational imperatives.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67058368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Colombia Enchanted in Memoria and Encanto 哥伦比亚陶醉于记忆和即兴演奏
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.75.4.64
Manuel Betancourt
{"title":"Colombia Enchanted in Memoria and Encanto","authors":"Manuel Betancourt","doi":"10.1525/fq.2022.75.4.64","DOIUrl":"https://doi.org/10.1525/fq.2022.75.4.64","url":null,"abstract":"FQ columnist Manuel Betancourt uses the odd couple pairing of Thai auteur Apichatpong Weerasethakul’s Memoria (2021) and Walt Disney Animation Studios’ Encanto (Jared Bush and Byron Howard, 2021) to examine the cinematic representation of his home country of Colombia. Noting that his childhood cinephilia was nurtured by the foreign productions that dominated theaters, he observes that in the past few decades, bold new Colombian filmmakers have brought to the screen more varied visions of Colombia. Now with Memoria, a foreign filmmaker mines the country’s contradictions and, through his alienated and disoriented protagonist, invites viewers to embrace the unfamiliar in the world. In contrast, Encanto aches to create a kinship with Colombia by commodifying Colombian culture for mass consumption.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67058896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sundance 2022 2022年圣丹斯电影节
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.75.4.77
B. Rich
{"title":"Sundance 2022","authors":"B. Rich","doi":"10.1525/fq.2022.75.4.77","DOIUrl":"https://doi.org/10.1525/fq.2022.75.4.77","url":null,"abstract":"Film Quarterly editor-in-chief B. Ruby Rich offers her reflections on attending her second virtual Sundance Film Festival. Rich’s disappointment at the festival’s last-minute decision to shift to a virtual format soon gave way to the familiar aura of film festival excitement: the thrill of just-hatched movies, some of which spoke to the present moment in pulse-racing fashion.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67058934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review: Italian Neorealism: A Cultural History, by Charles L. Leavitt IV 《意大利新现实主义:一部文化史》，查尔斯·莱维特四世著
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.75.4.92
D. Forgacs
{"title":"Review: Italian Neorealism: A Cultural History, by Charles L. Leavitt IV","authors":"D. Forgacs","doi":"10.1525/fq.2022.75.4.92","DOIUrl":"https://doi.org/10.1525/fq.2022.75.4.92","url":null,"abstract":"","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67058984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Night of Knowing Nothing 一个一无所知的夜晚
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.76.1.11
Debashree Mukherjee
{"title":"A Night of Knowing Nothing","authors":"Debashree Mukherjee","doi":"10.1525/fq.2022.76.1.11","DOIUrl":"https://doi.org/10.1525/fq.2022.76.1.11","url":null,"abstract":"Payal Kapadia’s feature debut, A Night of Knowing Nothing (2021), is at once a political chronicle of contemporary India, an ode to the intimate struggles of love, and a love letter to cinema. Winner of the Best Documentary award at Cannes, the film radically blurs the lines between fiction and documentary by using an epistolary narrative structure interspersed with multiple genres of staged and documentary footage, animation, news reportage, and home movies. In its promiscuous crossing of genre-boundaries and its critical citational ethics, A Night of Knowing Nothing does more than simply mobilize archive effects: it collates its own archive of loss and longing, resistance and repair.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67059113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信