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At the Edges of Sleep 在睡眠的边缘
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.76.2.109
Bruno Guaraná
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引用次数: 1
Thessaloniki 塞萨洛尼基
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.76.1.79
Ana Grgić, Antonis Lagarias
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引用次数: 0
Review: Women’s Voices in Digital Media: The Sonic Screen from Film to Memes, by Jennifer O’Meara 评论:数字媒体中的女性声音:从电影到表情包的声音屏幕，詹妮弗·奥米拉著
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.76.2.123
Milena Droumeva
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引用次数: 0
The Radio of Cinema 电影的广播
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.75.4.73
Bilal Qureshi
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引用次数: 0
Toward a Nonfiction Cinema of Audience Accountability 面向观众问责的非虚构电影
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.75.3.76
Manuel Betancourt
{"title":"Toward a Nonfiction Cinema of Audience Accountability","authors":"Manuel Betancourt","doi":"10.1525/fq.2022.75.3.76","DOIUrl":"https://doi.org/10.1525/fq.2022.75.3.76","url":null,"abstract":"FQ columnist Manuel Betancourt muses on the difference between responsibility and accountability in the context of nonfiction cinema’s impulse towards and history of speaking up and back to power. In keeping with his preference for poetic nonfiction over traditional documentary, he considers recent Latin American documentaries that fight against narrative rules in order ask more of their audience. He suggests that filmmakers such as Jonathan Perel, whose Corporate Accountability (2021) he discusses at length, extend this notion of accountability not only to their subjects but to their audience through untraditional approaches that force viewers to sit with their discomfort and actively engage with the images before them.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67058557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review: Documentary’s Expanded Fields: New Media and the Twenty-First-Century Documentary, by Jihoon Kim 评论:纪录片的扩展领域:新媒体与21世纪纪录片，金继勋
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.76.1.111
Nora Stone
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引用次数: 0
TV Snapshots 电视快照
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.76.1.93
Bruno Guaraná
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引用次数: 0
Review: Refugees and Migrants in Contemporary Film, Art and Media, edited by Deniz Bayrakdar and Robert Burgoyne 《评论:当代电影、艺术和媒体中的难民和移民》，德尼兹·拜拉克达尔和罗伯特·伯戈因主编
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.76.2.117
Hannah Hussamy
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引用次数: 0
The Effect of the Real 真实的影响
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.76.1.54
Alisa Lebow
{"title":"The Effect of the Real","authors":"Alisa Lebow","doi":"10.1525/fq.2022.76.1.54","DOIUrl":"https://doi.org/10.1525/fq.2022.76.1.54","url":null,"abstract":"On the occasion of his recent essay film Mariner of the Mountains, the queer Brazilian director Karim Aïnouz reflected upon his career in a wide-ranging conversation with FQ contributing editor Alisa Lebow. Spanning themes from Aïnouz’s insider/outsider status as a gay Brazilian with a foreign name to his reputation as a consummate director of “women’s films,” the interview presents a comprehensive overview of Aïnouz’s oeuvre: from his first feature film Madame Satã to his first English-language film Firebrand, about the life of Henry VIII’s last wife Catherine Parr, currently in production.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67059487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Review: Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art, by Nicole Erin Morse 书评:《自拍美学:在自我表现艺术中看到跨性别女权主义者的未来》，作者:妮可·艾琳·莫尔斯
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2022-01-01 DOI: 10.1525/fq.2022.76.2.121
Francesca Romeo
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引用次数: 0
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