Sundance 2022

IF 0.6 3区艺术学 0 FILM, RADIO, TELEVISION

FILM QUARTERLY Pub Date : 2022-01-01 DOI:10.1525/fq.2022.75.4.77

B. Rich

引用次数: 0

Abstract

Film Quarterly editor-in-chief B. Ruby Rich offers her reflections on attending her second virtual Sundance Film Festival. Rich’s disappointment at the festival’s last-minute decision to shift to a virtual format soon gave way to the familiar aura of film festival excitement: the thrill of just-hatched movies, some of which spoke to the present moment in pulse-racing fashion.

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2022年圣丹斯电影节

《电影季刊》主编B.鲁比·里奇提供了她参加第二次虚拟圣丹斯电影节的感想。里奇对电影节在最后一刻决定采用虚拟形式感到失望，但很快就被熟悉的电影节兴奋气氛所取代:刚刚孵化的电影带来的兴奋感，其中一些电影以令人心跳加速的方式反映了当下。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

FILM QUARTERLY FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

40.00%

发文量

期刊介绍： Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.