Renaissance Studies最新文献_第5页

Looking up music in two ‘encyclopedias’ printed in 1501 在1501年出版的两部百科全书中查找音乐

3区历史学

Renaissance Studies Pub Date : 2023-10-17 DOI: 10.1111/rest.12915

Tim Shephard, Charlotte Hancock

引用次数: 0

“[A]ltered that a litle which before I had written”: how Margaret Hoby wrote and rewrote her manuscript “我写之前写过的那一点”:玛格丽特·霍比是如何写和重写她的手稿的

3区历史学

Renaissance Studies Pub Date : 2023-10-16 DOI: 10.1111/rest.12910

Juan Pedro Lamata

引用次数: 0

Musicianship and the masteries of the stars: music and musicians in the Liber Nativitatum 音乐修养和对明星的掌握:《出生自由》中的音乐和音乐家

3区历史学

Renaissance Studies Pub Date : 2023-10-13 DOI: 10.1111/rest.12912

Oliver Doyle

引用次数: 0

Reading for musical knowledge in early sixteenth‐century Italy: Introduction 阅读16世纪早期意大利的音乐知识:导论

3区历史学

Renaissance Studies Pub Date : 2023-10-11 DOI: 10.1111/rest.12911

Tim Shephard, Laura Ștefănescu, Oliver Doyle, Ciara O'Flaherty

{"title":"Reading for musical knowledge in early sixteenth‐century Italy: Introduction","authors":"Tim Shephard, Laura Ștefănescu, Oliver Doyle, Ciara O'Flaherty","doi":"10.1111/rest.12911","DOIUrl":"https://doi.org/10.1111/rest.12911","url":null,"abstract":"Abstract The essays included here present case studies prepared within the project ‘Sounding the Bookshelf 1501: Music in a Year of Italian Printed Books’, funded by the Leverhulme Trust and hosted at the University of Sheffield. The project asks a simple question: standing in a Venetian bookshop towards the end of the year 1501, what information about music might you encounter as you browse the new printed titles available for purchase? Very few of the books printed in Italy in 1501 were ‘about’ music, but almost all of them mention music in passing, and sometimes at length, whilst discussing something else. These kinds of casual, fragmentary comments on music were surely read by many more people than specialist music theory, the audience for which was probably quite small. To recover these comments, and characterise the contradictory and incoherent field of everyday musical knowledge they comprise, we are reading every book printed in Italy in 1501 cover‐to‐cover, excerpting every passage mentioning music, sound or hearing. The final product of our project—a co‐authored book, yet to be written—will present our findings in synoptic fashion. The essays presented here take a different approach, offering detailed case‐studies on particular books within our 1501 corpus.","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136063325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

‘After the fashion of Italy’: Richard Brome and Italian culture “追随意大利时尚”:理查德·布罗姆与意大利文化

3区历史学

Renaissance Studies Pub Date : 2023-10-02 DOI: 10.1111/rest.12909

Cristina Paravano

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‘Materie piacevolissime da leggere e utili da essequire’: the introductory letters in Leonardo Fioravanti's Capricci medicinali 列奥纳多·菲奥拉万蒂的引言信

3区历史学

Renaissance Studies Pub Date : 2023-09-17 DOI: 10.1111/rest.12902

Teodoro Katinis

{"title":"‘Materie piacevolissime da leggere e utili da essequire’: the introductory letters in Leonardo Fioravanti's <i>Capricci medicinali</i>","authors":"Teodoro Katinis","doi":"10.1111/rest.12902","DOIUrl":"https://doi.org/10.1111/rest.12902","url":null,"abstract":"Abstract This contribution examines the changes in the type and sequence of paratexts at the beginning of Leonardo Fioravanti’s Capricci medicinali from the first edition (1561) to the 1680 edition. The aim of this paper is to study the building of a selfimage and promotion of Fioravanti and his medicine via the paratextual letters. This was the first and most published of Fioravanti’s works which spread in Venice, one of the most vital book markets of sixteenth‐century Europe, and attracted the attention of publishers and public. After a description of the different paratextual elements, this contribution briefly focuses on two specific texts, i.e., Dionigi Atanagi’s letter in praise of Fioravanti as an ideal physician and writer of medical matter, and Fioravanti's Ragionamento . Self‐care and self‐fashioning serve each other and collaborate to draw as much attention as possible on the Capricci but also on its author and even on Atanagi, a most popular polygraph at that time, as an ideal reader of the work. The parallel narration of those two texts creates a fruitful echo effect that amplifies the results and possibly contributed to the success of the Capricci medicinali .","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135258413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

‘L'arte in prattica’: Reconstructing Orazio Toscanella's language ideology “实践中的艺术”:重构托斯卡纳拉的语言意识形态

3区历史学

Renaissance Studies Pub Date : 2023-09-12 DOI: 10.1111/rest.12897

Claudia Crocco, Eleonora Serra

{"title":"‘L'arte in prattica’: Reconstructing Orazio Toscanella's language ideology","authors":"Claudia Crocco, Eleonora Serra","doi":"10.1111/rest.12897","DOIUrl":"https://doi.org/10.1111/rest.12897","url":null,"abstract":"Abstract This paper examines the dynamics which led to the formation of Italian by reconstructing the language ideology of the teacher and polygraph Orazio Toscanella, i.e. one of those cultural mediators who, in the sixteenth‐century Venetian printing market, were actively involved in the promotion of the vernacular. Looking for traces of Toscanella’s language ideology through a range of paratextual materials (title‐pages, prefatory letters), we reconstruct his ideas on the vernacular. These reveal an eclecticism which is not entirely coherent, but which can be understood in light of this polygraph’s pedagogical objectives, and of his pressing need to respond to the market’s requirements. By focusing on Toscanella’s translation of Vives’ Exercitatio , published in 1568 under the title Flores Italici , we then compare the ideas conveyed in the paratexts with the author’s linguistic usage in the text: we thus show that Toscanella’s eclectic ideas on language and his need to accommodate the market’s requirements also shaped the type of vernacular he proposed to his readers. This focus on Toscanella’s paratextual production allows us to investigate the way in which the ‘high’ vernacular model was re‐elaborated and disseminated to a broad audience, and the extent to which such re‐elaboration was influenced by commercial concerns.","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135885990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pelopidarum secunda: a ‘site of memory’ in the history of Elizabethan revenge tragedy 第二Pelopidarum second:伊丽莎白时代复仇悲剧历史上的“记忆之地”

3区历史学

Renaissance Studies Pub Date : 2023-09-10 DOI: 10.1111/rest.12903

Angelica Vedelago

{"title":"<i>Pelopidarum secunda</i>: a ‘site of memory’ in the history of Elizabethan revenge tragedy","authors":"Angelica Vedelago","doi":"10.1111/rest.12903","DOIUrl":"https://doi.org/10.1111/rest.12903","url":null,"abstract":"Abstract Pelopidarum secunda is an understudied anonymous English adaptation of Seneca's Agamemnon and Sophocles' Electra . The play is preserved only in manuscript and was probably performed at Winchester College around 1590. Through a combination of Marvin Carlson's notions of ‘ghosting’ and of the ‘site of memory’ with a neo‐historicist approach, the article offers a close analysis of this neglected school play from an intertextual, performative, and extratextual perspective. The analysis shows that the play is haunted by memories of its classical sources and of other performance contexts, including the church, and contains potential allusions to contemporary royal figures. In so doing, I argue that Pelopidarum secunda showcases the role of classical models in the history of Elizabethan revenge tragedy. By conjuring up memorable sources—Sophocles and Seneca—and events—past performances and executions—the unknown playwright(s) had the ambition to make Pelopidarum secunda equally memorable. Although this attempt has evidently failed given the obscurity into which the play has fallen so far, Pelopidarum secunda deserves a place in the archival memory of classical reception as well as further scholarly attention within early modern English drama studies.","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136072238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Gazing at the Venetian hub from a paratextual lens: An introduction 从平行文本的角度看威尼斯中心:介绍

IF 0.2 3区历史学

Renaissance Studies Pub Date : 2023-09-04 DOI: 10.1111/rest.12891

Claudia Crocco, Teodoro Katinis

引用次数: 0

SimonJackson, George Herbert and Early Modern Musical Culture. Cambridge: Cambridge University Press, 2023. xvi + 266 pp. £75.00. ISBN 978‐1‐009‐09806‐9 (hb). 西蒙·杰克逊、乔治·赫伯特与早期现代音乐文化。剑桥:剑桥大学出版社，2023。xvi + 266页。£75.00。ISBN 978‐1‐009‐09806‐9 (hb)。

IF 0.2 3区历史学

Renaissance Studies Pub Date : 2023-09-04 DOI: 10.1111/rest.12906

Thomas Ward

引用次数: 0