Renaissance Studies最新文献_第10页

Aretino Jesuited: an English Translation of the Sette Salmi in Seventeenth‐Century Douai 阿雷蒂诺耶稣会:17世纪杜埃塞特萨尔米的英译

IF 0.2 3区历史学

Renaissance Studies Pub Date : 2023-02-08 DOI: 10.1111/rest.12855

Andrew S. Keener

{"title":"Aretino Jesuited: an English Translation of the Sette Salmi in Seventeenth‐Century Douai","authors":"Andrew S. Keener","doi":"10.1111/rest.12855","DOIUrl":"https://doi.org/10.1111/rest.12855","url":null,"abstract":"This article offers the first focused analysis of John Hawkins's 1635 English rendering of Pietro Aretino's Parafrasi sopra i sette salmi della penitenza di David, situating the translation within its Catholic and translingual context. Nearly a century after Thomas Wyatt's versified treatment of the Sette Salmi, a sequence of seven Psalms framed within the narrative of a penitent King David, this prose version appeared in Douai, a city known for its English Catholic university. I analyse this translation's discursive and bibliographical elements in relation to the dynamic book trade supplying England's Catholics with religious texts, and with particular emphasis on the ways Hawkins's rendering dresses the Sette Salmi in the rhetoric of imaginative contemplation for devotional purposes. ‘Contemplate on the subiect following’, he urges in a preface to the reader; in his English treatments of the paraphrases' prologues, meanwhile, the translator embroiders the text with emphases on both ‘phantasy’ and heightened suffering. Though Hawkins never names Aretino explicitly, this translation takes part in a transnational effort to revisit the Sette Salmi and to rehabilitate an author known commonly in the Anglophone world, if not more widely in Europe, as the ‘scourge of princes’ and author of the scandalous Ragionamenti.","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88361400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Captaining Men's Souls: Richard Hakluyt's Ministerial Works. 统领人类的灵魂:理查德·哈克鲁伊特的部长作品。

IF 0.2 3区历史学

Renaissance Studies Pub Date : 2023-02-01 DOI: 10.1111/rest.12820

Emily Stevenson

{"title":"Captaining Men's Souls: Richard Hakluyt's Ministerial Works.","authors":"Emily Stevenson","doi":"10.1111/rest.12820","DOIUrl":"https://doi.org/10.1111/rest.12820","url":null,"abstract":"Richard Hakluyt, author of the major geographic compendium The Principal Navigations (1589; 1598-1600) spent much of his life in service to the English church, describing himself late in his career as 'one publikely and anciently devoted to God's service'. Despite this, his religious profession has often been viewed within scholarship as secondary to his geographic work, and the apparent absence of any explicitly religious writings has made the details of his own beliefs difficult to ascertain. This article sheds fresh light on both Hakluyt's religious beliefs and their importance to his geographic works through analysis of previously unexamined manuscript notes form the early 1580s. These notes cover a lecture focusing on the third article and a sermon exhorting the need for ministerial vocations, both given by Hakluyt while at the University of Oxford, and offer insight into his religious beliefs. The analysis offered in this article demonstrates the integral importance of religion to Hakluyt's geographic work while simultaneously locating him within a wide continental network of theologians and writers to reassess the impact and reach of his ministerial role.","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://ftp.ncbi.nlm.nih.gov/pub/pmc/oa_pdf/de/92/REST-37-92.PMC10084397.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"9294477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

JohnCreaser, Milton and the Resources of the Line. Oxford: Oxford University Press, 2022. xviii + 413pp. 103.50 GBP. ISBN 978‐0‐19‐286425‐3. 约翰·克里瑟，《弥尔顿和前线的资源》。牛津:牛津大学出版社，2022。Xviii + 413pp。103.50英镑。ISBN 978量0还是19 286425量。

IF 0.2 3区历史学

Renaissance Studies Pub Date : 2023-01-29 DOI: 10.1111/rest.12854

T. Corns

引用次数: 0

Jyotsna Singh, A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500–1700, 2nd Edition. Oxford: Wiley Blackwell, 2021. 528 pp. £150.00. ISBN 978‐1‐119‐62626‐8 (hb).

IF 0.2 3区历史学

Renaissance Studies Pub Date : 2023-01-11 DOI: 10.1111/rest.12851

Lubaaba Al‐Azami

引用次数: 0

Peasants and Proverbs: Pieter Brueghel the Younger as Moralist and Entrepreneur (Birmingham, Barber Institute of Fine Arts), 21 October 2022–22 January 2023. Catalogue edited by Robert Wenley, Peasants and Proverbs: Pieter Brueghel the Younger as Moralist and Entrepreneur. Paul Holberton Publishing, 2022. 108pp 77ill. £17.50. ISBN 978‐1‐913645‐39‐7. 农民和谚语:年轻的彼得·勃鲁盖尔作为道德家和企业家(伯明翰，巴伯美术学院)，2022年10月21日至2023年1月22日。罗伯特·温利编辑的目录，《农民与箴言:年轻的彼得·勃鲁盖尔作为道德家和企业家》。保罗·霍尔伯顿出版社，2022年。108页77。£17.50。ISBN 978还是913645量量39 7。

3区历史学

Renaissance Studies Pub Date : 2023-01-09 DOI: 10.1111/rest.12849

Sara Ayres

{"title":"Peasants and Proverbs: Pieter Brueghel the Younger as Moralist and Entrepreneur (Birmingham, Barber Institute of Fine Arts), 21 October 2022–22 January 2023. Catalogue edited by Robert Wenley, Peasants and Proverbs: Pieter Brueghel the Younger as Moralist and Entrepreneur. Paul Holberton Publishing, 2022. 108pp 77ill. £17.50. ISBN 978‐1‐913645‐39‐7.","authors":"Sara Ayres","doi":"10.1111/rest.12849","DOIUrl":"https://doi.org/10.1111/rest.12849","url":null,"abstract":"Renaissance StudiesVolume 37, Issue 3 p. 455-461 Review of Exhibitions Peasants and Proverbs: Pieter Brueghel the Younger as Moralist and Entrepreneur (Birmingham, Barber Institute of Fine Arts), 21 October 2022–22 January 2023. Catalogue edited by Robert Wenley, Peasants and Proverbs: Pieter Brueghel the Younger as Moralist and Entrepreneur. Paul Holberton Publishing, 2022. 108pp 77ill. £17.50. ISBN 978-1-913645-39-7. Sara Ayres, Corresponding Author Sara Ayres [email protected] University of CopenhagenSearch for more papers by this author Sara Ayres, Corresponding Author Sara Ayres [email protected] University of CopenhagenSearch for more papers by this author First published: 09 January 2023 https://doi.org/10.1111/rest.12849 [Correction added on 30 January 2023, after first online publication: A duplicate sentence in the second paragraph of the article has been corrected for clarity.] Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Volume37, Issue3June 2023Pages 455-461 RelatedInformation","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135061997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Renaissance pleasure, revisited 文艺复兴时期的乐趣，重新审视

IF 0.2 3区历史学

Renaissance Studies Pub Date : 2023-01-02 DOI: 10.1111/rest.12850

John S. Garrison

引用次数: 0

Languages, Latin, and the Jacobean Secretariat: William Fowler's Letters in Florence and Venice 《语言、拉丁语和詹姆士一世秘书处:威廉·福勒在佛罗伦萨和威尼斯的信件》

IF 0.2 3区历史学

Renaissance Studies Pub Date : 2022-12-22 DOI: 10.1111/rest.12848

Allison L. Steenson

引用次数: 0

Material Metaphors for Literary Form: Robert Burton's ‘Perused’ Copy of Theatrum Urbium Italicarum (1599) 文学形式的物质隐喻:罗伯特·伯顿的《意大利城市剧院》(1599)

IF 0.2 3区历史学

Renaissance Studies Pub Date : 2022-12-18 DOI: 10.1111/rest.12847

F. Allott

引用次数: 0

Songbirds and Social Distinction in Seventeenth‐Century England 17世纪英国的鸣禽与社会区分

IF 0.2 3区历史学

Renaissance Studies Pub Date : 2022-12-18 DOI: 10.1111/rest.12845

D. Frost

{"title":"Songbirds and Social Distinction in Seventeenth‐Century England","authors":"D. Frost","doi":"10.1111/rest.12845","DOIUrl":"https://doi.org/10.1111/rest.12845","url":null,"abstract":"This article investigates the nuanced relationship between songbirds and social dynamics in early modern England. It demonstrates how a rhetorical discourse of social distinction was created by printed bird‐training manuals. This discourse was necessary because the same species of songbird existed across the social spectrum. For native songbirds, therefore, their inherent value, and the status they conferred upon their owners, was determined more by their skill and training than by their particular species. Printed manuals explained how songbirds could be raised to surpass the limitations of nature through learning the song of another species, learning musical phrases and by being taught to sing in the winter rather than the summer. Analysing printed literature, probate inventories and household accounts, this article demonstrates that the practice of songbird‐keeping was widely affordable. This can then be contrasted to the ‘gentlemanly’ model of bird‐keeping outlined by printed manuals, which emphasise the need for investment into the birds to cause them to surpass the limitations of nature. The authority of this ‘gentlemanly’ model was used to cast judgment upon those who did not follow the manuals' guidance, highlighting the fact that a songbird's true value lay in its abilities rather than its species.","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84671355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Donatello. Il Rinascimento (Florence, Palazzo Strozzi and Museo Nazionale del Bargello, 19 March–31 July 2022). Catalogue Donatello. Il Rinascimento ed. Francesco Caglioti. Venice: Marsilio Arte. 456 pp. €72. ISBN 979‐12‐5463‐005‐1 Donatello。文艺复兴(佛罗伦萨、斯特罗齐宫和巴杰罗国家博物馆，3月19日至7月31日)。Donatello目录。文艺复兴时期，弗朗西斯科·卡利奥提。威尼斯艺术公司。‐12 9.79‐en 5463‐005‐1

IF 0.2 3区历史学

Renaissance Studies Pub Date : 2022-12-14 DOI: 10.1111/rest.12842

Amy Bloch

{"title":"Donatello. Il Rinascimento (Florence, Palazzo Strozzi and Museo Nazionale del Bargello, 19 March–31 July 2022). Catalogue Donatello. Il Rinascimento ed. Francesco Caglioti. Venice: Marsilio Arte. 456 pp. €72. ISBN 979‐12‐5463‐005‐1","authors":"Amy Bloch","doi":"10.1111/rest.12842","DOIUrl":"https://doi.org/10.1111/rest.12842","url":null,"abstract":"It is difficult to consider the resplendent display of Donatello’s sculpture under review here as a single exhibition. Of the approximately 130 artworks included, around fifty are by or attributed to Donatello; a number of these were made in partnership with the sculptorarchitect Michelozzo and many with workshop assistance. Divided between two venues, this seemed the equivalent of three exhibitions. Eleven rooms at the Palazzo Strozzi presented a chronological survey of the sculptor’s career and influence in the fifteenth century. A second section, in the Bargello’s cavernous Salone di Donatello, focused on several statues, including his bronze David, the Orsanmichele St. George with its tabernacle niche and schiacciato relief, and the Marzocco, the lion he carved in sandstone (macigno). And artworks in two groundfloor rooms at the Bargello explored his influence in the later fifteenth, sixteenth, and seventeenth centuries. The exhibition expanded, potentially, even beyond these sites, as signage encouraged visitors to explore other cultural institutions in Florence and outside the city in Tuscany where additional examples of Donatello’s art can be found – or where sculptures included in the exhibition usually reside. Before 2022, comprehensive museum exhibitions featured Donatello’s art twice: in 1887, on the fifth centenary of his birth, and in 1985– 6, when an exhibition staged in three cities marked the sixth centenary. 2022 is not the anniversary of his birth or death or of the completion of a major sculpture (or so we think; missing","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80369995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0