Renaissance Studies最新文献

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Languages, Latin, and the Jacobean Secretariat: William Fowler's Letters in Florence and Venice 《语言、拉丁语和詹姆士一世秘书处:威廉·福勒在佛罗伦萨和威尼斯的信件》
IF 0.2 3区 历史学
Renaissance Studies Pub Date : 2022-12-22 DOI: 10.1111/rest.12848
Allison L. Steenson
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引用次数: 0
Material Metaphors for Literary Form: Robert Burton's ‘Perused’ Copy of Theatrum Urbium Italicarum (1599) 文学形式的物质隐喻:罗伯特·伯顿的《意大利城市剧院》(1599)
IF 0.2 3区 历史学
Renaissance Studies Pub Date : 2022-12-18 DOI: 10.1111/rest.12847
F. Allott
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引用次数: 0
Songbirds and Social Distinction in Seventeenth‐Century England 17世纪英国的鸣禽与社会区分
IF 0.2 3区 历史学
Renaissance Studies Pub Date : 2022-12-18 DOI: 10.1111/rest.12845
D. Frost
{"title":"Songbirds and Social Distinction in Seventeenth‐Century England","authors":"D. Frost","doi":"10.1111/rest.12845","DOIUrl":"https://doi.org/10.1111/rest.12845","url":null,"abstract":"This article investigates the nuanced relationship between songbirds and social dynamics in early modern England. It demonstrates how a rhetorical discourse of social distinction was created by printed bird‐training manuals. This discourse was necessary because the same species of songbird existed across the social spectrum. For native songbirds, therefore, their inherent value, and the status they conferred upon their owners, was determined more by their skill and training than by their particular species. Printed manuals explained how songbirds could be raised to surpass the limitations of nature through learning the song of another species, learning musical phrases and by being taught to sing in the winter rather than the summer. Analysing printed literature, probate inventories and household accounts, this article demonstrates that the practice of songbird‐keeping was widely affordable. This can then be contrasted to the ‘gentlemanly’ model of bird‐keeping outlined by printed manuals, which emphasise the need for investment into the birds to cause them to surpass the limitations of nature. The authority of this ‘gentlemanly’ model was used to cast judgment upon those who did not follow the manuals' guidance, highlighting the fact that a songbird's true value lay in its abilities rather than its species.","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"65 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84671355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Donatello. Il Rinascimento (Florence, Palazzo Strozzi and Museo Nazionale del Bargello, 19 March–31 July 2022). Catalogue Donatello. Il Rinascimento ed. Francesco Caglioti. Venice: Marsilio Arte. 456 pp. €72. ISBN 979‐12‐5463‐005‐1 Donatello。文艺复兴(佛罗伦萨、斯特罗齐宫和巴杰罗国家博物馆,3月19日至7月31日)。Donatello目录。文艺复兴时期,弗朗西斯科·卡利奥提。威尼斯艺术公司。‐12 9.79‐en 5463‐005‐1
IF 0.2 3区 历史学
Renaissance Studies Pub Date : 2022-12-14 DOI: 10.1111/rest.12842
Amy Bloch
{"title":"Donatello. Il Rinascimento (Florence, Palazzo Strozzi and Museo Nazionale del Bargello, 19 March–31 July 2022). Catalogue Donatello. Il Rinascimento ed. Francesco Caglioti. Venice: Marsilio Arte. 456 pp. €72. ISBN 979‐12‐5463‐005‐1","authors":"Amy Bloch","doi":"10.1111/rest.12842","DOIUrl":"https://doi.org/10.1111/rest.12842","url":null,"abstract":"It is difficult to consider the resplendent display of Donatello’s sculpture under review here as a single exhibition. Of the approximately 130 artworks included, around fifty are by or attributed to Donatello; a number of these were made in partnership with the sculptorarchitect Michelozzo and many with workshop assistance. Divided between two venues, this seemed the equivalent of three exhibitions. Eleven rooms at the Palazzo Strozzi presented a chronological survey of the sculptor’s career and influence in the fifteenth century. A second section, in the Bargello’s cavernous Salone di Donatello, focused on several statues, including his bronze David, the Orsanmichele St. George with its tabernacle niche and schiacciato relief, and the Marzocco, the lion he carved in sandstone (macigno). And artworks in two groundfloor rooms at the Bargello explored his influence in the later fifteenth, sixteenth, and seventeenth centuries. The exhibition expanded, potentially, even beyond these sites, as signage encouraged visitors to explore other cultural institutions in Florence and outside the city in Tuscany where additional examples of Donatello’s art can be found – or where sculptures included in the exhibition usually reside. Before 2022, comprehensive museum exhibitions featured Donatello’s art twice: in 1887, on the fifth centenary of his birth, and in 1985– 6, when an exhibition staged in three cities marked the sixth centenary. 2022 is not the anniversary of his birth or death or of the completion of a major sculpture (or so we think; missing","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"116 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80369995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Not as a Poet, but a Pioner’: Fancy and the Colonial Gaze in William Davenant's Madagascar (1638) “不是作为诗人,而是作为先驱者”:威廉·达文南的《马达加斯加》(1638)中的幻想与殖民凝视
IF 0.2 3区 历史学
Renaissance Studies Pub Date : 2022-11-27 DOI: 10.1111/rest.12835
Lauren Working
{"title":"‘Not as a Poet, but a Pioner’: Fancy and the Colonial Gaze in William Davenant's Madagascar (1638)","authors":"Lauren Working","doi":"10.1111/rest.12835","DOIUrl":"https://doi.org/10.1111/rest.12835","url":null,"abstract":"In the late 1630s, the court poet William Davenant applied his literary energies to Madagascar, an island off the eastern coast of Africa: ‘Thus in a dreame, I did adventure out…/Betweene the Southern Tropick and the Line’. While previous scholarship has highlighted the poem's ambiguous attitude towards empire, focusing on the rising interest in global travel and eastern diplomacy at Charles I's court, this article revisits the poem's genre and social context by focusing on its specific engagement with colonization. In doing so, it establishes Madagascar as an important example of how cavalier poets helped shape the aesthetics of early Stuart colonialism at court. The use of fancy – explored here through poetic style and wit sociability, female colonial networks at Henrietta Maria's court, and real and imagined objects, including Malagasy artefacts – becomes key to reconciling the seeming incongruities between the poem's lover‐conquerors and the colonial aspirations that underpinned the project.","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"16 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75447723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Venetian Secretary's Expertise. Marcantonio Donini and his Three Dialogues… on the Ottoman Empire and ‘Turkish’ Affairs 一个威尼斯秘书的专长。马尔坎托尼奥·多尼尼和他的《关于奥斯曼帝国和“土耳其”事务的三次对话
IF 0.2 3区 历史学
Renaissance Studies Pub Date : 2022-11-21 DOI: 10.1111/rest.12843
Piotr Chmiel
{"title":"A Venetian Secretary's Expertise. Marcantonio Donini and his Three Dialogues… on the Ottoman Empire and ‘Turkish’ Affairs","authors":"Piotr Chmiel","doi":"10.1111/rest.12843","DOIUrl":"https://doi.org/10.1111/rest.12843","url":null,"abstract":"This article presents a text on the Ottoman Empire left by Marcantonio Donini – a career secretary with the Venetian diplomatic service, sent three times to Constantinople/Istanbul. After the death of his superior during his second stay in the Ottoman Empire, Donini was entrusted with temporarily heading the mission and with presenting the final mission report (relazione) after his return to Venice (1562). Most probably, he also wrote a much less formal text, composed of three dialogues on the Ottoman reality (signed 1591). Donini's writings attest to well‐developed rhetorical skills, manifested by the clear division of topics between the dialogues and relazione and by the ways used to present alleged Ottoman otherness. Some of the original traits in his writings are also attributable to Marcantonio's individual views and his social position as a secretary. By focusing on Donini and his dialogues, this paper aims to enrich discussion on the scope and content of texts on the Ottoman Empire produced by Venetian diplomats.","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86706808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An Unpublished Autograph Letter from Sir Philip Sidney to Carolus Clusius, 21 April 1576 1576年4月21日,菲利普·西德尼爵士给卡洛勒斯·克卢修斯的一封未发表的亲笔签名信
IF 0.2 3区 历史学
Renaissance Studies Pub Date : 2022-11-21 DOI: 10.1111/rest.12844
T. Vozar
{"title":"An Unpublished Autograph Letter from Sir Philip Sidney to Carolus Clusius, 21 April 1576","authors":"T. Vozar","doi":"10.1111/rest.12844","DOIUrl":"https://doi.org/10.1111/rest.12844","url":null,"abstract":"Only a decade ago Roger Kuin's The Correspondence of Sir Philip Sidney (2012) offered scholars for the first time a complete edition of Sidney's correspondence. Kuin modestly allowed room for new discoveries, in the hope that additional letters might be identified. This article introduces a previously unpublished autograph letter by Sidney, written in French, addressed on 21 April 1576 to Carolus Clusius or Charles de l'Écluse, an associate of Hubert Languet and a noted botanist then active in Vienna at the court of the Holy Roman Emperor Maximilian II. After briefly discussing the provenance of the manuscript I turn to its contents, situating the letter within the wider corpus of Sidney's extant correspondence, with reference to letters to and from Clusius and Languet in Kuin's edition, and analysing it within this context. The newly discovered letter, transcribed and translated in an appendix, is shown to offer important new evidence for Sidney's relationships with Clusius and Languet as well as his place in European intellectual culture more generally.","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"122 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79461141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shakespeare and his texts 莎士比亚和他的作品
IF 0.2 3区 历史学
Renaissance Studies Pub Date : 2022-11-13 DOI: 10.1111/rest.12839
Joshua R. Held
{"title":"Shakespeare and his texts","authors":"Joshua R. Held","doi":"10.1111/rest.12839","DOIUrl":"https://doi.org/10.1111/rest.12839","url":null,"abstract":"","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"8 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72699278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Falstaff on Tour: County, Town and Country in the Late Elizabethan Theatre 《福斯塔夫之旅:伊丽莎白晚期剧院中的郡、镇和乡村》
IF 0.2 3区 历史学
Renaissance Studies Pub Date : 2022-11-05 DOI: 10.1111/rest.12838
Neil Rhodes
{"title":"Falstaff on Tour: County, Town and Country in the Late Elizabethan Theatre","authors":"Neil Rhodes","doi":"10.1111/rest.12838","DOIUrl":"https://doi.org/10.1111/rest.12838","url":null,"abstract":"Why does Falstaff travel to York via Gloucestershire in Henry the Fourth, part two? And why does Shakespeare interrupt his second tetralogy of history plays to take his most famous comic character to Windsor in the Merry Wives? This article uses Falstaff's tour of England in these two plays to explore an idea of the country founded upon local identities rather than on the overarching appeal of nationhood. Drawing upon chorography and social history, it focusses on the association of people and place and offers a view of England from the ground up rather than through the more imposing structures of political narrative and symbolic form.","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"67 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74380017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MarioCasari, MonicaPreti, and MichaelWyatt, eds. Ariosto and the Arabs: Contexts for the ‘Orlando Furioso.’ I Tatti Research Series. Florence: Villa I Tatti, 2022. 468 pp. $50.00/£40.95/€45.00. ISBN: 978‐0‐674‐27879‐0 (pb).
IF 0.2 3区 历史学
Renaissance Studies Pub Date : 2022-11-04 DOI: 10.1111/rest.12841
R. Clines
{"title":"MarioCasari, MonicaPreti, and MichaelWyatt, eds. Ariosto and the Arabs: Contexts for the ‘Orlando Furioso.’ I Tatti Research Series. Florence: Villa I Tatti, 2022. 468 pp. $50.00/£40.95/€45.00. ISBN: 978‐0‐674‐27879‐0 (pb).","authors":"R. Clines","doi":"10.1111/rest.12841","DOIUrl":"https://doi.org/10.1111/rest.12841","url":null,"abstract":"","PeriodicalId":45351,"journal":{"name":"Renaissance Studies","volume":"29 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75030644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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