{"title":"“I Gats to Belong”: Decolonial Moments and the Politics of Belonging in Nollywood Campus Films","authors":"Omotola Okunlola","doi":"10.1080/13696815.2023.2237910","DOIUrl":"https://doi.org/10.1080/13696815.2023.2237910","url":null,"abstract":"ABSTRACT This article analyzes representations of the value of university education, as depicted in selected Nollywood films and television serials. I analyze Tunde Kelani’s film The Campus Queen in conversation with Funke Akindele’s television serial Jenifa’s Diary, drawing out in each of them the commentaries on higher education and its uses as well as limitations. In The Campus Queen, such moments of critique are realized through instruction-driven classroom scenes, while in Jenifa’s Diary this happens through Jenifa’s adaptation of the salon as a pedagogical space. The article also shows the lines of continuity between this representation of education and the earlier Yorùbá traveling theater's didactic intentions.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"68 1","pages":"284 - 296"},"PeriodicalIF":1.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139363558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"There Was a Campus: Nostalgia, Memory and the Formation of University of Nigeria “Campus Kids” Online Communities","authors":"L. Egbunike","doi":"10.1080/13696815.2023.2237929","DOIUrl":"https://doi.org/10.1080/13696815.2023.2237929","url":null,"abstract":"ABSTRACT The ceremonial opening of the University of Nigeria on 7 October 1960 formed part of Nigeria’s independence celebrations, linking the destiny of the institution to the nation. Seven years later, the outbreak of the Nigeria–Biafra war (1967–70) instigated a decoupling. This article reads the war as a turning point in the history of the institution, and examines the post-war dynamics on campus, arguing that the momentum many university academics invested in building Biafra was transferred into the rebuilding of the University of Nigeria. In the post-war context, community building was a central aspect of the university’s restorative project, and the experience of “campus kids”, the children of university staff growing up on campus, was shaped by the sense of kinship that was fostered between families. With a focus on campus kids from the 1980s and 1990s, this article explores the use of social media in facilitating the reconnection of campus kids online. It discusses the use of online spaces in the remapping of the past, community building and socio-economic support, and suggests that these digital communities present a contemporary online iteration of the home-town association.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"35 1","pages":"311 - 325"},"PeriodicalIF":1.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139364152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Shot-putting” and Other Dirty Secrets: Nigerian Students’ Everyday Struggles","authors":"Kolawole Charles Omotayo","doi":"10.1080/13696815.2023.2237926","DOIUrl":"https://doi.org/10.1080/13696815.2023.2237926","url":null,"abstract":"ABSTRACT Obafemi Awolowo University in Nigeria is often named as the most beautiful university in Africa. The university was established in 1961, during the early days of Nigerian independence and during a time of great optimism when the newly established universities were seen as central to the project of a modern, independent country. Yet today, this same institution has overcrowded accommodation and decaying classrooms, and the university does not provide students with the facilities they need for dignified life on campus. This article historicises this decline and argues that the absence of toilet facilities on Nigerian university campuses makes concrete the daily struggles of students trying to study and learn in very harsh conditions. Through analyses of two case studies, the article documents some of the inventive everyday practices in which students engage in the absence of adequate provision.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"36 1","pages":"326 - 332"},"PeriodicalIF":1.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139363807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Ethnography of Surrogate Speech in a Foreign Language: The Case of the Timpani Drum Language among the Dagomba of Ghana","authors":"Fusheini Angulu Hudu","doi":"10.1080/13696815.2023.2186379","DOIUrl":"https://doi.org/10.1080/13696815.2023.2186379","url":null,"abstract":"ABSTRACT This article presents a study of the timpani drum beats and the akarima drummer among the Dagomba of Ghana, using analysis of audio and video recordings of drumming sessions and interviews with the drummers. Borrowed from the Asantes in the eighteenth century, the timpani transmits limited, oft-repeated messages in Akan, a language that neither the drummer nor his Dagomba patrons understand. In spite of this, the timpani is an integral part of Dagomba culture and rituals. In addition to transmitting messages with the drum, the akarima guards the tradition and cultural heritage, and reinforces Dagomba values and cultural ethos. As a guardian of tradition, the akarima resists innovation of the practices associated with the use of the drum. As a constructor of realities, he creates knowledge and values from the praises of chiefs, imparts them to his patrons and actively moulds their lives to conform to these values. The article argues that, far from being a deficiency, the use of the drum to transmit messages in a language not comprehensible to the people contributes significantly to the success of the akarima, who functions as imparter of values to his listeners.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"35 1","pages":"187 - 200"},"PeriodicalIF":1.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43003412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Yeset Lij’s Tribute to the Praxis of Collective Mothering: Childhood in Derg’s Ethiopia","authors":"Serawit B. Debele","doi":"10.1080/13696815.2023.2186378","DOIUrl":"https://doi.org/10.1080/13696815.2023.2186378","url":null,"abstract":"ABSTRACT In this article, I deliberate on collective mothering as I knew it growing up where women raise children together. I foreground mothering as a repertoire of shared knowledge, wisdom and solidarity that opens up imaginations for transformative politics. I pay closer attention to the Amharic epithet yeset lij (child of a woman), to show the societal stereotypes around raising a child as an unwed woman. Even though this is a reflection of my own upbringing as a yeset lij, I show how different histories, institutions, structures, socio-cultural norms and global as well as local forces interact to shape the process and politics of mothering as a collective project. As much as my thinking is inspired by the women I call my mothers, my musings also rely on the works of African and African American feminist intellectuals that have shaped my articulations.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"35 1","pages":"176 - 186"},"PeriodicalIF":1.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45371011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The World around the Mother as a Gift in African Folktales and Fountain of Radical Joy","authors":"D. Dipio","doi":"10.1080/13696815.2023.2186381","DOIUrl":"https://doi.org/10.1080/13696815.2023.2186381","url":null,"abstract":"ABSTRACT In this article, I analyse selected African folktales that foreground the role of mothers in the everyday. The purpose is to appreciate the cultural logic of their representation in relation to the other characters. In the folktales, family is defined around the mother. The father is either conspicuously absent or peripheral. The mother’s self-giving and love towards the family are often radical and come with great sacrifice. Although desirable, it is not always a given that the family reciprocates her commitment. I argue that, in these African folktales, motherhood is crafted as a “gift principle” without which the family cannot survive. This representation of motherhood as “care” is archetypical, as seen in the iconography of Mother Mary in Catholicism. Why does culture endow the mother with such a radical attribute of other-centredness? Is this simply symbolic or does it cohere with the lived experiences of mothers? I draw from scholarship on feminist ethics of care and on the gift economy and motherhood. I conclude that mothers function in the folktales as humanising agents responsible for quality life in the community.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"35 1","pages":"152 - 164"},"PeriodicalIF":1.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46963693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pentecostal Christianity and Traditional Religion in Nigerian Video Films by Edo-Language Filmmakers","authors":"Edorodion Agbon Osa","doi":"10.1080/13696815.2023.2200923","DOIUrl":"https://doi.org/10.1080/13696815.2023.2200923","url":null,"abstract":"ABSTRACT This article examines the representation of Pentecostal Christianity and African traditional religion in Edo-language (also known as Bini or Benin) video films. It discusses this in relation to English-language Nigerian religious video filmmakers’ demonisation of African traditional religion in their films. The article responds to Birgit Meyer’s work in her article “Religious Remediations: Pentecostal Views in Ghanaian Video-Movies”. It adopts an ethnographic approach based on participant observation, and uses interviews with key Edo-language video filmmakers. The current scholarship on Nigerian religious video films mainly focuses on the representation of religions in English-language Nollywood films and creates the impression that the Nigerian video film industry is an area of homogeneous cultural production. In contrast, Edo-language film producers do not privilege Pentecostal Christianity or traditional religion in their films but use the values of the two religions, which they see as similar, to edify Edo citizens and to promote the wellbeing of Benin society. This article therefore challenges the view that all Nigerian films represent traditional religion negatively and calls for greater recognition of the particularity of indigenous-language religious video films.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"35 1","pages":"217 - 231"},"PeriodicalIF":1.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41872243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kutuma Salamu on Public Service Radio and the Performance of Popular Culture: Voice of Kenya from the 1960s to the 1980s","authors":"Maureen Amimo, S. Waliaula","doi":"10.1080/13696815.2023.2201419","DOIUrl":"https://doi.org/10.1080/13696815.2023.2201419","url":null,"abstract":"ABSTRACT Radio is one of the mass media technologies that were readily absorbed in and adapted to the patterns of construction and integration of communities. Among non-elite Kenyans, radio was inserted into their performative practice of greetings through a quasi-interactive programme known as kutuma salamu, which literally translates as “sending greetings.” This article analyses the practices of kutuma salamu, a significant popular cultural phenomenon that is worthy of academic attention for at least two reasons. First, Voice of Kenya was the only radio service operational in Kenya from the 1960s to 1980s and it was largely associated with the serious business of official government communication. Second, in form and substance, this programme was very similar to present-day popular digital social media, yet dates from a time before the invention of the internet. The article examines how this popular cultural phenomenon thrived by disrupting official public service radio and how it mediated the performance of social identities. The main argument here is that radio has always provided an opportunity for alternative voices to be heard, and some of these voices can be understood as metaphorical extensions of the performance of transgressive social identities.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"35 1","pages":"232 - 247"},"PeriodicalIF":1.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44132642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Desiring Queer Motherhood and Mothering Ourselves","authors":"S. Dankwa","doi":"10.1080/13696815.2023.2186380","DOIUrl":"https://doi.org/10.1080/13696815.2023.2186380","url":null,"abstract":"ABSTRACT This essay is an open-ended, poetic reflection connecting findings from my ethnographic research on same-sex desiring women in southern Ghana with my own journey of becoming a queer mother in Switzerland. It suggests that desires for motherhood cannot be reduced to the wish for procreating or tapping into the power of extending our heteronormative lineages, but reflect feminist desires for loving, growing and connecting across generational divides. It asks to what extent mothering a child and sugar-mothering a younger woman lover can be thought (and lived) alongside each other while connecting us to our own mothers. By documenting the challenges of finding ways into queer motherhood, it hopes to encourage collective ways of “doing” families beyond marriage and childbirth.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"35 1","pages":"165 - 175"},"PeriodicalIF":1.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48739048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rethinking Motherhood through Afrofeminism: Reading Jennifer Makumbi's The First Woman","authors":"Dina Ligaga","doi":"10.1080/13696815.2023.2186376","DOIUrl":"https://doi.org/10.1080/13696815.2023.2186376","url":null,"abstract":"ABSTRACT In this article, I read Jennifer Makumbi's novel The First Woman (2020), which I argue combines African feminism and indigenous knowledge to generate alternative narratives of motherhood in the absence of the main character's biological mother. I argue that Makumbi rethinks motherhood through an afrofeminist lens to complicate the idea of the ideal mother as self-sacrificing and sacred. In the novel, Makumbi intentionally re-engages the myth of origin to figure women as fluid and complex people who do not always subscribe to ideal notions of motherhood and womanhood. The novel, therefore, opens up the possibility of competing notions of motherhood that embrace indigenous conceptions and philosophies of communal care as practised in most rural economies in Africa. Such interventions allow Makumbi to interrogate and suggest possibilities for re-reading gendered roles of motherhood, as well as African womanhood, while at the same time dealing with issues of class as defined through colonial modernity.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"35 1","pages":"141 - 151"},"PeriodicalIF":1.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46007516","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}