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Repeating after Carson 在卡森之后重复
IF 0.5 2区 历史学
CLASSICAL ANTIQUITY Pub Date : 2023-10-01 DOI: 10.1525/ca.2023.42.2.249
Rebecca Kosick
{"title":"Repeating after Carson","authors":"Rebecca Kosick","doi":"10.1525/ca.2023.42.2.249","DOIUrl":"https://doi.org/10.1525/ca.2023.42.2.249","url":null,"abstract":"Across her diverse body of work, the Canadian-born poet Anne Carson repeatedly returns to the objects of her preoccupation. From Lazarus—“a person who had to die twice” (Nox)—to Herakles and countless other figures, themes, and images, Carson repeatedly reworks old ground, particularly around the unknowable divide separating the living and the dead. This essay adopts a repetitive approach to explore how H of H and The Trojan Women can be understood as in reiterative conversation with the poet’s source texts, her own work, and wider thinking on the utility of repeating ourselves.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139327747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: On Anne Carson’s Euripides 导言：论安妮-卡森的《欧里庇得斯
IF 0.5 2区 历史学
CLASSICAL ANTIQUITY Pub Date : 2023-10-01 DOI: 10.1525/ca.2023.42.2.229
Laura Jansen
{"title":"Introduction: On Anne Carson’s Euripides","authors":"Laura Jansen","doi":"10.1525/ca.2023.42.2.229","DOIUrl":"https://doi.org/10.1525/ca.2023.42.2.229","url":null,"abstract":"This essay serves as an introduction to Anne Carson’s Euripides. It discusses Carson’s ongoing engagement with the tragedian, from Grief Lessons to her latest experimental H of H Playbook and The Trojan Women: A Comic, drawing attention to Carson’s cross-pollinating approach to Euripidean tragedy and antiquity more broadly, as well as the characteristic blending of academic and artistic styles that inform her translation poetics. The introduction includes details of the themes explored in the special issue, together with summaries of the eight ‘takes’ that make up the collection.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":"5 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139328454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
H of H and the Combustion of Thought H 的 H 和思想的燃烧
IF 0.5 2区 历史学
CLASSICAL ANTIQUITY Pub Date : 2023-10-01 DOI: 10.1525/ca.2023.42.2.237
Laura Jansen
{"title":"H of H and the Combustion of Thought","authors":"Laura Jansen","doi":"10.1525/ca.2023.42.2.237","DOIUrl":"https://doi.org/10.1525/ca.2023.42.2.237","url":null,"abstract":"This piece looks into the atmospheric and catastrophic environments that punctuate H of H: storms, ice-breaks, volcanic eruptions, and nuclear explosions that give the tragic narrative an electrifying edge. It draws attention to a “chemical” poetics at the heart of Carson’s translation technique and thinking about Euripides’ play. This mannerism, also found in Euripides’s “combustible mixture of realism and extremism” (Grief Lessons, blurb), is not exclusive to H of H. It can be detected across Carson’s oeuvre – a tendency to combust the reader’s mind in ways that become a philosophy for re-reading Euripides and, more ambitiously, Carson’s own sense of the tragic.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":"225 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139327631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Comedy in Carson’s The Trojan Women: A Comic 卡森《特洛伊妇女》中的喜剧：喜剧
IF 0.5 2区 历史学
CLASSICAL ANTIQUITY Pub Date : 2023-10-01 DOI: 10.1525/ca.2023.42.2.293
Ian Rae
{"title":"Comedy in Carson’s The Trojan Women: A Comic","authors":"Ian Rae","doi":"10.1525/ca.2023.42.2.293","DOIUrl":"https://doi.org/10.1525/ca.2023.42.2.293","url":null,"abstract":"This essay examines Carson’s The Trojan Women: A Comic, a 2021 translation of Euripides illustrated by Rosanna Bruno. Carson’s subtitle, through the intersection of classical and modern senses of “the comic” as a genre, demands that the reader ask of her book: What is the place of comedy in a comic about one of the bleakest plays in the Western canon? The comic elements of The Trojan Women reframe Euripides’ narrative and underscore, in a bitter irony, the disastrous impact on the Greeks of the reconciliation of the gods Athena and Poseidon.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139331491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Trojan Women: A Chimeric Reading (Viva Voce in a Zoom Meeting) 特洛伊妇女》：嵌合体解读（Zoom 会议中的 Viva Voce）
IF 0.5 2区 历史学
CLASSICAL ANTIQUITY Pub Date : 2023-10-01 DOI: 10.1525/ca.2023.42.2.302
Phoebe Giannisi
{"title":"The Trojan Women: A Chimeric Reading (Viva Voce in a Zoom Meeting)","authors":"Phoebe Giannisi","doi":"10.1525/ca.2023.42.2.302","DOIUrl":"https://doi.org/10.1525/ca.2023.42.2.302","url":null,"abstract":"This piece reproduces verbatim a performative talk on Anne Carson’s and Rosanna Bruno’s The Trojan Women: A Comic. The performance draws on my own poetry and installation-video art on the ancient Greek mythical figure Chimera, which I conceive as a composite being, a creature where different species meet inside one body as various bodily parts. I interlace commentary-poems, fragments, interviews, brief citations and personal notes. Each “speech-part” of this chimeric essay then explores scene-setting, the motif of absence; animal poetics, and linguistic expression in the comic play, while underscoring the potential of my approach to capture Carson and her own chimeric work. More ambitiously, the essay challenges fixed notions of how academic and creative ideas should be framed and uttered.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":"104 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139330193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ANNE CARSON’S EURIPIDES 安妮-卡森的欧里庇得斯
IF 0.5 2区 历史学
CLASSICAL ANTIQUITY Pub Date : 2023-10-01 DOI: 10.1525/ca.2023.42.2.i
Laura Jansen (Editor)
{"title":"ANNE CARSON’S EURIPIDES","authors":"Laura Jansen (Editor)","doi":"10.1525/ca.2023.42.2.i","DOIUrl":"https://doi.org/10.1525/ca.2023.42.2.i","url":null,"abstract":"","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":"56 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139327093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Classics by Design: H of H Playbook and The Trojan Women: A Comic in Art and Commerce 经典设计：H of H Playbook》和《特洛伊妇女》：艺术与商业漫画
IF 0.5 2区 历史学
CLASSICAL ANTIQUITY Pub Date : 2023-10-01 DOI: 10.1525/ca.2023.42.2.263
Patrice Rankine
{"title":"Classics by Design: H of H Playbook and The Trojan Women: A Comic in Art and Commerce","authors":"Patrice Rankine","doi":"10.1525/ca.2023.42.2.263","DOIUrl":"https://doi.org/10.1525/ca.2023.42.2.263","url":null,"abstract":"This essay investigates the linguistic, artistic, and typographical dimensions of Anne Carson’s H of H Playbook and Trojan Women by Euripides: A Comedy. I argue that graphic design and design-thinking principles provide a useful and unexplored theoretical framework for deciphering these books, given the often-complex relationship in them between image and words, and sometimes even words presented in different typeface and handwriting. Carson worked in graphic design for a time, and as a poet, words – and metaphor, specifically – are her primary design tool. Language works in tandem with image and form to create broader artistic meaning.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":"6 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139328778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Heraclean Overhaul(s): Par-a-noia, Badiou’s Un-thought, and Neurodiversity in H of H* Heraclean大修：H*之H中的Par-a-noia、巴迪欧的非思想和神经多样性
IF 0.5 2区 历史学
CLASSICAL ANTIQUITY Pub Date : 2023-10-01 DOI: 10.1525/ca.2023.42.2.280
Mario Telò
{"title":"Heraclean Overhaul(s): Par-a-noia, Badiou’s Un-thought, and Neurodiversity in H of H*","authors":"Mario Telò","doi":"10.1525/ca.2023.42.2.280","DOIUrl":"https://doi.org/10.1525/ca.2023.42.2.280","url":null,"abstract":"This paper considers Carson’s rewriting of Heracles’ tragic madness— through the art of collage, an assembling and disassambling of textual fragments, scraps of papers, drawings, chromatic smears, and sketches—as an imagistic site for theorizing the anti-normative materiality, physical and metaphysical, of par-a-noia. I make a case for a materiality of par-a-noia by proposing a comparison with Alain Badiou’s Marxist political formalism. The distinctive formal trait of H of H, verbal and pictorial juxtaposition, invites us to think of par-a-noia as an aesthetico-political radicality located on the edge of a voiding of thought (noein), a radicality that, as I suggest at the end, can be aligned with modes of non-normate cognition, with neuroqueer countersociality.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":"26 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139325419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Disjunctive Soundscapes in Anne Carson’s The Trojan Women and H of H 安妮-卡森《特洛伊妇女》和《H 的 H》中的不连贯音景
IF 0.5 2区 历史学
CLASSICAL ANTIQUITY Pub Date : 2023-10-01 DOI: 10.1525/ca.2023.42.2.311
Sarah Nooter
{"title":"Disjunctive Soundscapes in Anne Carson’s The Trojan Women and H of H","authors":"Sarah Nooter","doi":"10.1525/ca.2023.42.2.311","DOIUrl":"https://doi.org/10.1525/ca.2023.42.2.311","url":null,"abstract":"This essay examines two distinct modes of sonic disjunction in Rosanna Bruno and Anne Carson’s The Trojan Women: A Comic and Carson’s H of H Playbook. The Trojan Women shows how noticing sounds that are dislocated from expectations exposes hard truths about reality. H of H interrogates our “regular” mode of hearing other people and implies that there is a gap in how we can know others and know ourselves. Thus, though both are graphic texts, their power and effect are nonetheless garnered also through the sounds they describe and conjure in the minds of their readers.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":"92 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139330141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Slanted Translation[s]: An Interview with Artist Rosanna Bruno 倾斜的翻译：艺术家罗珊娜-布鲁诺访谈录
IF 0.5 2区 历史学
CLASSICAL ANTIQUITY Pub Date : 2023-10-01 DOI: 10.1525/ca.2023.42.2.322
Gina Prat Lilly
{"title":"Slanted Translation[s]: An Interview with Artist Rosanna Bruno","authors":"Gina Prat Lilly","doi":"10.1525/ca.2023.42.2.322","DOIUrl":"https://doi.org/10.1525/ca.2023.42.2.322","url":null,"abstract":"In this interview-essay, artist Rosanna Bruno talks with the author about her illustrations of The Trojan Women, a comic-book made in collaboration with Anne Carson. Bruno’s illustrations offer the reader an oblique entry into a devastated Troy: they are translation “at a slant.” The artist speaks on going against what is visually expected or plausible, in her use of surprising imagery to convey and counterpoint suffering, and touches upon the use of humor to bring the tragedy into sharp focus. Bruno explains how the comic-book format can communicate radical ideas in the interdependence of word and image. She talks through creating the feeling of live theater and the emotional tenor brought about by an almost entirely non-human cast: dogs, cows, a huge wave, a turnip-like rootling, a pair of dungarees. The illustrator elucidates the collaborative process between herself and Carson, revealing the various iterations of characters before they settled on their final forms, and the materials and methodologies Bruno employed in its rendering.","PeriodicalId":45164,"journal":{"name":"CLASSICAL ANTIQUITY","volume":"331 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139327102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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