NOVEL-A FORUM ON FICTION最新文献

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Norms of Embodiment and Transgender Recognition: The “Wrong Body” Problem, the Taboo on Translocation, and the Case of Henry James 化身规范与跨性别认知:“错误身体”问题、跨性别禁忌与亨利·詹姆斯个案
IF 0.3 2区 文学
NOVEL-A FORUM ON FICTION Pub Date : 2023-08-01 DOI: 10.1215/00295132-10562835
Victoria Coulson
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引用次数: 0
“If It No Go So, It Go Near So”: Marlon James and Collective Memory 马龙·詹姆斯与《集体记忆》:《如果不是这样,就是这样
IF 0.3 2区 文学
NOVEL-A FORUM ON FICTION Pub Date : 2023-08-01 DOI: 10.1215/00295132-10562799
N. T. Kortenaar
{"title":"“If It No Go So, It Go Near So”: Marlon James and Collective Memory","authors":"N. T. Kortenaar","doi":"10.1215/00295132-10562799","DOIUrl":"https://doi.org/10.1215/00295132-10562799","url":null,"abstract":"\u0000 Marlon James's A Brief History of Seven Killings fictionalizes a historical incident, the shooting of Bob Marley in Kingston in 1976, and the larger political, economic, and cultural forces that led to it and emerged from it. Real people can enter fiction and retain their names if they have already entered history or journalism—if, in other words, they are already part of a shared imagination. But there is a difference between the local Jamaican and global collective memories, a difference that determines which people keep their names and how people are remembered. People seek to enter the imagination of others, but to do so is also to risk being hollowed out and rendered imaginable, becoming a fictional character and less than a full person. But if there is only fiction, fiction also contributes to the collective memory. An awareness of the performative nature of identity and action is precisely how one can control how one is remembered and, just as important, how one eludes the imagination of others. A Brief History adds to the collective memory of readers everywhere but recognizes that Jamaicans already have their own collective memory, that they are self-conscious about what it means to come to the attention of others, and that they have always contributed to shaping the larger collective memory, including when they do not appear in it.","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44002108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mental Reflexes 心理反射
IF 0.3 2区 文学
NOVEL-A FORUM ON FICTION Pub Date : 2023-08-01 DOI: 10.1215/00295132-10562907
Michael North
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引用次数: 0
Strange Forms 奇怪的形式
IF 0.3 2区 文学
NOVEL-A FORUM ON FICTION Pub Date : 2023-05-01 DOI: 10.1215/00295132-10251316
Mary L. Mullen
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引用次数: 0
The Racial Economy of Perception: Reading Black Sociality in the Nineteenth Century 感知的种族经济——解读19世纪的黑人社会
IF 0.3 2区 文学
NOVEL-A FORUM ON FICTION Pub Date : 2023-05-01 DOI: 10.1215/00295132-10251190
A. Moskowitz
{"title":"The Racial Economy of Perception: Reading Black Sociality in the Nineteenth Century","authors":"A. Moskowitz","doi":"10.1215/00295132-10251190","DOIUrl":"https://doi.org/10.1215/00295132-10251190","url":null,"abstract":"\u0000 This article investigates a central problem for literary aesthetics in the nineteenth century: why literature won't directly represent Black revolution. It argues that in Blake; or, The Huts of America, Martin Delany thinks through the structural impossibility of conceptualizing a specifically Black sociality by continually refusing to depict Black revolution at the level of the plot. Instead, Blake ties together Black labor with revolution to suggest that within the context of the system of capital in the nineteenth century, Black labor's central role in the world economy renders the social nature of Black revolution similarly imperceptible. Blake reproduces this imperceptibility and unthinkability through its structure. The book, which is famously incomplete, ends just as a violent revolution is about to erupt in Cuba. Whether the final chapters were lost or never written in the first place, this article tracks how this same anticlimactic and nonrepresentational narrative mode is repeated throughout the novel. It suggests that these conspicuous absences serve as formal literary interventions that point toward the impossibility of thinking, sensing, and thereby representing a specifically Black sociality. The article explores how Delany adopts the literary technique of withholding used in the slave narrative to actively play with the formal and generic bounds of the novel and the slave narrative alike. By adopting this familiar technique, Delany asks what role the novel has within the African American literary tradition and what role fiction can play in interrogating the limits of a mode of political thought hemmed in by a racialized political economy.","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48161088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Edges of Fiction: Dostoevsky, Merezhkovsky, and the Birth of Novel Theory 小说的边缘:陀思妥耶夫斯基、梅列日科夫斯基与小说理论的诞生
IF 0.3 2区 文学
NOVEL-A FORUM ON FICTION Pub Date : 2023-05-01 DOI: 10.1215/00295132-10251226
Chloë Kitzinger
{"title":"The Edges of Fiction: Dostoevsky, Merezhkovsky, and the Birth of Novel Theory","authors":"Chloë Kitzinger","doi":"10.1215/00295132-10251226","DOIUrl":"https://doi.org/10.1215/00295132-10251226","url":null,"abstract":"\u0000 This article argues that the early twentieth-century Dostoevsky criticism of Russian Symbolist thinkers, roughly contemporaneous with Henry James's New York Edition prefaces, laid the foundation for an alternative line of novel theory, engaged not with the novel's claim to the status of high art but with the possibility of an unmediated exchange between literature and life. Interpreting Dostoevsky as a precursor to their own ideal of “life-creation,” Symbolist writers like Dmitry Merezhkovsky and Viacheslav Ivanov formulated the influential cultural construct called here the liminal Dostoevsky: Dostoevsky as a novelist who not only represents characters at the extremes of human being but also transgresses the conventional boundaries of literary texts. The liminal Dostoevsky became vital to two foundational works of novel theory, Georg Lukács's The Theory of the Novel (1916) and Mikhail Bakhtin's Problems of Dostoevsky's Creative Art (1929). While Lukács's later conversion to Marxism led him away from the ideal of erasing the boundary between art and life, Bakhtin pursued it throughout his writings, smuggling the logic of Symbolist life-creation into the language of modern literary theory. Now is an apt moment to revisit this genealogy. As writers and theorists of autofiction and the contemporary novel renew the dream of transcending aesthetic representation, it is crucial to historicize and interrogate our tendency to privilege the novel's capacity for dialogue with the reader over its capacity to weave immersive fictional illusions. Dostoevsky's example suggests, instead, that these two sides of novelistic creation exist in productive and perpetual tension.","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46092470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notes on the Novella 中篇小说札记
IF 0.3 2区 文学
NOVEL-A FORUM ON FICTION Pub Date : 2023-05-01 DOI: 10.1215/00295132-10251280
Morgan Day Frank
{"title":"Notes on the Novella","authors":"Morgan Day Frank","doi":"10.1215/00295132-10251280","DOIUrl":"https://doi.org/10.1215/00295132-10251280","url":null,"abstract":"\u0000 Longer than a short story but shorter than a novel, the novella appears to occupy a clear formal niche. However, novellas have posed problems for even the most basic taxonomies of literary criticism and publishing. Though the novella is defined by its length, length alone has never been sufficient to determine whether a text counts as a novella. Though the novella is a global form, shared among many national literary cultures, its transnational history is muddled by terminological inconsistency. This article sets out to understand the novella as a slippery form, one that slides through the institutional machinery that administers literary production. It centers its investigation on the United States during a period in global cultural history when the literary field was slowly coming into existence. In this environment, a group of long short stories or short novels—Nathaniel Hawthorne's “The Scarlet Letter,” Herman Melville's “Benito Cereno,” and Frederick Douglass's The Heroic Slave—revealed the incoherence of “literature” as it gradually assumed its modern form.","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":"145 ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41274166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Colson Whitehead's Paranoid Styles 科尔森·怀特黑德的偏执风格
IF 0.3 2区 文学
NOVEL-A FORUM ON FICTION Pub Date : 2023-05-01 DOI: 10.1215/00295132-10251208
Timothy Lem-Smith
{"title":"Colson Whitehead's Paranoid Styles","authors":"Timothy Lem-Smith","doi":"10.1215/00295132-10251208","DOIUrl":"https://doi.org/10.1215/00295132-10251208","url":null,"abstract":"\u0000 This article makes the case for a rejuvenated and multifaceted mode of paranoid reading. Eve Sedgwick famously used the term paranoid reading to signal critique's overblown, cynical, and alarmist tendencies and to provisionally create the space for a reparative alternative. Since then, the specific concept of paranoia has barely figured in the dispute over critique's usefulness, appearing only latently in, for example, Bruno Latour's “Why Has Critique Run Out of Steam?” when he evokes conspiracy theory as a symptom of the mainstream's oversaturation by the precepts of theory. It was thus that paranoia became once again the domain of political ideologues and their fervent supporters rather than a viable mode of literary critical engagement. Against recent postcritical dismissals of critique and other suspicious hermeneutics, the article argues that paranoia offers one of the most generative sites of potential collaboration between criticism and the novel. Circumscribing this potential, the article discovers three distinct but imbricated paranoid styles in Colson Whitehead's first novel, The Intuitionist: the racialized paranoid imperative, paranoid double consciousness, and what I tentatively call aleatory paranoia. These styles characterize a radical form of racialized paranoid thought whose diverse precepts constellate into a genuine mode of critique, not only of the structures of white supremacy but of the forms of fatalistic racial capitalist ideology that enable their persistence. The article thus serves to exemplify the expanded horizon of critical possibility enabled by a mode of reading that takes the novel as a site of the production of new ways of knowing.","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41343974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Privilege of Art 艺术的特权
IF 0.3 2区 文学
NOVEL-A FORUM ON FICTION Pub Date : 2023-05-01 DOI: 10.1215/00295132-10251334
Paul Stasi
{"title":"The Privilege of Art","authors":"Paul Stasi","doi":"10.1215/00295132-10251334","DOIUrl":"https://doi.org/10.1215/00295132-10251334","url":null,"abstract":"","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46372877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Prosthetic Grand Synthesis 假体大合成
IF 0.3 2区 文学
NOVEL-A FORUM ON FICTION Pub Date : 2023-05-01 DOI: 10.1215/00295132-10251298
Marta Figlerowicz
{"title":"Prosthetic Grand Synthesis","authors":"Marta Figlerowicz","doi":"10.1215/00295132-10251298","DOIUrl":"https://doi.org/10.1215/00295132-10251298","url":null,"abstract":"","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":"21 8","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41286580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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