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The Ends of Meter in Modern Japanese Poetry: Translation and Form 现代日本诗歌中的节拍终点：翻译与形式
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2023-12-08 DOI: 10.1215/00267929-10929034
Seth Jacobowitz
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引用次数: 0
Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England 同意的虚构：现代早期英格兰的奴隶制、奴役和自由服务
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2023-12-08 DOI: 10.1215/00267929-10928986
Joseph M. Ortiz
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引用次数: 0
Who’s Afraid of Italo Svevo? Routes of European Modernism between Trieste and Virginia Woolf’s London 谁害怕伊塔洛-斯维沃？的里雅斯特与弗吉尼亚-伍尔夫的伦敦之间的欧洲现代主义之路
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2023-12-08 DOI: 10.1215/00267929-10929018
S. Ziolkowski
{"title":"Who’s Afraid of Italo Svevo? Routes of European Modernism between Trieste and Virginia Woolf’s London","authors":"S. Ziolkowski","doi":"10.1215/00267929-10929018","DOIUrl":"https://doi.org/10.1215/00267929-10929018","url":null,"abstract":"\u0000 The Triestine author Italo Svevo spent a considerable amount of time in London and its environs between 1901 and 1926. His experiences there influenced his modernist writing, including Zeno’s Conscience, his most famous novel. Leonard and Virginia Woolf’s Hogarth Press was the first to publish Svevo’s work in English. His story “The Hoax” marked their first translation from Italian and his short story collection The Nice Old Man and the Pretty Girl and Other Stories their second, helping shape the press’s international modernist program. Despite residing in the same quickly changing city in the same period and despite their literary connections, Svevo and Virginia Woolf have rarely been compared. They have been difficult to envision together in part because their gender, backgrounds, and nationalities separate them. By exploring Woolf’s and Svevo’s shared modernist networks, including London’s influence and Hogarth Press, this article reveals Svevo’s significance as an author who has not easily fit Anglophone paradigms of modernist fiction and whose associations with Woolf contribute to the growing challenges to nation-based literary histories.","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138587382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Culture and Language at Crossed Purposes: The Unsettled Records of American Settlement 文化与语言的交汇：美国定居的未定记录
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2023-12-08 DOI: 10.1215/00267929-10928970
Ana Schwartz
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引用次数: 0
Uncertainty and Understanding in the Early Modern English Theater 早期现代英国戏剧中的不确定性与理解力
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2023-12-08 DOI: 10.1215/00267929-10929010
A. Deutermann
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引用次数: 0
The Science of Character: Human Objecthood and the Ends of Victorian Realism 性格科学：人的对象性与维多利亚现实主义的目的
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2023-12-08 DOI: 10.1215/00267929-10929026
Elisha Cohn
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引用次数: 0
Joy of the Worm: Suicide and Pleasure in Early Modern English Literature 虫子的快乐早期现代英国文学中的自杀与快乐
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2023-12-08 DOI: 10.1215/00267929-10928994
Ross Lerner
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引用次数: 0
Evil in Exile: Fiction, Franzen, Faust 流放中的邪恶小说、弗兰岑、浮士德
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2023-12-08 DOI: 10.1215/00267929-10928978
Daniel DiMassa
{"title":"Evil in Exile: Fiction, Franzen, Faust","authors":"Daniel DiMassa","doi":"10.1215/00267929-10928978","DOIUrl":"https://doi.org/10.1215/00267929-10928978","url":null,"abstract":"\u0000 Serious fiction, according to Frank Kermode, avoids the apocalyptic paradigm of beginning, middle, and end. Part of the paradigm that escaped Kermode’s attention, however, is the inevitable defeat of evil by forces of good. The present essay inquires after the narratological fate of evil in the sorts of literary fiction that exist outside this paradigm. Taking up the novels of Jonathan Franzen, which are replete with representations of evil, this essay locates the sources of Franzen’s fixation in Johann Wolfgang von Goethe and argues that, as theodicy fell out of favor in the European eighteenth century, Goethe developed a proto-existential poetics that sought to reckon with the apparent ineluctability of evil. The essay thus aims to offer a newly historicized reading of Franzen’s literary project; to draw attention to the significance of the collapse of theodicy for the development of literary fiction; and to position Goethe as a critical voice to emerge from that collapse and put forward literary fiction as a discursive alternative to theological paradigms.","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138587066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Fate of Progress in British Romanticism 英国浪漫主义中的进步命运
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2023-12-08 DOI: 10.1215/00267929-10929042
Gerard Cohen-Vrignaud
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引用次数: 0
The Words on the Screen: I. A. Richards as Media Theorist 屏幕上的文字作为媒体理论家的 I. A. 理查兹
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2023-11-17 DOI: 10.1215/00267929-10779264
John Guillory
{"title":"The Words on the Screen: I. A. Richards as Media Theorist","authors":"John Guillory","doi":"10.1215/00267929-10779264","DOIUrl":"https://doi.org/10.1215/00267929-10779264","url":null,"abstract":"This essay takes as its point of departure the later writing of I. A. Richards, which never achieved the influence of his famous books of the 1920s. In these later writings Richards was concerned largely with issues in language education and, relatedly, with the emergence of new media, chiefly visual media. Richards attempted in this later work to adapt new media such as television to the teaching of language, as well as to the teaching of literature. In the 1950s he attempted to use television to teach his audience how to read works of poetry. These experiments failed because his use of new media was premature, inadequate to his ambitious aims. Nonetheless, his anticipation of our obsession with “screens” was prescient and worth a careful reconsideration.","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139263673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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