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Knowing Fictions: Picaresque Reading in the Early Modern Hispanic World 了解小说:早期现代西班牙世界的流浪汉小说阅读
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2022-06-01 DOI: 10.1215/00267929-9644760
Paul Johnson
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引用次数: 0
Comparing the Literatures: Literary Studies in a Global Age 文学比较:全球化时代的文学研究
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2022-06-01 DOI: 10.1215/00267929-9644734
César Domínguez
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引用次数: 5
The Erotics of Materialism: Lucretius and Early Modern Poetics 唯物主义的情色学:卢克莱修与早期现代诗学
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2022-06-01 DOI: 10.1215/00267929-9644708
Christopher Braider
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引用次数: 1
Inventions of Nemesis: Utopia, Indignation, and Justice 复仇者的发明:乌托邦、愤怒和正义
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2022-03-01 DOI: 10.1215/00267929-9475108
Stephen D. Arata
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引用次数: 0
Proust, Typical Novelist: Literary Context as Type 典型小说家普鲁斯特:作为类型的文学语境
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2022-03-01 DOI: 10.1215/00267929-9475017
Anthony Ossa-Richardson
{"title":"Proust, Typical Novelist: Literary Context as Type","authors":"Anthony Ossa-Richardson","doi":"10.1215/00267929-9475017","DOIUrl":"https://doi.org/10.1215/00267929-9475017","url":null,"abstract":"\u0000 A decade ago Rita Felski argued that reliance on context shuts down a text’s meaning by enclosing it in a restrictive historical “box” and alienating its individuality. This essay offers a rebuttal to Felski’s critique, first by delineating the genealogy of her concerns in literary, philosophical, and architectural thought of the late nineteenth century, and second by exploring an alternative model of context as type, as revealed by a close reading of Marcel Proust’s À la recherche du temps perdu. Proust’s novel repeatedly makes use of a notion of the type (a person, an artwork, a battle) that prioritizes the act of typifying, an act that does not sacrifice but discloses, or even constitutes, the individual. Like the Proustian type, context is best understood not as an alienation from, but as a route to, the particularity of the literary object.","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87669035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Everybody’s Autotheory 每个人的Autotheory
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2022-03-01 DOI: 10.1215/00267929-9475043
Max Cavitch
{"title":"Everybody’s Autotheory","authors":"Max Cavitch","doi":"10.1215/00267929-9475043","DOIUrl":"https://doi.org/10.1215/00267929-9475043","url":null,"abstract":"\u0000 This essay historicizes the emergence of the term autotheory as the signifier of a mode of autobiographical writing and reading based primarily on intersubjective histories and relational ontologies. Instead of trying to define autotheory as a neatly circumscribed “subgenre” of autobiography, it argues that the term stands for a contemporary disturbance in the entire autobiographical field—a disturbance that, thanks in large part to the queer and feminist genealogies that inform it, helps disrupt the close association of autobiography and the prizing of ontological certainty and reorients the autobiographical pursuit of (self-)recognition away from the scripts of neoliberal individualism and toward the self’s more radical and formative intersubjectivity.","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85720442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
The Cambridge Introduction to British Fiction, 1900–1950 剑桥英国小说导论,1900-1950
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2022-03-01 DOI: 10.1215/00267929-9475095
Matthew Levay
{"title":"The Cambridge Introduction to British Fiction, 1900–1950","authors":"Matthew Levay","doi":"10.1215/00267929-9475095","DOIUrl":"https://doi.org/10.1215/00267929-9475095","url":null,"abstract":"","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85720486","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Queer Allusion: Wilde, Housman, Cullen 奇怪的典故:王尔德,豪斯曼,卡伦
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2022-03-01 DOI: 10.1215/00267929-9475030
Florian Gargaillo
{"title":"Queer Allusion: Wilde, Housman, Cullen","authors":"Florian Gargaillo","doi":"10.1215/00267929-9475030","DOIUrl":"https://doi.org/10.1215/00267929-9475030","url":null,"abstract":"\u0000 This essay argues for the distinctive role of allusion in queer poetry of the pre-Stonewall era, using the work of Oscar Wilde, A. E. Housman, and Countee Cullen as case studies. Most allusions depend on implicit verbal echoes that can be identified by readers able and willing to recognize them. That mix of secrecy and openness was especially attractive to gay poets, since it enabled them to express their desires obliquely by writing through authors who hinted at similar experiences. Queer allusion thus offers an alternative to long-standing theories of influence that describe poetry’s relationship to the past in terms of debt or competition. Unlike these models, queer allusion allowed poets to foster connections on the page and find relief from the loneliness that was endemic to gay life.","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85979916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
When Novels Were Books 当小说还是书的时候
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2022-03-01 DOI: 10.1215/00267929-9475069
S. Silver
{"title":"When Novels Were Books","authors":"S. Silver","doi":"10.1215/00267929-9475069","DOIUrl":"https://doi.org/10.1215/00267929-9475069","url":null,"abstract":"","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76645991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Austen, Gaskell, and the Politics of Domestic Fiction 奥斯丁、盖斯凯尔与国内小说的政治
IF 0.4 2区 文学
MODERN LANGUAGE QUARTERLY Pub Date : 2022-03-01 DOI: 10.1215/00267929-9475004
Matt Sussman
{"title":"Austen, Gaskell, and the Politics of Domestic Fiction","authors":"Matt Sussman","doi":"10.1215/00267929-9475004","DOIUrl":"https://doi.org/10.1215/00267929-9475004","url":null,"abstract":"\u0000 This essay offers a significant reconceptualization of Jane Austen’s influence on political novelists of the mid-nineteenth century by examining Elizabeth Gaskell’s extensive use of Pride and Prejudice (1813) in her novel North and South (1855). At a moment when the political dimensions of Austen’s fictions were fading to obscurity, Gaskell drew on Austen’s portrayal of domestic relationships to underscore their relevance to “public” problems. On this view, the Austenian courtship plot does not contain political anxieties so much as animate them, with the logic of complementary coupling providing a formal and thematic model for the dialectical engagements necessary for navigating social conflict. At the same time, Gaskell uses Austenian motifs to dramatize the “marriageability” of different generic frameworks during a time of regional fragmentation while also envisioning Austen as a parental figure whose legacy called for continuing negotiation.","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84380545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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