{"title":"The End of College Football: On the Human Cost of an All-American Game By Nathan Kalman-Lamb and Derek M. D. Silva, Chapel Hill, NC: University of North Carolina Press, 2024. 252 pp. ISBN: 978-1-4696-8346-1","authors":"Andrew Kettler","doi":"10.1111/jacc.70007","DOIUrl":"https://doi.org/10.1111/jacc.70007","url":null,"abstract":"","PeriodicalId":44809,"journal":{"name":"JOURNAL OF AMERICAN CULTURE","volume":"49 2","pages":"147-148"},"PeriodicalIF":0.2,"publicationDate":"2026-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148238297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Wonderful Wizard of Oz. By L. Frank Baum. Edited by Mark I. West and Dina Schiff Massachi, Peterborough, Canada: Broadview Editions, 2024. 298 pp. $18.95 (paperback). ISBN: 978-1-554-81624-8","authors":"Mark E. Benbow","doi":"10.1111/jacc.70009","DOIUrl":"https://doi.org/10.1111/jacc.70009","url":null,"abstract":"","PeriodicalId":44809,"journal":{"name":"JOURNAL OF AMERICAN CULTURE","volume":"49 2","pages":"149-150"},"PeriodicalIF":0.2,"publicationDate":"2026-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148237888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sonic Identity at the Margins By Jessie Fillerup and Joanna Love (eds.), New York: Bloomsbury Academic, 2023. 296 pp. $39.95 (Paperback). ISBN: 978-1-50-136879-0","authors":"Andrew Kettler","doi":"10.1111/jacc.70010","DOIUrl":"https://doi.org/10.1111/jacc.70010","url":null,"abstract":"","PeriodicalId":44809,"journal":{"name":"JOURNAL OF AMERICAN CULTURE","volume":"49 2","pages":"151-152"},"PeriodicalIF":0.2,"publicationDate":"2026-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148237398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Queens of Ghost-Land” 134 Years Later: Un-Masking an Appalachian Witchcraft Accuser","authors":"Aíne Norris","doi":"10.1111/jacc.70016","DOIUrl":"https://doi.org/10.1111/jacc.70016","url":null,"abstract":"<p>In 1891, newspapers across America printed a story about witches in the Appalachian Mountains and the alleged powers they possessed to control their small farming community. The article was scathing in accusation and ultimately contributed to continued othering of the women profiled, increasing their visible vulnerabilities of class, gender, and societal status. Despite an implied familiarity with the region, the article was published with initials for its byline, an act that simultaneously identified the author to locals as historian Eva Grant while offering her anonymized national protection as a subject expert. For over five years the accusations were re-printed in newspapers across the country and the article ultimately became one of the most enduring accounts of witchcraft in the Appalachian Mountains. This article builds upon over a year of archival research, genealogy, and digital authorship analysis to both un-mask Grant as the author and analyze her decision to publish the witchcraft accusation. Through an in-depth examination of the author's career, status, and writing style, this analysis offers contextualization 134 years after her lore-based article vexed a small Virginia community and led to decades of stereotype and speculation about ordinary women in the region and in popular culture.</p>","PeriodicalId":44809,"journal":{"name":"JOURNAL OF AMERICAN CULTURE","volume":"49 2","pages":"98-110"},"PeriodicalIF":0.2,"publicationDate":"2026-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/jacc.70016","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148237538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Blues Elegy: (Re)Framing the Harlem Renaissance as a Literary Response to the 1918–19 Spanish Flu Pandemic","authors":"Nahum Welang","doi":"10.1111/jacc.70033","DOIUrl":"https://doi.org/10.1111/jacc.70033","url":null,"abstract":"<div>\u0000 \u0000 <p>The Spanish Flu is widely characterized as the “forgotten” pandemic because, for most of the Twentieth century, it was seemingly absent from cultural narratives. I reexamine this characterization by (re)framing the Harlem Renaissance movement as a literary response to the Spanish Flu. Because many Harlem Renaissance artists were personally and professionally impacted by the Influenza, I employ a biocritical approach to describe their thematic exploration of illness as the formulation of figurative expressions that reflect how the virus was experienced. Wallace Thurman's short story “Grist in the Mill” rebukes the endurance of scientific racism by mirroring absurd reactions to the Spanish Flu and in the songs of Blues artists like Blind Willie Johnson, the Influenza is metaphorized as a great equalizer, a destructive but non-partisan virus. Moreover, in novels like Nella Larsen's. Passing Claude McKay's Romance in Marseille and Zora Neale Hurston's. Their Eyes Were Watching God, illness is portrayed as both a challenge and an opportunity, a contradiction that parallels how many Black Americans perceived the Spanish Flu and its aftermath. These figurative expressions are relevant for ongoing COVID-19 discourses because they reveal that the epistemological elasticity of literary subtext is adept at unpacking the complexity of pandemic experiences.</p>\u0000 </div>","PeriodicalId":44809,"journal":{"name":"JOURNAL OF AMERICAN CULTURE","volume":"49 2","pages":"131-140"},"PeriodicalIF":0.2,"publicationDate":"2026-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148238245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Talk About Sex: How Sex Ed Battles Helped Ignite the Right. Twentieth Anniversary Edition By Janice M. Irvine, Philadelphia, PA: Temple University Press, 2023. $34.95. (Paperback) 252 pp. ISBN: 978-1-43-992422-8","authors":"Kurt Edward Milberger","doi":"10.1111/jacc.70006","DOIUrl":"https://doi.org/10.1111/jacc.70006","url":null,"abstract":"","PeriodicalId":44809,"journal":{"name":"JOURNAL OF AMERICAN CULTURE","volume":"49 2","pages":"145-146"},"PeriodicalIF":0.2,"publicationDate":"2026-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148238295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Searching for Woody Guthrie: A Personal Exploration of the Folk Singer, His Music, and His Politics. By Ron Briley, Knoxville: University of Tennessee Press, 2020. 400 pp. ISBN: 978-1-62-190533-2","authors":"Scott R. Stalcup","doi":"10.1111/jacc.70005","DOIUrl":"https://doi.org/10.1111/jacc.70005","url":null,"abstract":"","PeriodicalId":44809,"journal":{"name":"JOURNAL OF AMERICAN CULTURE","volume":"49 2","pages":"143-144"},"PeriodicalIF":0.2,"publicationDate":"2026-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148238301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“They Look Just Like You and Me”: The Evolution of Immigrant Representation in American Sitcoms, 1950–2025","authors":"Judith Clemens-Smucker, Caleb George Hubbard","doi":"10.1111/jacc.70015","DOIUrl":"https://doi.org/10.1111/jacc.70015","url":null,"abstract":"<div>\u0000 \u0000 <p>Immigrant representation in American sitcoms has evolved drastically from the 1950s to 2025, portraying immigration experiences in response to cultural and political ideology. By analyzing these changes through the lens of historical television texts, United States legislation, and Stuart Hall's representation theory, it is possible to see how these differences are a result of the decades in which they were produced. Beginning with early shows featuring immigrants focused on assimilation narratives, representation can be traced through sparse portrayals in the 1960s–1970s, exaggerated stereotypes in the 1980s, lack of representation during post-9/11 suspicion, and finally to more authentic contemporary portrayals. <i>Superstore</i> episode “Employee Appreciation Day,” which directly addresses immigration enforcement, is an example clearly showing how contemporary thought influences media texts. Examination of sitcoms' encoded messages about immigrant identities shows that television's unique capacity to either humanize or dehumanize immigrant individuals or groups can potentially create empathy and understanding or promote cultural bias.</p>\u0000 </div>","PeriodicalId":44809,"journal":{"name":"JOURNAL OF AMERICAN CULTURE","volume":"49 2","pages":"87-97"},"PeriodicalIF":0.2,"publicationDate":"2026-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148237887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘It's Like a Horror Movie That You Walk Through’: Experiencing Horror Through Immersive Recreation","authors":"Susan Weidmann","doi":"10.1111/jacc.70030","DOIUrl":"https://doi.org/10.1111/jacc.70030","url":null,"abstract":"<p>Horror stories have provided enjoyable forms of leisure for centuries. Over the past five decades, however, these experiences have evolved into increasingly immersive forms of popular culture. What once involved constructing the narrative world internally through reading has expanded into sensory engagement through visual and auditory media such as film and television. More recently, participation has become even more active, as audiences control avatars in horror-themed video games or physically engage with narrative environments in haunted houses and other immersive horror attractions. This paper examines the evolution of immersive horror—from its literary origins to contemporary embodied and interactive experiences—and considers the role of American culture in shaping this industry. It concludes with a discussion of the future of immersive horror entertainment.</p>","PeriodicalId":44809,"journal":{"name":"JOURNAL OF AMERICAN CULTURE","volume":"49 2","pages":"121-130"},"PeriodicalIF":0.2,"publicationDate":"2026-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/jacc.70030","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148237353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Boomtown: What Fort Worth, Texas, Teaches Us About the Role of Film Commissions in the Era of Mobile Production","authors":"Tricia Jenkins, Kimberly Owczarski","doi":"10.1111/jacc.70019","DOIUrl":"https://doi.org/10.1111/jacc.70019","url":null,"abstract":"<div>\u0000 \u0000 <p>This article argues that local film commissions in the United States are increasingly stepping beyond their traditional roles as facilitators of location scouting and permitting to become active agents shaping the long-term viability of media production in their regions. Using the Fort Worth Film Commission and its collaboration with Taylor Sheridan and 101 Studios as a case study, the essay demonstrates how commissions are engaging in legislative lobbying, workforce development, and infrastructure planning to compete in the unpredictable landscape of mobile production. Through interviews, economic data, scholarship, and legislative analysis, the article reveals how Fort Worth's film commission has helped transform a city with no major production infrastructure into an emergent media hub—offering a template for how commissions in politically conservative or under-resourced regions might sustain production beyond one-off projects. Ultimately, the case study provides new insights into the evolving functions of film commissions in shaping where and how contemporary media production takes root.</p>\u0000 </div>","PeriodicalId":44809,"journal":{"name":"JOURNAL OF AMERICAN CULTURE","volume":"49 2","pages":"111-120"},"PeriodicalIF":0.2,"publicationDate":"2026-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148237512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}